The most natural period of her acting was before the performance of The Condor Heroes. At that time, she was not bound by the label "fairy". Young as she is, she is superior to nature. Every smile is vivid.
Wang Yuyan of Tenbury is the best Wang Yuyan in my eyes. The first time I saw Duan Yu, she stood under the peach tree, smiled and cocked her head and asked, "Who are you?" That scene instantly brought Wang Yuyan in the book to life.
When she plays Wang Yuyan, she has no baggage. So angry, worried, shy, all kinds of emotions are very willing to make expressions, and they are all hierarchical. A bow and a frown are all real enough.
Wang Yuyan, Carman Lee, is too cold and cheerless, lacking a bit of girlish atmosphere, and it seems that it lacks some persuasion for my cousin's elder sister complex. Wang Yuyan in Chen Yulian is too mature to care about Duan Yu's personality. Wang Yuyan, Liu Yifei, just right.
Next, she played one of the two most classic roles in her acting career: Zhao Linger. Liu Yifei in Zhao Linger period was more lively than Liu Yifei in Tianlong period. At that time, no one accused her of laughing and showing her teeth, and no one said that her acting was dull. At that time, she was a pure and kind spirit who grew up on an isolated island. Especially in the first half of Xian Jian, her interaction with Xiaoyao can be said to be very happy and lively. Many people like Liu Yifei's initial intention, that is, he squatted down in a green suit on Fairy Island and told Li Xiaoyao how tall he was when he was a child.
This is Liu Yifei's most successful decision, and it is also her most failed decision. The little dragon girl has established her position in the TV drama industry and accumulated a wide audience base for her.
However, Liu Yifei's acting skills were widely criticized, and it also started with The Condor Heroes. She is still very young, and her imagination of the role of Little Dragon Girl is limited. She feels that she should adopt a way of expression of "calm on the surface and surging inside". In fact, she did the same. Try to control the lower part of the face, and express all kinds of emotions with eyes, eyebrows, silence and sideways.
But she has never been in love, so the performance effect of Flirting is not very good. Although Carman Lee used the same performance method, her eyebrows were deeper, so she looked more affectionate.
From the little dragon girl, Liu Yifei embarked on a difficult journey of "breaking the rules". The role of Little Dragon Girl has a lasting and far-reaching influence on her performance style.
We can see from her various interviews that before playing the little dragon girl, she was confident and lively outside the camera, with a youthful spirit. After the little dragon girl, she seems to have lost some expressions.
The solidification of this expression has not been alleviated from "Hongmen Banquet" to "Tongquetai". She began to try to prop up one complicated role after another with an immature heart.
The same experience, the previous generation of stunning beauty Joey Wong also experienced. Since Ghost Story, she has played nearly ten female ghost roles in Nie style. The shape is similar, and the sadness between the eyebrows and eyes is exactly the same. Ghost Story made Joey Wong a professional female ghost.
Liu Yifei, who was originally lively, was gradually brought into the ditch by the "cold" label brought by the audience and works.
In order to get rid of the costume drama, she acted in The Third Way of Love, A Beautiful Woman, The Night Peacock and To Youth, and all ended up in another ditch: love rat, who didn't feel any residue at all. She doesn't seem to put so much emotion into the good girl she plays.
She plays women with complicated feelings, but for so many years, it seems that she has never talked about a well-known serious love.
The actor's own experience is very important, and the feeling of heartbreak is a necessity to become a good actor. The more actors who can enter the play, the more bumpy their emotional experience. Such as Zhou Xun, such as Hao Lei. Only by integrating one's own blood and tears into the role can the role be more real and convincing.
Her age has increased, but there is no corresponding unforgettable emotional experience. Love is to crush a person and then rebuild. Rebuilding a more attractive and in-depth person also has a sense of story.
What many small flowers lack most now is a sense of story. The only little flower I can think of with a sense of story is Nini.
Some small flowers are insatiable and only know how to make money, preferring quantity to quality. I just want to make a quick profit from traffic and make a fortune at the peak of my appearance. There are some small flowers, living in their own world. I don't listen to outside voices, just live in the flattery of fans.
This is why there are few acting schools for these actors. Liu Yifei has potential, as long as she can put down some burdens.
Facts have proved that the above conclusion is correct. In recent years, her two films with good reputation are both liberating nature. One is Fire Beast and Fang Fei, and the other is The Second Generation Fairy.
In Beaver, she plays a single mother without makeup. There is a scene in the movie where she looks at the American pilot and then hugs him. Eyes, finally have the information.
She gradually tends to return to nature. Of course, this is also inseparable from the guidance of the director. A good director can explore the characteristics of actors and stimulate their potential feelings. Billy august, the director of this film, won two Cannes Palme d 'Or awards and an Oscar.
After the release of "The Fairy Second Generation", Liu Yifei's acting reputation was obviously improved. Many passers-by got Liu Yifei's acting skills from this film. In this film, she gave up the burden of fairy tales and walked out of acting, as if she had returned to the lively feeling when she first debuted. Some fans even said that she was the best actress in this movie.
This rebound in acting skills is also traceable. In to the sky kingdom, which has been widely criticized, Liu Yifei has faintly presented a feeling of "being immortal, not immortal". It's a pity that the film was hacked too badly.
In the trailer of Nan Yanzhai's Notes, she plays the schizophrenic whose personality is blackened, which is a significant breakthrough compared with before. She finally freed herself from the image of fluttering in white.
Liu Yifei took such a detour for so many years and became the first Chinese princess in Disney.
I don't know what the final result of the film will be, we will wait and see.
The audience who saw "Xian Jian" for the first time has already changed from children to ordinary people in the fireworks and dust. We expect that the original Linger can really hold the sword in her hand and grow into a stubborn and determined Mulan.