Can someone please use the Sunset tune but change the lyrics to school 6th grade friendships

Love Quest Jolin Tsai's song (borrowed from the dancer and the secret agent to comment) "Dancing Lady" this whole album is Jolin Tsai since the climax of the seventy-two changes after the great waves. The lead single - "Dancing Lady" belongs to the Middle East dance music, the words are to express the soul of the woman in the crowd to dance in a highly anticipated, blood boiling, like watching the Roman dead fighting the same gorgeous and wonderful dance, no sound is better than the sound of the dance like a dashing and lonely. The interpretation of the voices is both flattering and seductive. After listening to the song first, I thought it would be better not to use a dance group, because the dance posture of a person interpreting a song is the most atmospheric. Back to the voice, the tenderness is the most recognizable, and I can't think of anyone other than Jolin Tsai who can sing it. As for the second hit - 〈Pretend〉, the voice is still fine with a crying tone, and the climax is coping well. And the easy and playful - 〈Madrid Unbelievable〉, very tender and mischievous singing, with the rhythm is very stable and solid. MR.Q〉 - is a very rough interpretation of the feelings of a flirtation songs, singing style is more focused on the rhythm, very good at dragging the beat, appear very self, driven by the texture of the more winks. Lipstick is a cooler version of the fast song, and 〈MR.Q〉 has a dyadic feel to it. One is unrestrained, the other is seductive; one is active, one is passive. 〈Playing Beauty〉, a good dance song for the opening. It gives me a very warm feeling, the phrase "LADIES, AND GENTLEMEN, WELCOME~" is a gorgeous and dazzling sign. The lyrics are about a beautiful girl being reborn again, with the metaphor of changing again, and a mature and feminine stance. The song "Heart Circle" is a skit. It's so comfortable to listen to, but it's hard to sing. The lyrics overlap in one section, so it's obvious that the singer has to make a trade-off. The beat of the song is very fast, so those who can't catch it will have a hard time singing it, and it won't even sound good. Familiar with the beat, but it is difficult to sing softly, pulling the high notes when the small turn of voice is very good, the same test of skill. The lyrics are sad and the melody is emotional. The piano sound at the beginning makes you enter the situation very quickly. Jolin Tsai's favorite singing style is to sing as if she is struggling at times, and her sad turn of phrase is also her usual method. 〈Opening〉 is very late to hit, the whole song emotion to catch a seemingly very relaxed but in fact, every word is sung with gnashing teeth, especially the chorus, very concerned about the interpretation of each word. It is a fast lyrical song. 〈Final words〉 singing method is partial to some decadent wind, sometimes loud voice is Cai Jilin signature singing method, very can bring out some of the words of the feelings, the last "back" two words suddenly pull the treble but very light, how many people here sing bad damage to the whole song. The song "Good Boy" is a very rebellious and sexy song with electronic drums. Jolin Tsai sings very soulfully, and Huang Lixing's hard voice intersperses, forming a very strong contrast. The chorus is very low, but the melody is so heavy that some of those who want to sing it are afraid of not being able to pull it off. 'Dancing Lady' is pushed to its peak, followed by 'Only Dance' which builds momentum. The song "Only Dance" has a clear melody and voice with a clear rhythm, so that the whole song with the theme of the Dancing Lady is greatly exaggerated, "Only Dance" and "Only Dignity" is very clear. Besides the strong concept of the main body of the album, the singing style of "Special Agent J" is also very magnetic. For example, in "Special Agent J", Jolin Tsai sings in an almost squashed voice, "capital J is like a scorpion", which seems to be a real but fake voice with a strong magnetism, adding an intriguing sense of touch. The word "perfect" in "Perfect Special Agent J" is a ripping one, and so is the word "in" in "stopping you in the blind spot of love". The word "in" in "stopping you in love's blind spot" is the same. The word "blind" in "Love Blind Spot" is a nose*** accent, and it's sung with so much flavor. As I've said before, Special Agent J is a strong performer, with every line and every word full of explosiveness, giving people unlimited imagination, and is a performer with full power. In addition to the flattened magnetic voice, it is a sharp and detailed treatment, for example, there is 〈Love Without Pardon〉, every word can be heard clearly, and every last word has a hook, which is both clear and distinct. There is also the treatment of biting words, "love for all" of the word "love" like and Tsai Yilin have a grudge, Tsai Yilin more teeth. In addition, 〈A person〉this seemingly ordinary song in the mouth of Jolin Tsai became very exhausted sense, in addition to the chorus of the climax is obvious, in the middle of the WOWOWOWOWOWOWO ~ ~ ~ is a support device, so that the climax will not be very abrupt, and went up. Jolin Tsai interprets the song in a sad voice, with a change of voice that tends towards a slow and powerless vicissitude. Jolin Tsai's 〈Not for sale〉 is a song that favors a low and slowly rising pronunciation, with a clear sense of hierarchy, and the same familiar Tsai's singing style is used to interpret the song, which is to pull the sound to a point and then suddenly fall a bit, and then suddenly turn a sound to undertake the next. This is a very unique interpretation of the song. (Metronome) is a very one-beat song, of course, occasionally dragging the beat, the chorus after each phrase seems to pull up the false sound, so that the song becomes very false, very miserable. "Give Up" is very breathy, and the latter part of the song is strained. It's not a matter of skill, but a method of interpretation that brings the song to life. The faster parts of the song are very distinct. Cold Violence' is naughty and rhythmic, 'Golden Triangle' is wild, with the first word 'outside' tearing the song apart, and 'Let's MOVE IT' is light but rhythmic. The three songs are different styles, but there is also a **** the same point, that is, there is a Part of the low can not sing (ordinary people). (Cold Violence) is "Don't let love breathless, aspirin for you", "Cold Violence is the last tacit agreement, cool your fire"; (Golden Triangle) is "cut off the civilized world's news, pause is not yet fixed the problem! The Golden Triangle is about "breaking the news of the civilized world, suspending the problems that haven't been solved yet, forgetting the date to return home", "escaping from the verbose rules, subverting the reason of being smart and understanding, and pardoning the problems that haven't been thrown away"; and the Golden Triangle is about "wanting to walk on the walls and don't hit the walls, wanting to be with me, don't hit the walls. LET'S MOVE IT" is "want to fly, don't hit the wall, want to be with me, want friction, want imagination, want action, fast hard hard hard". This makes you realize that bass singing is actually quite powerful! (Sunset) and (Peach Blossom) this lovely wind is very naughty, with inheritance of (Madrid Unbelievable) singing, from (Special Agent J) evolution of this kind of cavity is quite uncomplicated, the style of the cavity emotion are clearly distinguishable. People who sing Jolin Tsai's songs know that to sing her songs must be trained to good bass, and turn the sound. Jolin Tsai is very good at sudden high notes (the last two words of the final word, the mirage chorus, the metronome "zero" ......), or drifting in high notes (or falsetto) for a whole section (the Greek maiden at the wishing fountain, the heart-shaped circle, the choice I want to make, the confession of the mask, The Beginning ......), and a very low but melodic bass (Mirage front, The Beginning front, Rewind front, First Priority, Sky front, Pretend front ......). Those who listen don't realize how subtly it's sung, but it will always feel comfortable. Those who are familiar with Jolin Tsai's songs know that Tsai's voice itself is unadulterated and clear, but just because it's so clean, it's sometimes not very recognizable. Anyone who has heard 〈Hand in Hand〉 knows that Jolin Tsai has a solo line, but if no one tells you, or if you don't pay attention, you won't be able to find Jolin Tsai's voice at all. Jolin Tsai should know that his voice is difficult to be found, so specially and Tsai's singing style - sometimes big and sometimes small singing, when everyone is listening to the flat, hear Jolin Tsai that line will feel that this singing style is very eye-catching. Who would have thought that Jolin Tsai could sing 〈First Priority〉, 〈Chase Cupid〉, 〈Boy Cat〉, 〈Special Agent J〉, 〈Mirage〉, 〈Rewind〉, 〈Clothes Occupy the Heart〉, 〈MR.Q〉, 〈Boy Brand〉, 〈Feeling like an adversary〉, 〈PROVE IT〉, 〈Prague Square〉, 〈Dance Only Dancing Duo尊〉, 〈Sky〉, 〈Rewind〉, 〈Rewind〉, 〈Clothing〉, 〈DON'T STOP〉......, so diverse song styles, but also familiar! So if you say, you want to listen to the original Jolin Tsai's moving, Dancing Girl is the first choice; if you listen to shock Jolin Tsai's power, then Special Agent J is your favorite. Of course, after the next album is born, it may be changed oh.