Every evening, you have to pick me up.
Love it every day.
Alex, a man who is about to get married, met Fangfang, a lively, open and individual dancer, and fell in love hopelessly.
All along, he has lived in the water and never tasted the stormy waves of love. Alex, who grew up in the shadow of his mother constantly changing sexual objects, stubbornly believed that sex would not last long, and once he went to bed, everything would be over, so he made a decision to pursue Fangfang forever, but never involved lust.
Alex leads Fangfang to wander in the ocean of French romantic love, but never involves any passion. This is called Fangfang's extreme distress. I don't know why he always tries his best and then gives up halfway.
Fangfang is looking for a house to live in. After hearing the news, Alex rented a house first, and then sublet a room to her through some connections. He lives next door to Fangfang and peeps at Fangfang's life with a one-way mirror on the wall. In the intense music, Fangfang began to take off her clothes, put on her training clothes and began to dance with a dynamic rhythm. Alex danced, too, watching her, looking at her face and making an expression.
He lives with her through the glass. Although she was right in front of him, she was elusive. Alex was enclosed in a mirror of his own design.
Alex loves the woman he longs for safety.
One day, however, the secret was finally discovered by Fangfang, who witnessed his deep affection for her. Finally, Fangfang broke the mirror, which was a castle to help Alex get out of his heart. Alex finally kissed Fangfang and his heart was healed.
Sophie Marceau in the movie:
Just like every man has a Sophie Marceau in his heart, almost every man has a Fangfang in his heart.
Movies make most people believe that Sophie is Fangfang and Fangfang is Sophie. The bright smile makes us feel the warmth, youth and charm of this world, especially those beautiful and deep eyes that are familiar to the world, rippling with a magical power that can melt everything. Her beauty not only comes from her appearance, but surprisingly, she combines the beauty of reason and sensibility. Sophie Marceau's kindness and frankness can even reveal a natural sense of purity, like water, like air, like the first ray of sunshine in the morning, which is extremely natural and beautiful.
In any of her films, we have never seen her smile until the flowers tremble, but crying makes us feel that a crying woman can be beautiful.
Sophie Marceau's shorts and boots in Fangfang, with long chestnut hair tied into fluffy braids, are frank and romantic, and dare to love and hate. The love she wants is really a human fireworks. She wants to fight, to kiss, to be close to her skin. Fangfang's heart is true and pure, and she is determined not to have such a distant glass wall. She just wants to be with love.
"She is pure and sexy in the camera, with a slightly melancholy and wild temperament. The most touching admiration happened on the beach. Sophie naturally exposed her perfect figure. Alex applied sunscreen to her, and hesitant fingers stroked Sophie's skin. The unparalleled temptation, the man's powerless struggle, and the girl's youthful luster flowed under the lens, as if melting in the sun and seawater. "
This comment may best illustrate Sophie's performance in the film: "At this time, I absolutely believe that God created man without prejudice, but the materials used must be graded. Some people use mud, but like Sophie, I want to use cream and white chocolate. "