Hello,
Hyannis Chan "A Thousand Que Songs," "Drifting Snow," "Where Do We Meet in Life"
Savannah Cheng "Dancing with Eyebrows," "Worth It," "Moon on the Hook"
Mao A-Ming "Mother in the Candlelight," "Desire," "The Same Song"
Joeyoung Sung "Good Day," "Spicy Sisters," "The Earth Is Flying," and "Love Me, China"?
Xu Xiaofeng "Evening Bells of Nanping" "Wind and Rain on the Same Road" "Evening Bells of Nanping" "Wind and Rain on the Same Road"
1980-1989 was the most turbulent and prosperous decade for Chinese pop music creation. Since the reform and opening up of China, along with the entry of portable tape recorders into the mainland, the first tapes of pop songs by Zhu Fengbo appeared in China, and pop songs from Hong Kong and Taiwan spread to the streets of the mainland. Zhu Fengbo's "Roses Roses Roses Everywhere" was the first stereo sound tape in New China; at that time, under the situation that China's home recorders had very few, the sales volume of that year was more than 3.1 million, topping the charts, and the sales volume of the *** reprinted three times amounted to more than 8 million. Now included in China's record history, with the popularization of cassette recorders and movies, television and radio, Hong Kong and Taiwan pop songs are uniquely suited to break into thousands of homes, not to mention knocking on people's eardrums, strongly stimulate the music industry and even the whole society, but also bring the mainland popular lyric song creation boom.
I hope the above answer can help you!