This paper describes Lu Xun's childhood with Chang, and describes her mother's kindness, simplicity, superstition, nagging, and "full of trouble etiquette." She is full of respect and gratitude for her long-awaited painting "Shan Hai Jing", expressing her sincere mourning for the working woman and deep nostalgia for her youth and ignorance.
The full-text language is plain and vivid, revealing true feelings everywhere, and bringing readers into the world of childhood authors without any pretentious narration makes people feel particularly amiable.
Extended data
A Chang and Shan Hai Jing can be said to be the warmest of all Lu Xun's articles. This paper describes several things that I got along with my big mother when I was a child, and depicts a simple and kind rural woman image with sincerity.
Although the eldest mother is uneducated and even a little vulgar, it is a good thing, but she is kind-hearted and helpful, has good hopes for life and is enthusiastic about helping children solve problems. The author expresses his respect, gratitude, nostalgia and wishes for his great mother through the portrayal of her image and the narration of her childhood memories.
From the very beginning, the author vividly explained her life experience through her eldest mother's The Origin of Names. Not only did she not have a surname, but even her name was given to others, which showed her humble position. But it is this humble big mother who shines with simple human brilliance, which is the epitome of thousands of working women in China's old society, Qian Qian and Qian Qian.