The Shaanxi drum dance, like the Shanxi drum dance, is characterized by a great variety and amazing skills. Among them, the waist drums of northern Shaanxi gradually expanded during the 1940s and 1950s until they spread throughout the country, becoming a new form of folk dance. Into the 1980s, northern Shaanxi Province, "Ansai waist drums" and the national sensation. If the "mighty gongs and drums" and "Lanzhou Taiping Drums" are the golden drums and the magnificent masculine beauty, then the "Ansai Waist Drums" are the unity of the drums and the drums, which show the group spirit and emphasize the beauty of individuality. It not only shows the spirit of the group, but also highlights the beauty of individuality. Rushing: is the momentum of the dancers and performances on the unconventional, it is reflected in the action of the courage to move freely and the rhythm of the rapid changes in the same kicking drums, can be kicked higher, playing louder, full of energy, ups and downs. Teng Yue: It is the sublimation of the group spirit of people in the performance. Actors often leap up high when the arms are spread out sharply, and retrieve the drums in a facsimile. The whole performance is like a dragon and tiger leaping, and the wind rises and thunders, which is inspiring. It shows a new generation of farmers to get rid of the shackles of the land for thousands of years, and in turn to be the master of the earth, to develop and utilize the whole loess plateau. This is the folk dance on the "drum dance to the end of God" in the "God" word interpretation.