Kazakh clothing characteristics

Kazakh clothing clothing factory ' Wang Guangzhou Hou practice analysis of Kazakh clothing characteristics face Yi 奢俗一、哈萨克族的服饰特征和文化心理 From ancient times to the present, cattle and sheep and the Kazakh people's food, clothing, housing and transportation have formed an unbreakable relationship with the sheepskin robes, fox-skin hats, felt tubes, leather boots and so on has become an important symbol of the steppe clothing than the bone needle stitching of animal skins, and the innovation and creation of the clothing fabric is more flexible and can be tailored according to the human body characteristics, the shape and sewing techniques are also more flexible. The innovation and creation of clothing fabrics, which can be tailored according to the human body features, has led to the emergence of tops with collars, lapels and sleeves, and pants with front and back crotch openings, whose shapes and sewing techniques are also more flexible and diversified, which reflects the continuous progress of the development of human clothing. Most of the Kazakh ancestors lived in the northern part of the Neotropical region and Central Asia and maintained a lifestyle based on agriculture and animal husbandry. They lived with cows and sheep, and gradually formed their own unique artistic tastes and aesthetic standards by integrating foreign cultures in the course of their long life and labor. The black and white with bright colors and decorative patterns are the main aesthetic features of Kazakh clothing. This unique art of dress is a carrier of the long history and culture of the Kazakh people, and it reflects the aesthetic and cultural psychology and national sentiment of the Kazakh people. The basic patterns of Kazakh costumes are mostly single or quadrilateral continuous plant patterns, triangles, geometric shapes or continuous flower patterns, finding complementary and harmonious forms between the square and the circle. In a large number of archaeological discoveries in Xicheng, the triangular pattern is the most common pattern motifs Kazakh herdsmen mostly live in the mountainous areas of the plateau, where the four seasons are obvious and the light is strong, and the strong and vivid colors are the favorite colors of the Kazakh people. Color. Living in the cold environment of the steppe and Gobi, they choose red to decorate their felt houses and costumes, which can play a role in the color psychology to resist the cold outside and adjust the monotony of the environment, and the inheritance of generations and the geographical environment have become the main factors influencing the color of the Kazakh costumes and the aesthetic psychology. In the subject matter of patterns, traditional plants, fruits and animal horns are used as prototypes, which are varied into various geometrical shapes with strong national meaning. In the process of development of Kazakh costumes, we can feel the close relationship between costumes and totem worship, witchcraft rituals. Both symbolic mimicry and sorcery activities are inseparable from the fiery songs and dances, which must be able to move people's hearts and arouse the devotion of the believers. Therefore, the costumes of the performers of totem worship ceremonies or witchcraft rituals are often the most typical part of the costumes of the tribe or nation, and, with the passage of time, the consciousness of totem worship and the representative spirits have gradually been transformed into concrete patterns and preserved in the costumes. For example, the owl symbolizes justice, and the feathers of the owl on the head of a person can protect him from evil and keep him safe, and the feathers of the Uk owl on the top of the crown of the takya hat of a Kazakh child in China represent the meaning of keeping away from diseases and keeping well forever. Historically, the Yukan Kazakhs, influenced by Shamanism, took the white swan as one of their important totems. The white swan is the embodiment of the god of heaven and the soul, and the Kazakh people protect the white swan as a holy bird, and if they can get a few of its feathers, they are even more precious. The Kazakhs living in Central Asia still call fire the "Fire Lady" and use the color red in their clothing to symbolize this nature and totem worship. Costume characteristics of Kazakhs in different countries and regions As an important carrier of national culture, costume is a window to national culture. Through the splendid and rich national costumes, we can find the unique cultural psychology and costume characteristics of the Kazakhs, which have been formed by gradually adapting to different living environments in the course of the long process of historical change. The Kazakhs in Central Asia have a unique cultural psychology and clothing characteristics that have been developed through the long process of historical change and adaptation to different living environments. Since the end of the century, when Tsarist Russia entered Central Asia, its industrial civilization began to spread in the living area of the Kazakh people, and the textile industry developed and could produce advanced products such as fine cotton and linen, replacing the traditional coarse woolen products. At the same time, artistic tastes and ideas gradually changed. In the decoration of Kazakh clothing, modern color mixing, printing and other technologies gradually replaced the traditional homemade materials and pattern combinations, more inclined to the Russian national style, rich patterns, pure colors, forming a very noble and elegant style. Adopting the machine ...... >>

*** Characteristics of the clothing of the Er people *** The Er people generally use the famous "Edelweiss silk".

*** The traditional clothing of the Er people is very rich in features: men wear "lined" robes, right-over-oblique collar, no buttons, with a rectangular silk scarf or cloth scarf tied around the waist; rural women in the wide-sleeved dress outside the placketed undershirt; urban women are now more often wearing a suit blouse and skirts; *** Er men and women like to wear leather shoes and boots, leather boots with rubber overshoes; leather boots with rubber overshoes; leather shoes with rubber overshoes. Leather boots plus rubber overshoes; men, women, and children wear small flower hats with four flutes; *** Er flower hats are embroidered with black and white or colorful silk threads in national style, and some of them are also embellished with colorful beads; and women often use earrings, bracelets, and necklaces as decorations.

The difference between Kazakh clothing and *** Er clothing? The difference between Kazakh clothing and the *** Er people's clothing is as follows

Kazakh clothing, Kazakh herdsmen, both men and women, wear long leather boots, and in winter they wear stockings sewn with felt, which can be worn inside the boots to keep them warm. Clothes made of fur, wide, long sleeves. There are some differences in different regions. In winter, men generally wear winter sheepskin cloak, generally not hanging cloth. Men have a kind of camel hair wadding for the coat, called "Kupu", the waist girdle set metal pattern decoration of the belt, the right side of the knife. Pants are made of leather. Women wore dresses, preferring red, and when it was cold, they wore cotton coats with lapels. Young girls wear fabric embroidered pants, decorated with silver dollars and silver products, clanging when moving.

*** Er costume, its clothing is characterized by: loose style, spontaneous, strong color contrast. Women love to wear wide-sleeved lightweight dresses, clothing materials generally use the famous "Edelweiss silk". Men's robes are called "lined tabs". Right-over-right slanting collar, no buttons, with a long square scarf tied waist. In the past, women used to wear a black lapel undershirt over a dress with wide sleeves. Nowadays, they mostly wear western-style short tops and skirts. *** The Er people, both men and women, young and old, wear embroidered with a variety of patterns of the Dopa (flower hat). Women like to wear earrings, bracelets, necklaces and other decorations. In the past, young girls wore more than ten braids of hair, and long hair is beautiful. After marriage is generally changed to two, the braid tips scattered, head don't produce a month-shaped comb for decoration, there will be a double braid coiled into a bun.

Write an article describing the clothing of the Kazakh people (400~600 words) plant

'

Wang Guangzhou Hou

Practice analysis of the Kazakh people's clothing features face

Yi

奢俗

I. The Kazakh people's clothing features and cultural psychology

The Kazakh people's clothing features and cultural psychology

The Kazakh people's clothing is the most important part of the Kazakh people's culture.

There were blouses with collars, lapels and sleeves, and pants with front and back crotch openings

and their modeling and sewing techniques were more flexible and diverse, reflecting

the continuous progress in the development of human clothing.

Most of the ancestors of the Kazakh people lived in the northern part of the New Twist and

Central Asia, and maintained a lifestyle based on agriculture and animal husbandry. They used cattle and sheep as companions, and in the course of their long life

process of integration of foreign cultures, gradually formed their own unique

unique artistic interests and aesthetic standards.

Bright colors in black and white and a variety of decorative patterns have become the main aesthetic features of

Kazakh clothing. This unique

dress art is a carrier of the long history and culture of the Kazakh people,

from which the aesthetic culture of the Kazakh people can be reflected

reasoning and national emotional deposits.

The basic pattern of the Kazakh costume is mostly a single

or quadrilateral continuous pattern of plants, triangles, geometric shapes

or continuous pattern shapes, and find the complementarity and harmony between the square and the circle

In a large number of archaeological discoveries of the Xicheng

, the triangular pattern is the most common decorative motifs of the Kazakh

people, who lived in the mountainous areas of the plateau. Most of the herdsmen live in the mountainous areas of the plateau, the four seasons

are clear, the light is strong, and the strong and vivid colors are the favorite colors of the Kazakhs.

The theme of the pattern is mostly based on traditional

plants, fruits, animal horns as a prototype, mutated into a variety of geometric

shapes, with a strong national meaning.

In the process of development of Kazakh costumes, we can

feel the close

relationship between costumes and totem worship, witchcraft rituals. Whether it is symbolic mimicry or witchcraft

activities, it is indispensable to have hot songs and dances, and these songs and dances

must be able to move the hearts of the people and cause the believers to worship with devotion.

Therefore, the costumes of those who perform the rituals of totem worship or sorcery

are often the most

typical part of the costumes of the tribe or nation, and, with the passage of time, the consciousness of those

totem cults and the representative spirits are gradually transformed into specific

patterns to be preserved in the costumes. For example, the owl symbolizes pink

justice, and its feathers on the top of people's heads can ward off evil spirits and keep

one side safe, and the feathers of the Uk owl on the top of the crown of the Kazakh children's takya hats in China

represent the idea of keeping away from illness and keeping well forever. The same ethnic group or

tribe, due to different totem worship, will be reflected in the dress

accordingly.

Historically, the Kazakhs were influenced by the Satsuma religion, which made the white swan one of their most important totems.

The white swan is the embodiment of the gods and souls, and the Kazakh people

take the white swan as a sacred bird, and protect it, and if you can get a few of its

feathers, it is even more precious. In Central Asia

Kazakhs living in the region to this day will be the fire honored as the "Fire Lady", clothing

decorated with red to symbolize this nature and totem worship.

Second, the different countries and regions of the Kazakh people's clothing characteristics

Clothing as an important carrier of national culture, is to show

national culture of a window, through the splendid and rich national

clothing, we can find that the Kazakh people in the long process of historical

change gradually adapted to the different living environment and the formation of the unique cultural psychology of the

The Kazakh people in the long history of

change process

The Kazakh people have a unique cultural psychology, which has been formed by the different living environments and the development of a new culture.

, Central Asian Kazakh dress art

The Kazakh dress art in Central Asia is difficult to find

the shadow of the traditional religious influence, but more reflect the pursuit of aesthetic

. Since the arrival of Tsarist Russia in Central Asia at the end of the century, its industrial civilization began to spread in the living area of the Kazakh people, and the textile industry developed and could

produce advanced products such as fine cotton and linen, replacing

the traditional coarse woolen products. At the same time, artistic tastes

and ideas gradually changed.

In the decoration of Kazakh clothing, modern color mixing,

printing and other technologies gradually replaced the traditional folk homemade material

and pattern combinations, more inclined to the Russian national style, rich in

patterns, pure colors, the formation of an extremely noble ...... >>

What are the characteristics of minority costumes China's minority costumes are very rich in terms of quality and color, as well as in terms of style and matching. There are 24 ethnic minorities in Yunnan Province in September 1988 held the first National Arts Festival, thousands of ethnic minority cultural and artistic team, that is, thousands of ethnic minority dress performance team, so that Chinese and foreign guests marveled. Kunming Ethnic Song and Dance Troupe to "sun, moon, wind and fire" as the theme, launched a national costume lyrical evening, divided into "spring sunshine", "summer moon", "Autumn breeze", "winter fire" four scenes show three hundred sets of national costumes, the variety of varieties, styles of strange, colorful, the complexity of the pattern is amazing. A short one and a half hour performance, convincing proof: Yunnan is not only a sea of songs and dances, but also a sea of minority costumes. And this is a microcosm of multi-ethnic China. Secondly, due to the differences in natural environment and national customs and aesthetic interests, the costumes of China's ethnic minorities show great differences between the north and the south, the mountainous areas and the grasslands, and display different styles and characteristics. China's natural conditions are very different between the north and the south: the north is cold and snowy, with wide forests and grasslands, and the ethnic minorities living there rely on hunting and animal husbandry; the south is hot, humid and rainy, with mountainous basins and ridges, and the ethnic minorities living there engage in farming. Different natural environments, production methods and lifestyles have resulted in different national character and psychology, as well as different clothing styles and clothing characteristics. Living in the plateau pasture and engaged in animal husbandry Mongolia, Tibet, Kazakhstan, Kyrgyz, Tajik, Yugu, soil and other ethnic minorities, wearing more from livestock fur, with sheepskin sewing clothes, pants, overcoat mostly for the light plate, some in the collar, cuffs, lapels, hem set with color cloth or fine fur. Tibetan and Kyrgyz with precious fur trimmed robes and skirts look elegant and thick. Kazakh "kup" is a coat with camel hair lining, very light and warm. Their clothing style is wide robe and big sleeves, thick and solemn. Southern minority areas are suitable for planting hemp and cotton; self-woven linen and cloth is the main material used in dresses and skirts. The tools used are very simple, but the fabrics are exquisite, and the patterns are marvelous. Because of the hot and humid weather, the need to open chest and legs, dresses and skirts are more short, narrow and thin, and its style is more lively and lively, a variety of styles, not the same. In short, the variety of styles and different characteristics are very prominent, constituting another feature of minority dress culture. Thirdly, due to various historical, geographical, political and economic reasons, China's ethnic minorities were still in different stages of social development and corresponding levels of productive forces until the middle of this century, and the resulting differences were so profound that they have not yet been completely overcome, thus the cultural contents expressed in ethnic minority costumes have obvious hierarchies. Due to various historical, geographical, political and economic reasons, before the liberation of China, some ethnic minorities already had a clear sprout of capitalism, while others remained at the end of the primitive commune, which demonstrated the extreme imbalance of social development. In this regard, Yunnan Province, which has been described by ethnographers as "a living history of social development," can serve as a typical representative. Before the liberation, among the twenty-four ethnic minorities in Yunnan, capitalist factors had developed considerably among the Bai, Hui, and some of the Yi; the vast Zhuang, Hani, Naxi, Bai, and Yi had entered the feudal landlord system; the Dai had entered the feudal lord system; and the Yi of the Xiaoliangshan Mountains had entered the more typical slave system; while quite a number of ethnic minorities, such as the Geno, Brown, Jingpo, Dulong, Nu, and some of the Lisu and Wa remained at the end of the primitive communal period; and some of them, like the Kino, Brown, Jingpo, Dulong, Nu, and Wa, remained at the end of the primitive communal period. At present, the Yongning Naxi (Mosuo) still retain the remnants of matrilineal system. This situation also exists to varying degrees in other provinces and regions inhabited by ethnic minorities, but it is not as complete and typical as in Yunnan. In this way, the cultural content reflected in the costumes of ethnic minorities is also hierarchical. At the same time, this hierarchy also determines the hierarchy of minority dress culture. Some people have a misunderstanding, as if all the minority dress in the special place have "primitive", are the specific expression of the original culture, is obviously not in accordance with the facts. The hierarchy of minority dress should be analyzed according to the actual situation.

*** What is the difference between the clothing of the Irs and that of the Kazakhs? Vests and long skirts are indistinguishable, but the hexagonal hat is a feature of the *** Irs, because if the Kazakhs then it must be with feathers, the Vi?t Nam wears a long vest, and the Kazakhs have a short vest.

What kind of clothes do the Kazakhs wear? The Kazakhs have their own national costume

However, the daily wear and the Han Chinese are the same

The customs of the Kazakhs, customs and habits of the introduction of the regiment), and like to eat scratching mutton. Folk creations are abundant, such as legends, lyric poems, satirical compositions and so on. Kazakh clothing is mostly made from animal skins. Women wear long flowery cloth dresses in summer and like to use silver dollars or silver products as decoration. In winter, they wear a coat with a lapel, which is mostly made of winter sheepskin. Women wear white cloth head coverings and large white cloth turbans, long as their heels, with ornaments decorating the upper left end of the turbans. Young women wear round flower hat, the top of the hat by the owl feathers for the tassel. In winter, men wear sheepskin, fox skin, wolfskin cloak and coat with camel hair wadding, waist belt, the right side of the knife, pants more stapled cowhide sewing, said the name of the "summer Ribal". Due to frequent horseback riding, men and women wear long leather boots, Kazakhs are traditional nomads, the end

Steppe People's clothing features (ethnic minorities) Overview of the Mongolian dress Mongolian dress, including robes, belts, boots, jewelry, etc. But due to regional differences in the style of the Mongolian dress. However, there are differences in style depending on the region. To women's robes, for example, horqin, karachin area of mongolians by the Manchu influence, mostly wear wide straight to the heel of the robe, both sides of the fork, collar and cuffs with more colorful set of flowers appliquéd; Xilingol grasslands mongolians are wearing fat, narrow-sleeved set of mongolian robes are not open; Buryat women wear girdle skirt-style shoulder robes; Ordos women's robes are divided into three, the first for the body suit, the sleeve length of wrist, the second for the outerwear, sleeve length of wrist. The second is a tunic with sleeves up to the elbow, and the third is a collarless placketed kangsha, studded with straight rows of glittering buttons; while the robes worn by the Mongols in Qinghai are more similar to those of the Tibetans. Except for Qinghai, men's dress varies little from place to place. In the spring and fall, they wear a robe, in the summer they wear a single robe, and in the winter they wear a cotton or leather robe. Mongolians usually like to wear fabric clothes, festivals or celebrations generally wear brocade bordered satin clothes. Men's clothes are mostly blue and brown, and women's clothes like to use red, pink, green and sky blue. Belt is an important part of Mongolian dress, with a length of three or four meters of satin or cotton made. Men hang knives, fire scythes, snuffboxes and other ornaments on their belts. Mongolian boots are divided into two kinds of leather boots and cloth boots, Mongolian boots with fine workmanship, boots and other places have exquisite patterns. Hanging jewelry and wearing hats are the habits of Mongolians. Hats in various regions also have local characteristics. Inner Mongolia and Qinghai and other places of Mongolia's hat top high side flat, lining made of white felt, the outer edge of the decorated leather or felt dyed purple and green for decoration, winter thick summer thin. The top of the hat decorated with tassels, hat band for silk, men and women can wear. Hulunbeier's Balkhu, Buryat Mongolia, men with shawl cap, women with turned brim pointed cap. Agate, jadeite, coral, pearls, silver and other precious raw materials to make Mongolia's jewelry rich and luxurious. Men's colors are mostly blue, black and brown, but also some with silk wrapped around the head. Women mostly use red, blue head wrap head, winter and men wear the same conical hat. Mongolian men wear robes and girth, women's sleeves embroidered with lace patterns, tops with high collars, seems to be similar to the tribe. Women like to wear three pieces of clothing of different lengths, the first for the fit, sleeve length to the wrist, the second tunic, sleeve length to the elbow, the third collarless lapel kangs, nailed with straight rows of glittering buttons, especially eye-catching. [edit this paragraph] Mongolian clothing characteristics Mongolian clothing has a strong grassland style. Because the Mongolian people have long lived in the northern steppe, Mongolians, both men and women love to wear robes. Pastoral winter clothing is mostly light plate leather clothing, there are also satin, cotton clothing face. Summer clothing more cloth. Long robe body end fat, long sleeves, more red, yellow, dark blue. Men's and women's robes are not slit at the hem. Red and green satin belt. Men's belts hang knives, fire scythes, snuffboxes and other ornaments. Like to wear soft cowhide boots, long to the knee. Peasants wear cloth, slit robe, cotton clothes, etc., more felt boots in winter Ula, high boots rare, retaining the custom of waist tie. Men wear blue, black and brown hat, some with silk wrapped around the head. Women with red, blue bandana wrapped around the head, winter and men wear the same conical cap. Unmarried women separate their hair from the center of the front, tied on two hair roots, hair roots with two large round beads on top, hair slightly down, and decorated with agate, coral, jasper and so on. There are also more distinctive Mongolian wrestling costumes. Mongolian wrestling clothes are Mongolian dress craft. The wrestling costume includes kangs, pants, trouser sets, and colored silk belts. The kangaroo bares the chest. The pants are wide. The pants are rich in patterns, usually cloud pattern, plant pattern, life pattern and so on. The patterns are bold and powerful, with strong color contrasts. *** Hypertrophy, made of 10 meters of cloth. Facilitate heat dissipation, to avoid sweat and wet paste on the body surface; also adapted to wrestling wrestling sports characteristics, so that the opponent is not easy to use the leg action. Set of pants with tough and sturdy cloth or velvet sewing. Knee with various colors of cloth patchwork combination of sewing patterns, patterns generous and solemn, said auspicious. All parts of the garment are properly matched and blend into one, which has the national characteristic of courage and strength. Kazakh clothing Kazakhs are characterized by grassland nomadic culture, clothing to facilitate riding, its national costume with sheepskin, fox skin, deerskin, wolf skin, etc., reflecting the mountainous steppe people's life characteristics. Men wearing a high-collar shirt, young people's collars are embroidered with colorful patterns, set of Western-style undershirts, outside the cloth or fur coat, waist belt, on the knife, easy to eat and drink, under the large crotch leather pants to facilitate horseback riding, wearing hats are divided into two kinds of winter, spring, summer and autumn. Winter and spring hat is made of fox skin or lamb skin spiked four-pronged cap, left and right with two ear fans, behind a long tail fan, the top of the cap has four prongs, this cap can cover the wind and snow, to avoid the cold; summer and fall hats are made of lamb's wool white felt ...... >>