Surname: Zheng Zhihua Origin: Taipei
Gender: Male Birthplace: Taipei
Height: Weight:
English Name: Location:
Blood Type: O Horoscope: Scorpio
Shaw: Academic Calendar:
Birthday : 1961-11-14 Occupation: Singer
Personal Biography
Creative History:
1984 Entered the advertising agency, "Happy Shampoo", "Foo Foo Foo". ...... and other works received a warm response, and has been recognized in the advertising industry ever since. At the same time, he started to compose music to accompany commercials and released his first song "For Happy Girls", which was recognized by the record company "Point General".
December 1988, he released his first solo album, "The Story of Laomao".
August 1989, he left the advertising industry, where he had achieved great success.
February 28, 1990: Released his second solo album, "Single and Running Away", his first album after joining Koden Records.
November 30, 1990, released the third album "Fallen Angel".
September 14, 1991 - Released their fourth album "Young Age" after leaving "Corden" and joining "Flying Saucer".
April 20, 1992 released the fifth album "Private Room".
December 4, 1992 released the sixth album "Starry Night".
October 4, 1993 Released seventh album, "Tearful Players".
March 1995 Released eighth and first Taiwanese album "Pipe A Brother".
April 10, 1995 Releases his ninth album, "Playing the World".
January 1996 Released the tenth and second Taiwanese album "Mahjong" to coincide with the release of the movie "Mahjong".
April 1998 Released his eleventh album, "Sleepless at Night", his last official solo album.
April 1998 Released his twelfth and third Taiwanese album, The Last Night City, a live concert version of Jung's album.
January 1999 The married Zheng Zhihua officially announced his retirement from singing, but he would continue to work in songwriting, writing, painting, advertising planning and other related work, and officially entered the IT world, and was planning the construction of his personal website.
Singer's Biography
02 years old Suffered from polio, so he lost his legs.
03-06 years old A childhood of constant struggle with doctors and drugs. He fell in love with painting and aspired to be a painter. His first work was a painting of Guan Gong.
07 years old Underwent surgery at Himachal Hospital and was finally able to walk with crutches.
At the age of 08, he started elementary school and received a nametag for the eighth class of the first year at Dongyuan Elementary School.
09-14 Years old In six years of elementary school, I was always in the top two in my grades, and I won first place in countless art, calligraphy, and essay contests. I read too many famous literature books, and my favorite was The Monte Cristo Story.
14-17 years old, he was enamored with existentialism in junior high school, and Kafka became his lifelong idol.
At age 17, he decided to enroll in the Civil Engineering Department of Taipei Technical College because he hated wearing uniforms and carrying backpacks to school.
22 years old Graduated from Taipei Technical College and joined an engineering company, but decided to leave because he was not used to the life of punching a clock at work.
At age 23, he joined an advertising agency as a copywriter and launched a series of advertising adventures.
At 25, she released her first song, "Happy Girl", and at the same time, her works, such as Happy Shampoo, Frizzy Bath Milk, and Long Jiao San ......, gained a warm response and were recognized in the advertising industry from then on. She has been recognized in the advertising industry ever since.
At 26, she met Ah Kwai (the owner of Point General Records) and decided to release her solo album, "The Story of Lao Mai".
28 Zheng Zhihua married Zhang Yuya, whom he had known for more than three years.
◆ Zheng Zhihua's recent developments:
July 14, 2001 Nearly two years after the establishment of the Zheng Zhihua Fan Union, Zheng Zhihua received the station manager, Sparkstone, in Beijing, thus opening up a new situation of intimate contact between Zheng Zhihua and his fans.
November 17, 2001 Zheng Zhihua attended the recording of the variety show "Emotional Supermarket" in Nanjing, Jiangsu Province, during which he received his ally Lonely Lamb in Nanjing and contributed to the financial support of Cheng Yuyun, an armless college student in Nanjing.
November 19, 2001 Zheng Zhihua participated in the recording of the program "Very Weekend" on Jiangsu Variety Channel in Nanjing, Jiangsu Province.
November 21, 2001, Zheng Zhihua participated in the recording of Liaoning TV's "Heartbeat Promise" song club excerpts in Shenyang, Liaoning province, during which he received allies from Liaoning, Beijing and Jilin, such as Hundred Years of Yiyu, Daguo Xiaomin, Star-picked Boys, and Dream-chasing Xiandi.
December 7, 2001 Zheng Zhihua participated in the recording of Heilongjiang TV's "See No Evil" program in Harbin, Heilongjiang.
December 28, 2001, Zheng Zhihua participated in CCTV's "The Same Song" special program - for the 60 million disabled people in Beijing, and won the Love Charity Ambassador Award.
January 19-20, 2002 Zheng Zhihua traveled thousands of miles to Beijing to participate in the "Beijing Promise" ally reunion held by Zheng Zhihua's fan alliance, and participated in dinners, Internet chats and other activities with the attending allies.
May 1, 2002 Zheng Zhihua participated in the Love Cake large-scale public welfare activities to help the disabled in Urumqi, Xinjiang.
September 10, 2003 Zheng Zhihua in Kunshan to participate in the 2003 Mid-Autumn Festival large-scale charity fund-raising cultural evening performance.
October 22, 2003 Zheng Zhihua in Xuancheng, Anhui Province, to participate in the "Mecca Night" song club performances, during the reception of the allies in Anhui Province, I online, He Manzi and so on.
April 21, 2004 Zheng Zhihua participated in the welfare lottery awards in Qingdao, Shandong Province, as the guest of honor and performed, during which he again received Zheng Zhihua fan alliance station chief Sparkstone.
April 24, 2004 Zheng Zhihua held a small performance at the Wuwei Hotel in Wuwei, Gansu Province.
April 26, 2004 Zheng Zhihua held a "Re-emergence of Jianghu Song Friends Concert" at the People's Theatre in Zhumadian, Henan Province, during which dozens of allies from all over the country came together to participate in a live performance and be received by Brother Huahua.
April 28, 2004 Zheng Zhihua in Nanjing, Jiangsu Province, to participate in the welfare lottery award activities, as the guest of honor and performance, during which again received the Nanjing ally lonely lamb.
May 5, 2004 Zheng Zhihua in Anhui Wuhu Miramar Stage, heavenly entertainment plaza held a personal small song club.
May 21, 2004 Zheng Zhihua in Shanxi Jincheng held a small song club.
On May 26, 2004, Zheng Zhihua held a small singing club in Xinxiang, Henan Province, during which several allies from Henan Province attended the show and were received by Brother Hua.
On May 28, 2004, Zheng Zhihua held a small concert in Liaocheng, Shandong Province, during which several allies from Shandong Province participated in the show and were received by Brother Huahua.
May 30th, 2004, Zheng Zhihua held a personal small song club in Xiangtan, Hunan Province.
May 31, 2004 - Zheng Zhihua held a small concert in Qinhuangdao, Hebei province.
November 21, 2004, Zheng Zhihua performed at the Donghua Hotel in Yingkou, Liaoning Province, during which several allies from Liaoning Province attended the show and were received by the singer.
November 23, 2004 Zheng Zhihua had an online video chat at Netease in Beijing.
November 25, 2004 Zheng Zhihua participated in the recording of the program "Spring Flower, Autumn and Autumn Reality" on Beijing TV2 in Beijing with some of his allies from Beijing on the spot.
November 27, 2004 Zheng Zhihua participated in CCTV's "The Same Song" - Into Zhuzhou program in Zhuzhou, Hunan Province, during which several allies were received by Brother Hua.
November 28, 2004, Zheng Zhihua performed at the Donghua Hotel in Yingkou, Liaoning Province, during which several allies from Liaoning Province attended the show and were received by Brother Hua.
December 20, 2004, Zheng Zhihua took part in CCTV's "The Same Song" in Beihai, Guangxi province - into the Beihai program.
December 21, 2004, Zheng Zhihua held a small solo concert in Lhasa, Tibet.
April 29, 2005 Zheng Zhihua in Handan, Hebei Province, to participate in the CCTV's "Chinese love" evening show, during which there are allies far away and so on got to meet the chemical brother.
May 2, 2005 Zheng Zhihua attends a small performance at a theater in Xi'an, Shaanxi Province, during which more than ten allies such as Wings and Together with the Son got an audience with Brother Hua.
May 8, 2005 - Zheng Zhihua attended a small show in Xiamen, Fujian, China at the Angel Bar (formerly known as the Fallen Angel Bar), during which Yywha, Yun Jie, and other allies were received by Hwa.
May 10, 2005 Zheng Zhihua held a press conference in Beijing, announcing that he had signed a contract with Beijing Douluo Culture Co., Ltd. and was planning to release an album he personally supervised and produced, "Zheng Style Influence", in November 2005, where he sang a new song he wrote for his friends who have been supporting him, "Like a Dream".
July 3, 2005 Zheng Zhihua performed at the Nanshan Stadium in Tianshui, Gansu Province, for the 2005 China Tianshui Fuxi Cultural Tourism Festival and the 20th anniversary of the founding of the city, the "Night of the Tianhe Wheel of Life" large-scale celebrity concert.
On September 24, 2005, Zheng Zhihua attended a small performance of Zunhua Club in Tangshan City, Hebei Province.
September 26, 2005 - Zheng Zhihua in Yongkang City, Zhejiang Province, to participate in the CCTV's "Love of China" party performance, during the Silence of the Lambs and other allies in Hangzhou, received by Brother Hwa.
September 28, 2005 Zheng Zhihua participated in the live performance of Harlem Performing Arts Stage in Guangzhou City, Guangdong Province, during which allies such as Yulinlin, Yixin Yi Yi, and Vegetable Head were received by Brother Huahua.
September 30, 2005 Zheng Zhihua participated in a small performance in Wuzhong area of Yinchuan City, Ningxia.
October 5, 2005 Zheng Zhihua participated in a small performance in Fuqing area, Quanzhou City, Fujian Province.
October 6, 2005 Zheng Zhihua participated in a small performance in Qionghai City, Hainan Province.
October 28th, 2005, Zheng Zhihua participated in a small performance held by Xinjiang Gas Group in Urumqi, Xinjiang, during which some allies such as Hongyan and Drilling Harrier were received by Brother Hua.
November 20, 2005 Zheng Zhihua participated in a small performance in Yangjiang City Gymnasium, Guangdong Province.
November 25, 2005 Zheng Zhihua participates in a small performance in Liuzhou, Guangxi Zhuang Autonomous Region.
November 26, 2005 Zheng Zhihua participated in a guest performance at Zhang Di's concert in Chongqing.
December 18, 2005 - Zheng Zhihua held his 2005 "Zheng Style Influence" solo concert at the Beijing Exhibition Center Theater, and the second large-scale gathering of the alliance was also held at the same time, with more than 100 allies from all over the country participating in the gathering and coming to the scene to cheer for Brother Huahua.
Cheng Zhihua's general impression is that he is a physically disabled person, at least on the mainland. This is evidenced by his trajectory on the mainland: his big break on the mainland began with "Sailor," and has since gone through a repetition of albums like "Starry Starry Night" and others, until his subsequent return to obscurity. But no matter what, when we mention Zheng Zhihua, we will always inevitably think of "Sailor": he said that a little pain in the storm is nothing. Dry your tears and don't be afraid, at least we still
Have a dream ......
In fact, Zheng Zhihua's significance is by no means limited to singing inspirational songs as a disabled person.
Cheng's earliest single was titled "For the Happy Girl," which struck me as the theme song for many movies of the era, with its fancy style and orchestration, and its "color of the times. The other side of the coin is that he doesn't have his own style. His first album was called "The Story of the Youngest" (which included the song "For a Happy Girl", but the production of the whole album was later than this song), and the hit song "The Story of the Youngest" heralded the tone of Zheng Zhihua's pop songs, even "Sailor", which was to make him a big hit later on, didn't go beyond the scope of the song, and we can even say that "Sailor" is a replica of this song. We can even say that "The Story of the Youngest" is a key to understanding Zheng Zhihua. So what story is "The Story of the Youngest" telling? The lyrics are as follows:
Black cinders, white fog / Abba keeps digging in the pit to feed this family of ours / Spoiled youngest, headstrong me / I don't know what destiny is, but the city is where my dreams are / Entangled houses, simple hearts / Treasure in the pit is no longer there, so why don't we move away? / the excitement of precipitation, drunken wine / the corners of Abba's mouth murmured, here is where there are old friends / the road that leads to the pit is not the only direction in life / the fuzzy footsteps in the morning sunlight, forgetting the last goodbye / who says spoiled children do not cry / the very moment the tragedy struck, the tearful cries could not be exchanged for the return of, Abba in the drowned pit inside
Drowned Pit It Drowned My Dreams The people in the city were drowned by desire, but lost their souls
The flooded pit it drowned my dreams, the flooded pit drowned how many smiles/simple faces remembered once again, where the heart's home is to protect from the wind and the rain/growing up in the youngest now I finally know, fleeing from the hometown of the last place to return
The flooded pit it drowned my dreams, the flooded pit drowned how many smiles
From the surface, it is a dream, and it drowned how many smiles
The flooded pit it drowned, and it drowned how many smiles
On the surface, the lyrics are about a miner's son, who longs for the bustle of the city, and finally escapes the mine to the city after his father is killed in a mining accident. In the city, he finally achieves success through a series of "struggles", but after success, he realizes that the city is not a paradise, it is full of desires, and the city is not a paradise for people, but only a paradise for desires. People in their hometowns were flooded by mine pits and lost their lives; people in the city were flooded by desires but lost their souls. This is a sigh of relief from Zheng Zhihua. Now we have to understand this song from a deeper level. The song is actually about a common "urban story", in which a young man (usually male) from the countryside comes to the city to fish for the world, and through a series of endeavors, finally achieves success. There are many versions of this rural youth in the city success story, most of which are intended to tell the story of the young man's efforts to finally achieve success. The subtext here is that the city is a place of opportunity, where you can be successful if you work hard - and success means, at least indirectly, the fulfillment of desires. In fact, we should be able to know that at this stage of rapid urbanization, the city is indeed attractive, and the city attracts a large number of young people from the countryside, but we should be more aware that there are only a few successful people. Therefore, we can find that this kind of story has a ****similarity: it deliberately shows the good side of the city, but omits to mention its dark side. This type of story is popular at the stage of rapid urbanization (or later), especially after the rapid development of popular culture, this type of story and their subtext is even deeper into the social psyche. A few years earlier, for example, Li Ka-shing became an idol for young people. This song, however, is grounded in criticism, and it poignantly points out that the city is not a paradise for people, but only a haven for desire.
In the song, Zheng Zhihua arranges an ending for the youngest: away from the city and back to the mines. This shows Zheng Zhihua's critical stance.
In the later "Sailor", this stance was continued, but at the same time weakened, showing an inspirational tendency instead: he said that this pain in the storm is nothing. Dry your tears and don't be afraid, at least we still have dreams. But in fact, here, we can still glimpse the shadow of the "youngest story": a child born on the beach, yearning for "another world", what is this other world? What is this other world? It is still the modern civilization represented by the city. And after coming to the city: nowadays, my life is like acting, saying things I don't mean and wearing a mask of hypocrisy. Always take the insignificant achievements to lie to themselves, always somehow feel a burst of emptiness, always rely on a little alcohol anesthesia to be able to sleep ...... the same as the "story of the youngest", the end of the song is still far from the city: searching for the search for the evidence of life, the city's asphalt is too hard to step on the footprints of the proud and ignorant of the modern man! The proud and ignorant modern people don't know how to cherish the ocean and the world that has been spoiled by civilization. Only far away from the crowd can I find myself, in the air with a salty taste of free breathing ...... At this time, the sailor's laughter became a kind of call: come back.
After such a comparison, we can realize that The Sailor and The Story of the Youngest are actually isomorphic. But rather than simply repeating himself after a number of years, Zheng Zhihua, after observing, provides a more nuanced portrayal of urban life, while at the same time, his critical stance is slightly weakened. In this way we can understand why it was "The Sailor" rather than "The Story of the Youngest" that gained more listeners. Firstly, compared with the rough lines in "The Story of the Youngest", the description in this song is specific, which is more pertinent to the inner world of the city people; secondly, the critical stance is slightly weakened, which makes it easier to be accepted; and once again, the protagonist of the song does not "get it all" in the city, as the youngest does. The song's main character doesn't "get it all" like the youngest in the city, but rather an image of a man who can't stop fighting for his life, which is obviously closer to the masses, which of course can get more ****ing.
The song "Sailor" was included in Jung's album "Private Songs", and when it was introduced, the song "Grand Nation" was dropped, presumably because of politics. But thanks to piracy and nowadays the internet, hearing the song is not a difficult task. Understanding the song helps to understand Jung as well.
The song "Grand National" is actually about the dilemmas facing Taiwan at the time, and a major reason why the song came out was of course the declassification of Taiwan. Deregulation has given Zheng Zhihua the right to use pop songs to focus on realpolitik (but not too many people to enjoy this right, which is the difference between Zheng Zhihua and general commercial singers), Zheng Zhihua has always been concerned about the reality, and politics, but also the reality of a kind. At this time, Zheng Zhihua expressed some of his thoughts and disappointments about Taiwan in "Grand National". Interestingly enough, Dr. Sun Yat-sen said that politics is the business of the people. But this "very political" album is named "Private Songs", is Zheng Zhihua trying to go against Dr. Sun Yat-sen? I don't think so. There are three possible reasons. First, with the lifting of martial law, Taiwan has entered a pluralistic society where politics is no longer the only center of social life, but is gradually becoming marginalized. Zheng Zhihua used the words "private song" to express and assert this right; secondly, Zheng Zhihua knew that songs focusing on realpolitik would be difficult to gain a foothold in the realm of popular culture, so he mocked himself by using the words "private song"; thirdly, Zheng Zhihua's favorite writer is Kafka, and as we know, Kafka's writing is a more purely personal kind of writing, so Zheng may have wanted to express his love for Kafka in this way.
Fichte said that a man chooses a certain philosophy precisely because he is that kind of man. Zheng Zhihua obviously inherited something from Kafka, or perhaps I should say, he is somehow similar to Kafka. This similarity is not reflected in the creative techniques, but in some characteristics of his character and stance, such as: melancholy, sensitivity, and a critical stance towards modern civilization. Zheng Zhihua has written many melancholic songs, such as "Collect your feelings", "Let the wind blow", "Spend my whole life to forget", "Single and escaping", "Leaving the city", "Tell me", "I'm a kite" ...... and so on. It is because Zheng Zhihua's sadness is intrinsic that his songs of this kind, although not having an obvious stance of criticizing reality, are quite capable of moving people with emotion. In Zheng Zhihua's songs, a sense of powerlessness in the face of this complicated world and a sense of sanctity as a result are sometimes expressed, the most obvious example being "There's Something About Promise". The song also tells a story about a young man and woman who fall in love, and the man vows to give the woman a lifetime of happiness, yet he fails to fulfill his vow. Then Zheng Zhihua sings, There's something about promises, definitely not just words. Here we can see a sense of sanctity as well as an idealist's posture.
It is precisely this idealist attitude that makes Zheng Zhihua constantly face up to the "strange situation" in real life. In Middle Class, Zheng depicts a picture of middle-class life:
My baggage is heavy, my shoulders hurt, I wander among the crowd with my face on my shoulders/my vision is high, my strength is small, I fall down secretly when no one sees me/my bed is big, but I never sleep well, I am afraid of being forgotten by the world after one night/my desires are many, my salary is little, I am in the street in Taipei, I am in the middle of the street, I am in the middle of the street. I lost my feet on the road in Taipei
No one cares about my worries, everyone only cares about his wallet/I often drink coke, I eat hamburgers/I just can't fill the emptiness in my heart
Is it possible to live like this until I grow old and my life is not bad/It is not possible to learn to give up thinking so I can live a good life/It is only possible to live a good life if I am not good enough/It is not possible to live a good life if I have a bad head. I've learned to give up thinking so that I can live well
The middle class has been criticized in some modern political theories, and has been portrayed as a group of people who, on the surface, have good jobs and incomes, but whose politics and revolutionary nature have been completely weakened by the pursuit of material things, which are always just a carrot. --No matter how much they chase, they always come up short. The song depicts this middle-class life, trying to take care of its income and status while lamenting its insignificance and the thinness of its human condition. They may be satisfied materially, but their spiritual world is empty. It should be said that the song's portrayal of the middle class is still quite successful (in fact, I believe that the song can arouse the ****ing feelings of many people who have not yet entered the middle class). The emergence of the middle class is undoubtedly a product of modern society, and in connection with Zheng Zhihua's stance analyzed earlier, it is not difficult to find that this song is an expression of his consistent stance.
In addition, Zheng Zhihua's song "Snail's Home" is also very representative, and is well worth talking about:
The dense skyscrapers, I can't find my home / in the crowded streets, the wanderers / I'm carrying a heavy shell on my back, and I'm trying hard to climb upward / but it's never enough to keep up with the skyrocketing property prices
Give me a small home, a snail's home / a place to shelter from the wind and the rain, a place to live, a place to be, a place to be, a place to be. A place that's sheltered from the wind and the rain doesn't have to be too big / Give me a little home, a snail's home / A snail's home that's warm and inviting to myself
Unfortunately, the picture depicted in the song has become a reality for us. In earlier years, we could have looked on from the other side of the fence and said that this was the sad state of capitalism. Now, however, we can only **** about it. One of the most interesting words in this song is "wanderlust". When we think of this word, a picture may come to mind: yellow sand rolling in, a dusty ride, fading away. ...... Unfortunately, it is unlikely that such a scene will occur today (and even if it does, there will be a large number of media to follow it). Because we can now only wave in the crowded streets where people come and go. Here again we can see the dichotomy between modern civilization and pre-modernity. Along with the reality of rapid urbanization, real estate is hot, and housing prices will naturally rise. Climbing to the point where people will never be able to keep up, then we can only let out a sigh of sadness. Now we can clearly feel that Zheng Zhihua is standing in the modern world and reminiscing about the pre-modern era - the metaphor of "footprints" has appeared at least twice in his songs, in "Sailor" (the asphalt road in the city is too hard to step on) and "Middle Class". (I lost my feet on the roads of Taipei), which is obviously opposed to the modern civilization represented by the asphalt roads - so we can understand Zheng's so enthusiastic eulogy of "Southern Taiwan," where one must be able to make footprints:
The enthusiastic sunlight peeks out / The earth is green / The coconut groves dance softly / The coconut groves dance softly / The coconut groves dance softly / The coconut groves dance softly / The coconut groves dance softly / The coconut groves dance softly / The coconut groves dance softly / The coconut groves dance softly / The coconut groves are too hard to make footprints Coconut groves dance softly / Blue sky and white clouds are free / Simple people open their hands / The girl in love is waiting / Talking about heaven and earth is fun / Mundane things are left behind / Southern Taiwan ah Southern Taiwan / Beautiful Southern Taiwan / Fate to be a guest for a night / Wake up tomorrow and don't want to go / Southern Taiwan ah Southern Taiwan / Beautiful Southern Taiwan / In this life, I would like to stay here
So obviously, this is a place where civilization hasn't been spoiled. The sunshine here is warm, the earth is warm. The sunshine here is warm, the earth is green, there are coconut groves, blue sky and white clouds, so Zheng Zhihua said: "Beautiful Southern Taiwan, I can't leave".
This seems to be the end of this article, but I still want to single out his "Game of Thrones" for mention. As far as my personal feelings are concerned, I think this song is one of Zheng Zhihua's more unique pieces. In this song, we don't see Zheng Zhihua's critical stance or sadness, but the forced open-mindedness of a small person who is indifferent to everything. Being a small person, what to do? Then let it go. Whether it's right or wrong, I just want to have a good time. I think this song is Zheng Zhihua's understanding of the wisdom of Chinese people's survival, but also reflects a kind of "smooth" Zheng Zhihua. It's like Jin Yong's The Book of the Deer and the Tripods, for example. I would like to end with the lyrics of this song:
The world is too long-winded, it doesn't distinguish between right and wrong/a commoner like me, who cares about me/the rich are the boss, the poor are sad to live/even if I don't like the look of it, what can I do about it
My lover left me and didn't tell me why/when I was sad and upset, I learnt how to drink/every time I got drunk, but I never made a mistake/tomorrow, after I woke up, I'll still be me
It was the same as I was before.
The smile is too sweet, the tears are too salty/the oath of friendship will inevitably change in the end/trouble is too much, the future is too far away/why don't you accompany me to play the game with debauchery
How to live the day, happy or not/do not ask me such a boring question/don't ask me/what is to be will be, what is to be will be/what is to be will be/it's not sure, don't have to be too hard on it
I have my pains, I have my dreams. Don't laugh at me when I'm acting crazy/Maybe one day you and I will meet again/Open your eyes and see that I'm the hero
Smiles are too sweet, tears are too salty/The oaths of alliance will inevitably change at the end of the day/Troubles are too many, the future is too far away/Why don't you play the game of debauchery together with me
I've tasted the sweet and the sour and I've seen the human feelings and the warmth of people's lives/And the way to the jianghu, I can't help it/Wrong and wrong, right and wrong, right and wrong, right and wrong, wrong and wrong, wrong and wrong, wrong and wrong, wrong and wrong, wrong and wrong, wrong and wrong.