Hulusi "full press for 5" fingering in the bass 3 blowing difficult to defeat a lot of beginners. Here are a few pointers for you to consider:
One, "Gu" sound big hulusi bass 3 big
Many friends in the selection of hulusi like "Gu" sound small, but they may not know that the "Gu" sound is not the same as the "Gu" sound, but they may not know that the "Gu" sound is not the same as the "Gu" sound. The "coo" sound is small in the bass 3 of the gourd silk, but they may not know that the "coo" sound is small. In fact, a big "gou" sound is not necessarily a bad thing, because as long as you have a large amount of gas, plus a proper breath control method, the "gou" sound will be tamed by you.
Second, "big" hulusi bass 3 big
Many people use soprano hulusi to play some of the bass 3 with a lot of tunes, feel to the instrument as if "not". In fact, most of the tunes that require the use of bass 3 are usually played with a large bass gourd silk. The "Bamboo Forest Morning Song" is a special piece, which is played on small D and has a bass 3. This piece requires a higher level of instrumentation. We don't rule out a good soprano hulusi with a loud bass 3. It's just relatively easy to play the lower half 3 of a bass hulusi.
Three, the bass 3 is difficult to use the air
The two points mentioned just now are from the instrument to find the problem, in fact, there is another factor that affects whether the bass 3 can be played well is the player himself. If a person with good airflow control plays a bass 3 normal hulusi, he or she will be able to use it with ease. Bass 3 needs to be played with the whole body relaxed and with an exhaled airflow. We play all the other notes with an abdominal airflow (i.e., powerful air), but the bass 3 is the opposite, and you have to "exhale" with no power to blow it out. A lot of beginners get the first Hulusi and often blow when they exhale the gas without power, in fact, blowing out the bass 3, but when they will blow other sounds and then feel that they can't blow out the bass 3, this is why? This is because when you play a tune that requires bass 3, such as "Four Seasons Tune", "Yimeng Mountain Ditty", "Wa Folk Song", when you play bass 5 and the next note is bass 3, you will feel that there is a problem with the control. At that time, you will feel that there is a problem in controlling the bass 3, because you have to use the abdominal air for the bass 5 and the exhaled air for the bass 3, and when you change between the two kinds of air, you can't change them, or you can't change them in time, so you can't play the bass 3, or you don't have enough time for the bass 3. The first thing you need to do is to play the 353 | 535 | (bass) more in the process of practicing, and then you will not be able to be just mentioned a few small pieces of difficult.