Every piece of music in Fang Hua has a deeper meaning. The theme song "Velvet Flower" comes from an old movie that was set in Jingzhou's Dabeimen many years ago? The Little Flower. In the last performance before the dissolution of the troupe, former comrades met the schizophrenic Ping, when the dance song "Ode to Yimeng" was performed, the music once again awakened Ping's deep love of dance for many years, and Ping danced alone, and the music of the "Ode to Yimeng" matched the scene at that time; the chorus of all the people in the dissolution of the troupe was "Camel Bells", and when the music was playing, the tearful feelings of separation and the mood of anticipation of good news and the strong feelings of love and love. Looking forward to the good news of the mood and strong friendship, filled the entire screen, infecting the audience; Chairman Mao died when the song is "embroidered gold plaque", the song is a good embodiment of the masses of the people of Chairman Mao, Commander-in-Chief Zhu, Premier Zhou Enlai's love, longing for love, at the same time in response to the scene also shows the people's sons of the soldiers of the deep friendship, to the film's background of the times to make a strong accompaniment to the reflections. Chen Chan in the recording of Teresa Teng's "Strong Love", sweet and mellow voice dialing the emotions in the hearts of everyone in the film, smoothing out the emotions of the audience, but also make the story of the emotions more rich, delicate, the hidden emotional points slowly forced out.
There is a breakthrough in the movie "Fame", a battle scene in the war with a set of magnificent long shot to shoot, the whole by the arm will be followed by the camera next to the actor, this long 6 minutes or so long shot is called a movie to shoot the war picture of a huge innovation, the actor in the run, the camera to guide the audience's line of sight is also following the run, as opposed to the picture of the visual stimulation of the characters in danger to be able to run in a dangerous way, but also to make the characters in a dangerous way, and to make the characters in a dangerous way. The danger that the characters are in can give the audience the same feeling on the screen, but the sense of reality that is created is incomparable to other audio-visual methods, whether it is the shaking or moving of the camera, there is a kind of immersive viewing experience.
Liu Feng and He Xiaoping in the drama are two very different people in the troupe, but the same small and ordinary, but the two are opposite extremes: one is a "living thunderbolt", much loved; one is bullied and ostracized. In a collective, the only similarity between the two is that they are quite heroic, because not confident enough, so the pursuit from the beginning is to be "affordable", which corresponds to the same more and more alienated from the collective. Too perfect Liu Feng as high as the perfect standard-bearer in general, by a variety of models and rules firmly bound, so that in the pursuit of a girl can be considered a personal image of destruction, and then driven out of the troupe, but in the end Liu Feng down the altar of perfection, He Xiaoping became a hero, He Xiaoping solo dance when the whole world is her. The two of them change no matter what, but the beauty in their hearts never changes.
Fancy will always pass away, but kindness is eternal. The youthful years, just as a tragedy in the heroes of the passing of the passage is really its splendor, and then look back at this different era, once the good can only stay in the heart of everyone who has experienced that era, let it turn the page, do not stay.
Public number: sub Yu Xi's choreography hut
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