Wife Ma Lijuan, a teacher at the Liaoning Provincial Theater School, has a pair of twins: Zhao Yinan and Zhao Yihan. His ex-wife, Ge Shuzhen, has a daughter.
Benshan in his own words
The happy childhood of a bitter child
I am an orphan, when I was studying, I was very naughty, and at that time I felt that the biggest advantage of not having parents was that the teacher couldn't be found on a home visit. At that time, I followed my second uncle to learn the art of playing the erhu and singing the sanxian, he is a blind man, the blind man's mind is heavy, the ear is very sensitive, every time he listened to the melody, I watched the stage performance. I learned the sanxian and imitated the feeling of a blind man. I can say that no one in China can play the blind man's theater better than I can. As a matter of fact, the blind uncle is my artistic enlightenment teacher, I was the blind man who acted in the "Daguan Lantern" first popular in the Northeast.
The bumpy road to stardom
In 1986 I went to the Tieling Theater Troupe, and now my official status is still an actor in the troupe. In the earliest days, Pan Changjiang and I performed together in Shenyang in a duet called "The Great Observatory of Lights," which ran for more than 200 performances. Maybe it was so sensational that it pissed off other troupes, and then hundreds of blind people blocked the entrance to the theater, saying that they wanted to gouge Zhao Benshan's eyeballs out.
But it was Jiang Kun who really discovered me. At that time, he led the Central Rap Troupe to Tieling performance, the locals said it was not as good as the Tieling Troupe, Jiang Kun will be our troupe to find them, they sat in the audience of the stadium, to see us perform for them. At first, more than 20 Beijing artists sat in their seats, and then they all fell on the ground laughing. Jiang Kun asked me for a tape and said he wanted to bring it back to CCTV to recommend it for the Spring Festival Gala. I did not take it seriously, busy and Jiang Kun, Guo Zuanbao and others photographed, so excited that even the ears are trembling.
Four on CCTV was rejected
Later, the Spring Festival Gala really came to me. At that time, Zou Youkai director, Li Shuangjiang and other three people in Tieling's guest house to see me, I want me in the room to perform a program, I said I give you three tickets to the stadium to see it, where the effect is good, of course, the three took the tickets did not see the show, turn their heads and go back to Beijing. I realized that I had offended them. However, Director Zou still called me to Beijing, but I was sent home every year. One year the troupe asked me to bring ten bottles of Maotai wine as a gift, and I did not know where to send it, fearing rejection, so I drank one bottle a day at the Medea Hotel, and it happened that on the tenth day I was told to go home. Later I and the head of the group said, ten bottles of wine all sent out, people still do not like our program.
The bigger joke is that the 1988 Spring Festival Gala has been scheduled for me to participate in the Harbin branch of the show, and the program was recorded in advance, the whole Tieling people know that I went to the Spring Festival Gala, but then my program was not broadcast, but I have been waiting until the TV played "goodbye". It was only a year later at the National Day Gala that I made my first appearance on CCTV, followed by "Blind Date" at the 1990 Spring Festival Gala. For three consecutive years, I was the first prize winner of the program. In 1994, I reported to the crew of the Spring Festival Gala very late because of some problems at home, and the director's team thought that I was "too big", so they resolutely didn't let me go on, which was the only time I was blocked, but also educated me in particular.
Liu Laogan is a new attempt
Liu Laogan is my first time as a director, which is influenced by Zhang Yimou. I acted in his "Happy Days", and his simplicity, calmness and truthfulness touched me and had a great influence on me. In fact, I'm not used to movie and TV performances, but I think I should direct a movie by myself when I have the chance, so as not to trouble others, and also to see what I can do, I think I will make it if I put my heart into it. In fact, I've always had a kind of fear, what should I do if one day my skit amuses no one and no one is happy? Trying to do something new is kind of learning.
The man who creates pain in the family
Some people have asked me what's wrong with me now. I say no, my biggest wish is to "live well and stay alive". The greatest treasure of my life is my painful childhood, I don't have any pain or dissatisfaction now, on the contrary, I am a person who will bring pain to the family, like my wife, I am out of the show, she is at home alone with the children, I can only give her the satisfaction of the material life, and very little else.
The experience
Zhao became an orphan at the age of six and began to learn the arts from his second uncle, a blind man. He was very good at playing erhu, suona, throwing handkerchiefs, playing hand yuzi, singing ditties, and two-people-rotating hats, especially the three-stringed instrument. Zhao Benshan's bitter childhood became the wealth of his life, laying a solid foundation for his later sketches and acting career.
At the age of 17, Zhao Benshan joined the Commune Literary and Artistic Propaganda Team, and then joined the Weiyuan Township Amateur Drama Troupe, and was later seconded to the Xifeng County Drama Troupe to star in a two-man show.
In 1982, Liaoning Province held the first rural small play transfer show, Zhao Benshan in Li Zhongtang and Cui Kai cooperation in the pull scene of the play "wrestling three strings" in the play of the vertically challenged Zhang Zhi, and became famous. The play "Wrestling" won the first prize of the performance. In 1986, Zhao Benshan was transferred to Tieling Folk Art Troupe. At that time, Zhao Benshan and Pan Changjiang together in Shenyang, the two-player "Grand View of the lamp" more than 200 shows, a full house, a sensation in the three eastern provinces.
Zhao Benshan starred in the play "one plus one equals several", opera and TV drama "Double Knocking", "Past This Village", "Picking Fronts" and other plays, which won many national and provincial awards.
In 1983, she starred in the opera "Wrestling Three Strings", which was awarded the prize of excellence in 1984.
In 1984, he filmed the TV movie "Wrestling Three Strings", and in 1985, he played the leading role. In 1986, he was awarded the third prize of "Eagle Statue" in the first Chinese opera drama.
In 1987, under the recommendation of Jiang Kun, he "entered" the CCTV Spring Festival Gala, and began a more brilliant artistic life. Spring Festival Gala, sketches "marriage", "red sorghum modeling team", "three whips", "gift", "clockwork", "yesterday, today, tomorrow", "abduction", "selling cars" were awarded the first and second prizes.
In 1988, she starred in the TV movie "Double Duck Delivery", which won the Second Prize of National TV Movie. Double Buckle Door" won the "Golden Triangle Award".
1989 Participated in the first Northeast Provinces Folk Art Festival and Liaoning TV's Spring Festival Gala.
1990 starred in the play "1+1=", 1991 won the first prize of the performance, the first prize of the performance, the first prize of the performance.
In 1991, she won the First Prize of Performance and the Highest Exploration Prize. The TV movie "Double Knocking" won the "Golden Tiger Award" for TV dramas in Northeast China. Starred in the opera "Mahjong, Tofu".
1991, won the first place of the "Top Ten" actors, and the program was the first of the three best programs. In the same year, he shot the TV drama "Past This Village" as the leading role, and won the second prize of "Flying Sky".
In 1992, he participated in the CCTV Spring Festival Gala.
In 1993, the skit "Blind Date" won the first prize of "Double Star Cup" in the category of drama and opera. In the same year, she starred in the TV movie "Picking Fronts", which won the third prize of "Flying Sky".
In 1994, she took part in the "Spring Festival Gala" of China Central Television (CCTV).
1995 starred in the skit "Xiao Jiulao Le". Participated in the CCTV Spring Festival Gala, starring in the skit "Uncle Niu's Promotion", won the second prize in the skit category. In the same year, the Liaoning Provincial Federation of Literary Arts and the Liaoning Literary and Artistic New Star Selection Committee recognized him as the "Liaoning Literary and Artistic New Star".
In 1996, she won the first prize for the best program in the Spring Festival Gala of "Vitality 28 Cup". Participated in the CCTV Spring Festival Gala, starring in the skit "Three Whips", and won the second prize in the skit category.
1997 Participated in the CCTV Spring Festival Gala, starring in the skit "I Want a Home". 1998 Won the first prize of the Chunlan Cup Drama category. She starred in the TV drama "The Chief of a Village", which won the Flying Apsaras Award.
In 1998, she took part in the Spring Festival Gala of CCTV. In 1999, she starred in the skit "Red High-beam Model Team", which won the second prize of "Chunlan Cup" in 2000. He starred in the TV drama "The Chief of a Township", which won the first prize and the best actor award in Liaoning long drama series.
1999 Participated in CCTV Spring Festival Gala.
2000 Starred in the skit "The Old New Year's Eve". 2001 Won the second place in the drama category of "Chunlan Cup". Participated in the CCTV Spring Festival Gala, starring in the skit "Clockworker" won the first prize. In July, he was the leading actor in the movie "Happy Time".
2001 Participated in the CCTV Spring Festival Gala, starring in the skit "Selling Abductions", which won the first prize.
In the spring of 2002, the TV series "Liu Laogan" was broadcast on CCTV 1, which had unprecedented ratings, and many cities were filled with empty alleys.
On September 5-10, 2002, the "Zhao Benshan Cup" skit competition named after Zhao Benshan was held in Tieling together with the First Tieling International Folk Art Festival of China, which was well received by the society. It was well received by the public.
In 2001, he participated in CCTV's "Spring Festival Gala" and starred in the skit "Paying New Year's Call", which won the second prize of "Yili Cup" in 2001.
He was the director and leading actor in the TV series "Liu Lao Gen" jointly produced by CCTV and China TV drama production center.
In 2002, he participated in the Spring Festival Gala of CCTV, and won the first prize for the skit "Yesterday, Today, Tomorrow". The movie "Male Women's Director" won the "Huabiao Award", "Outstanding Actor Award", "Outstanding Feature Film Award", "Hundred Flowers Award". Hundred Flowers Award" and "Best Actor". He was named "Artist of Both Virtue and Art" by the Propaganda Department of Liaoning Provincial Party Committee. Participated in the CCTV Spring Festival Gala, starring in the skit "Selling Cars", which won the first prize. Acted as director and leading actor in the TV series "Liu Lao Gen Sequel" jointly produced by CCTV and China TV Drama Production Center. He starred in the skit "Heart Disease" which won the first prize.
2003 Participated in CCTV's Spring Festival Gala, and in the same year established the Liaoning Folk Art Troupe and the Benshan Art Academy.
2007 MTV Super Festival Most Stylish Actor in Mainland China.
Zhao Benshan's father, Zhao Deren, died at the age of 82 at 19:00 on December 11, 2007 at the Shenyang Armed Police General Hospital.
Chinese New Year Gala Sketch Program
1990 "Blind Date"-Zhao Benshan Huang Xiaojuan
1991 "Xiao Jiulao Le"-Zhao Benshan Yang Lei
1992 "I Want to Have a Home"-Zhao Benshan Huang Xiaojuan
1993 "Old Bye Bye Year"-Zhao Benshan Huang Xiaojuan
1993 "The Old Year of Worship" - Zhao Benshan, Yan Shuping, etc.
1994 The Spring Festival Gala was too late to be scheduled.
1995 Uncle Niu's "Promotion" - Zhao Benshan Fan Wei Zhang Yuping
1996 The Three Whips - Zhao Benshan Fan Wei Li Hai
1997 Red Sorghum Model Team Zhao Benshan, Fan Wei, etc.
1998 "New Year's Greetings" - Zhao Benshan, Fan Wei, Gao Xiumin
1999 "Yesterday, Today, Tomorrow" - Zhao Benshan, Song Dandan, Cui Yongyuan
2000 "Clock Worker" - Zhao Benshan, Song Dandan, Cui Yongyuan
2000 "Clockwork" - Zhao Benshan, Song Dandan
2001 The Selling of Abduction - Zhao Benshan, Fan Wei, Gao Xiumin
2002 The Selling of Cars - Zhao Benshan, Fan Wei, Gao Xiumin
2003 The Sickness of the Heart - Zhao Benshan, Fan Wei, Gao Xiumin
2004 The Water Deliveryman - Zhao Benshan, Fan Wei, Gao Xiumin
2004 The Waterman - Zhao Benshan Fan Wei Gao Xiu Min
2005 Kung Fu - Zhao Benshan Fan Wei Cai Weili Wang Xiaohu
2006 Say Something - Zhao Benshan Song Dandan Cui Yongyuan
2007 Planning -Zhao Benshan, Song Dandan, Niu Qun
2008 Torchbearer - Zhao Benshan, Song Dandan, Liu Liu
Other sketches:
The God of the Door
Classmates' Reunion (1999)
Son's Bigger
Actor's Trouble
"There's Money" (2001)
"Face" (2002)
Drama series:
"Head of a Village" (1992)
"Late at Night" (1996)
"Head of a Township" (1997)
"The Year of the Dragon in the Love of the Family and the Family"
"The Year of the Family and the Family"
"The Year of the Dragon"
"The Year of the Family"
"The Year of the Dragon" (2000)<
Family and Everything Xing of Good Lies (2001)
Liu Laogan Ⅰ (2001)
Liu Laogan Ⅱ (2002)
Ma Dashai Ⅰ (2003)
Ma Dashai Ⅱ (2004)
Ma Dashai Ⅲ (2005)
Village Love (2006)
Countryside Love (2006)
Countryside Love II (2007)
Films:
Jing Ke Assassination of the Qin King (1997) (Benshan - as Gao Jianli)
With Words (1998)
Male Women's Director (1999)
Happy Days (2000)<
The Year of the Dragon Over the Rat
Falling Leaves Return to the Roots
Stage Plays:
His and Her Affairs (2001)
Artistic Angel of Funny Billions of Viewers
Chinese viewers can enjoy the art of Zao Benshan's sketches today, and it is said that Jiang Kun should be thanked for it.
Jiang Kun saw a performance of Zhao Benshan's sketches by chance in Tieling, Liaoning province, in 1987. In 1987, Jiang Kun happened to see a performance by Zhao Benshan in Tieling, Liaoning province, after which he strongly recommended Zhao Benshan to the director of a Chinese TV station, who said that there was an actor in Liaoning province who was very good, and that when he performed his show, the audience laughed, some of them fainted, some laughed out of breath, and some laughed so hard that they had heart attacks, and that he had a very good stage improvisation and mobilized the audience on the spot and was very charming, and that this person was called Zhao Benshan.
In 1990, Zhao Benshan went on CCTV's Spring Festival Gala, Liao Bei sketches took root in CCTV, the annual Spring Festival Gala, if there is no Liao Bei sketches, the audience felt that the party has no flavor, more than a decade, Zhao Benshan by hundreds of millions of viewers of the deep love.
Why is Zhao Benshan's sketches loved by the audience? Cui Kai, vice chairman of the Liaoning Provincial Federation of Literature and Art Circles, said that Zhao Benshan as the representative of the Liao Bei sketches are rooted in the Northeast unique culture of a style of art, with a strong flavor of the Northeast, it is this original Northeast flavor conquered the national audience.
The cold climate of the Northeast, the vast Songliao Plain into the winter is idle, long days, "cat winter" people rely on what to live? Get a fire pit sitting around a pile on the kang, singing local opera "two people", storytelling, jokes, you a sentence of my sentence, traditional, modern, amused everyone laughing, all kinds of emotions, emotions have been cathartic. It can be said that the harsh natural geography of the Northeast has forced the birth of a culture unique to the North, Liaobei language is full of lively, vivid factors, vitality is very strong, especially in the local theater "two people", the male actor is called "clown", the female is called "Dan", three parts "Dan", seven parts "clown", clowns mediate the atmosphere in two people to create jokes, a series of improvisation of the spoken word, very living, coupled with the fact that the people of the Northeast are cheerful and straightforward, speak one by one, and then laugh. In addition, Northeasterners are cheerful, straightforward, and speak in one step, forming a sense of humor unique to Northeastern culture.
The deep cultural heritage of the black soil nourished Zhao Benshan, who is so familiar with the art of laughter, coupled with his innate sense of comedy in his bones, formed the unique artistic charm of Zhao Benshan's sketches - to take over everything in life, through Zhao Benshan's mouth, is the joke.
It should be said that the lifeline of Zhao Benshan's sketches is the language, his authentic Liao Bei dialect, because of its unique grammar, voice, vocabulary and has a penetrating power, he opened his mouth is a string of pimple words, witty words, hiatus, practicing the language, the baggage shaking especially loud, so the audience is y intoxicated, and he was so with the unique humor of the northern peasants, exaggeration and comical instantly conquered the hundreds of millions of viewers.
The biggest language feature of Zhao Benshan's sketches is the rich and vivid spoken language. Zhao Benshan inherited an important artistic legacy from "Two People's Revolutions", which is the "spoken word", and he not only accurately grasps the rhythm and rhyme of the traditional spoken word, but also creates a brand-new style of spoken word by using modern words and village slang according to the aesthetic taste of modern audiences. The language is rhythmic, very catchy, full of flavor, and contains an extremely charming sense of tranquility, once he opens his mouth, his words become pearls, and even the most ineffective words can create unexpected comedic effects in his mouth, which is very popular among the common people.
Secondly, the language of Zhao Benshan's sketches seems to be easy, but intriguing, "I'm glad that you young people are jumping around and hugging each other, but we can only rely on the old people."
In "Blind Date", Xu Laowei said to the audience's heart, so that people laugh, at the same time, there is a kind of sour feeling in the heart, Zhao Benshan with his own life, life, art and a deep understanding and perception, accurately captured a variety of characters of the relationship between the twists and turns, and accurately capture the audience's psychology and emotions, every sentence, every word can be and the audience's psychology on the beat.
Zhao Benshan portrayed the "wilting comic" series, is the most dazzling scenery in his works of art, he is tired and soft, dragged and dragged, the words in the head with comical, goodness in the interrogation, from time to time to throw a lump mouth, throw a small baggage, coldly out of the blue, let people can not help but laugh at a word, the skit "matchmaking" in the, when the Ma Ma asked what is called "silly like", Xu old wilted answer: "This is still do not know, engaged in the object of people know, generally, say silly things, but also to say the word "silly", the words are not the same. know, in general, said the word stupid, that's 80%." And "What is happiness? Suffering." Xu Laowei's series of banter and teasing of Ma Ya, and his good-natured teasing of her, is a kind of reverse expression of love to the extreme, which skillfully emphasizes Laowei's deep love for Ma Ya.
And then there is Zhao Benshan's language is very comedic consciousness, he played in a series of sketches of all kinds of comedy characters, their age, identity, image, personality varies, only one point is **** the same, that is, the protagonist of the main character of the change is not different from its "ugly", disguise "ugly", the language of "ugly", "ugly" action, "ugly", he is serious to play an ugly image of ugly, the results but for the majority of the audience to dedicate to the "ugly" image, and the audience is very happy to see that he has a good time. The result is a delightful comedy for the audience. Such as in the "blind date" Zhao Benshan for Xu Laowei designed a hobbling gait, and from time to time also lowered his head with his toes rubbing the ground and so on the body language, the audience does not feel ugly, only feel funny, amusing, let people feel the character of the nature of the goodness and the real.
"The makers of laughter are honorable, and Zhao Benshan and his sketch art have rattled the laughing nerve of the times, ushering in an era of large-scale laughter for the Chinese nation." Famous scholar Yu Qiuyu on Zhao Benshan's sketch art is very appreciated, he said: laugh also need a reason, Zhao Benshan sketch to give people this reason, the artist after the high art, kind tease, make people laugh, relaxation, pleasure emotion, from farmers to professors who do not need to heartily laugh it.
Liao Bei sketch on the stage has been active for more than a decade, more than a decade, the Chinese audience in the black earth culture brewing laughter I do not know how much intoxication, more than a decade, to Zhao Benshan as the representative of the Liao Bei sketch artists but day after day in the painstaking search for continuous innovation, transcendence, to enhance their own, for the audience to hold out one after another artistic excellence.
Yu Qiuyu commented on Zhao Benshan
"Zhao Benshan is a big artist"
Over a decade ago, Zhao Benshan, a peasant actor from the Northeast black land, brought the laughter of the countryside to the CCTV Spring Festival Gala, which was watched by the nation, and made the Liao Bei sketches a fresh style of art with the original humor and aroma of the soil. The fresh art style with its original humor and earthy aroma is among the highest art halls in China, and instantly won the applause of the national TV audience.
The comedian Zhao Benshan has undoubtedly won the most laughter and applause from the nation since the 1980s, and has even been called China's "Chaplin.
Mr. Yu Qiuyu, a renowned scholar and former director of the Shanghai Theatre Academy, has kept his eyes on Zhao for a long time with the discerning and insightful eye of a theater theory expert.
Twelve years ago, he said that Zhao Benshan was a great artist; today, 12 years later, he said, "Zhao Benshan is indeed a great artist, and today his performance is even more pure. the artist who was marveled at by us 12 years ago has become the artist who is marveled at by the whole nation 12 years later."
The second national symposium on the art of Zhao Benshan's sketches was held recently in Tieling, at which Mr. Yu gave Zhao Benshan and his sketches a very high evaluation: many artists are produced by the people, and Zhao Benshan is a big artist, and I felt this way when he was just getting famous. I really hope that China can have more cultural celebrities, from the starting point of each culture, constantly upgrading, upgrading, and then he and the culture of the land where he lives have reached a new height.
Liaoning Provincial Federation of Literature Vice Chairman, sketch playwright Cui Kai told reporters: "1990, the first Zhao Benshan sketch art seminar was held in Guilin, we did not expect Mr. Yu Qiuyu really invited to the meeting, that time is the first time he saw Zhao Benshan perform sketches, the evaluation is very high, at that time, I suggested that Zhao Benshan to go to the Shanghai Theatre Institute for further study, Mr. Yu Qiuyu! Mr. Yu hastened to say, "No way, the Shanghai Theatre produces thousands of students every year, but not Zhao Benshan, Zhao Benshan is not a problem that needs to go to the Drama Academy for further study, on the contrary, he should be the object of study by the professors of the Drama Academy."
Yu is not a northerner, but his understanding of northern culture is so profound: Zhao Benshan has turned the suffering of northeasterners into laughter, and joy in bitterness is a kind of realm; Chinese people have suffered for too long, for too long, and how much people need laughter. This poetic language is what Yu Qiuyu used to describe the Northeastern sketches and the two-man show. "Some people think that only foreign cultures are cultures, and that nothing under our feet is culture. Culture and art, if you reach a higher level, looking back, is the need for these things, based on the local culture in modern cultural research is the highest standard, the return of cultural trends, is the self-confirmation of the Chinese national culture. The land on which I tread is beautiful, and the land on which I tread can give me flowers without buying them from Holland."
The real big works must be in the rocky seashore, not the marble repaired seashore; the real sea must have so much mud and sand, and the real folk art can have mud and sand too. According to Yu, why Zhao Benshan will be welcomed by so many people, this is a far beyond the thinking of many theorists outside the problem, the past theory of literature and art does not have a chapter or a section of the energy can explain the Zhao Benshan phenomenon, this art phenomenon will be the future of theorists to study and summarize.
Yu Qiuyu said, I accepted the Western aesthetics of acceptance very early, this concept is y rooted in me. The "accepted" state is a standard, according to the "acceptance of aesthetics" point of view of the phenomenon of Zhao Benshan, many questions will have the answer. CCTV now understands that the standard for judging programs is ratings, which is more important than any awards. For many actors and actresses, the psychology of the day of the Spring Festival Gala is very fragile, and the test of that night is very cruel, accepted or not accepted on that night. The Zhao Benshan phenomenon is in a very grand state of acceptance, hundreds of millions of people across the country, for more than a decade, need and like Zhao Benshan's sketches, and to ignore this would be a rejection of aesthetic reality, and it would be very difficult to study aesthetics and art. People put all their emotions there that day, and if you don't recognize Zhao Benshan, you're saying that hundreds of millions of Chinese viewers were wrong to be happy that night? It's hard to find actors who have been popular with so many people for so many years in a row now. Zhao Benshan has been accepted by Chinese people for such a long time, constituting the contemporary psychological aesthetic history of the Chinese people, and after enduring such a test, if he is not a great artist, what kind of great artist is he? What kind of artist is a great artist? When and how can a great artist be created?
List of Zhao Benshan's disciples
Zhao Benshan's disciples are mainly divided into five batches, in addition to the death of Li Zhengchun, February 11, 2008 (the fifth day of the Lunar New Year), the disciples were 33, of which Gao Ming'e and Sun Lirong are two female disciples, the rest are all male, the order is as follows:
The first batch (6): Li Zhengchun, Lu Yao, Zhang Xiaofei, Tang Jianjun, Wang Xiaobao and Wang Xiaoli. (in order of apprenticeship): Li Zhengchun, Lu Yao, Zhang Xiaofei, Tang Jianjun. (In order of worship)
The second batch (8 people): Cai Weili, Cai Xiaolou, Wang Yonghui, Zhang Xiaoguang, Bobby Ken, Yan Guangming, Wang Xiaohu, Wang Jinlong. (In order of age)
The third batch (9 people): Gao Ming'e (female), Sun Lirong (female), Jia Xiaoqi, Old Stinky, Jiang Navy, Cheng Ye, Yan Fei, Yang Bing, Su Xiaolong. (In order of age)
The fourth batch (2 people): Liu Xiaoguang, Xiao Shenyang. (in order of age)
Fifth batch (9 persons): Zhang Xiaowei, Sun Xiaofei, Zhang Kai, Lixiaofeng, Cheng Hong, Dong Sanmao, Song Xiaobao, Tianwa, Red Boy, Xiaopengfei. (in order of age)