She began studying ballet at the age of six at the Central Ballet Amateur Dance School. When she was in the fourth grade of elementary school, Liu Shishi was admitted to the Beijing Art School, and from then on, she gradually entered the acting circle. Today, Desin gives you a review of "City Lights of Psychological Crimes" starring Liu Shishi!
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1. Such a manic narrative rhythm, such a manic over-the-top performance, such a manic photographic lighting. It's like a "Seven Deadly Sins" brainiac delusional after further study in Hong Kong and Korea? Innovate? mainland suspense movie, and the result is bumped out of a? New? type? twitchy suspense movie. The script is comparable to the scene of a car accident serial rear-end collision, each scene is broken between the grooves all over the place, throwing baggage to the reversal of the wildly rushed, even the basic reasoning over the scene are not.
2. The crime scene is fake and empty, the investigation and reasoning process is nearly zero, the motive for the crime is all "preview of the criminal" and "undocumented crimes" to play the rest. The image of the savior of the childhood shadow to eliminate violence and peace is absurdly childish. The villain goes from hysterical to criminal genius to clown in an instant. Love bridge is uncomfortable, Lin Jiaxin role of chicken ribs, Deng Chao this kind of vigor acting in the end when is the end. I thought Deng Chao's performance would be better than Li Yifeng's, but the result is still hard to watch. Now the common problem of domestic (big production) crime movies, with exaggerated visual sound scenes to amplify the sense of horror, but will not tell a good story, the process of detecting the god, but no real reasoning and analysis, somehow justice is done. It's not as well shot as an episode of an American TV show.
3. Deng Chao Ruan Jingtian performance is trying his best, but unfortunately there are still a lot of problems. Suspense drama sense of suspense is not enough to catch people, reasoning drama reasoning is not prominent, about the darkness of human nature it is also too superficial. There is also a common problem of domestic urban themes, that is, the kind of disguise high-class sense of inferiority, the screen set looks very high but in fact very fake. Finally, Wen Qi from the post-00s is acting like this, shouldn't Shishi from the post-80s be ashamed of herself? As a suspenseful crime movie, I can't see any logical reasoning, but only the genius Deng Chao's closed eyes and blabbering to solve the case, as well as the villain Ruan Jingtian's nerve-racking performance (both of them still can't die from the fall) and Wen Qi, who still has a paralyzed face. The details don't stand up to scrutiny. The police department is not Chinese or foreign in its handling of the case, but has a big hall, and watching the interrogation video is still a camera view.
4. Cold Liu Shishi on the shadow of the warmth of playfulness, Deng Chao thoughtful, calm restraint, Ruan Jingtian feminine and evil, scheming, from the "Seven Deadly Sins"-style serial murders, and then the village corpse, non-shooting coworkers, take their own as bait. Denial of violence against violence, more dazzling than the "psychological crime" image, but the logic is confused, do not catch the mastermind, smashing resources Xu Ji Zhou bird gun is just a combination of Liu Shishi and Deng Chao, more disastrous than Li Yifeng. From Liu Shishi climbed on the Ferris wheel chasing criminals throughout the movie is permeated with a kind of fan of Netflix atmosphere, coupled with Liu's ancient puppet Mary Sue school of acting, the story from the beginning can not be convincing. As a pseudo-book fan who has read the original book, several rounds of trailers have exposed all the most restored ritualistic crime scenes, which directly led to the uninteresting and boring viewing of the movie, and the collapse of the story is further exacerbated by the collapsing plot in the second half and the manic and tragic acting of the two movie stars.
5. The playground chase at the beginning is too low, the ending action scene camera scheduling is awful, and Liu Shishi's character is better off without it. Most interestingly, the critique of internet public opinion and the perverted cult of the masses didn't land at all by the end, and ended up falling back on cheesy sacrifice of ego to promote righteousness and childhood shadows. Ruan Jingtian contributes the most annoying performance of the year, and I want to slap him across the face when I see him in a daze. The movie is so inexplicable that the audience is expected to be stupid, and then you have to believe in what you're doing when you're told to do it. All the characters' motives and positions are not clear and not valid, it's very much like a child's play like a retarded plot. I hope Mr. Deng Chao will rest soon with Liu Ye, your cool acting skills are not even rare with Huang Xiaoming, I really don't know from the scorching sun after when will you be able to start from? I don't know when I'll be able to get out of this thing after Scorching Heart. This thing out of the theater.