In 2002, the United Nations Science and Technology Information Development System (TIPS) was hired as the Shanghai Oriental Culture and Arts Center art adviser; invited to attend the celebration of the opening of the World Cup held in Seoul, South Korea large-scale cultural and artistic performances; in Shanghai, Guangzhou and other places in the performance of multimedia drama "wind at sea", starring in the "Kalmykia Brahmaputra" play heroine. She went to South Korea to perform in the sci-fi action movie "Red and Black"; in 2003, she performed the modern dance "Forever Present Tense" in Shanghai and Shenzhen, etc. In 2004, she toured Europe with "Song of the Brown Monastery" as the main dance, which caused a great sensation. In 2004, she toured Europe with "Songs of the Brown Monastery" as the main dance, causing a great sensation. She also participated in the Year of Chinese Culture in France with "From East to West", and performed in Hangzhou and other cities in China in the same year. European critics highly evaluated that "just when our modern dance did not know where to go, a dance artist from the East showed us the direction", which made Jin Xing's modern dance get unprecedented attention. Sylvia the Dog toured Europe in 2005. She went to Thailand to act in the action film "Resurrection of the Little Match Girl", and in 2006, "Dance in Shanghai" International Contemporary Dance Festival 3354, a modern dance festival organized by a private organization, was successfully launched. In 2011, Jin Xing attended the Shanghai Oriental TV Dance Conference as a judge. 2012, Jin Xing was appointed as a judge of Oriental TV's Shanghai Tango. 2012 Jin Xing hosted the TV talk show Shanghai Tango, which aired on Star TV on March 17th, 2010. 1989 I edited my solo work in this segment, and in 1990 I edited my solo work in the U.S. in Shanghai Tango and Carmina Burana. " and "Carmina Burana", 1991 U.S. "Fighter 2" and "Dancing", 1991 U.S. "Venus Crash Mars", 1992 Italy "Crying Dragon". Follow Yourself", "White Wind", "Cultural Exchange", "Half Dream", "Geisha" in Belgium in 1993, "Footsteps", "Madonna Maria", "Midnight Maniac" in 1994, "Point of Affection", "A Different Point of View" in Beijing, "Window" in 1995, "Who's Looking at Whom" and "Colors of Feeling" in Shanghai, creation of the ballet, "Blue Style" in Lhasa, "The Little Station", directed by the director in Shanghai in 2001, creation and Performed "A Breath" and "Gezhen Solo Dance Evening" in 2002 created and performed "Offering" in 2003 created and performed "Red and Black" in 2006 created and directed "Sunflower" and "Peony Pavilion".
In 2007, she created and starred in "Made in China - A Dream in the Garden" with elements of Kunqu opera in Shanghai. In 2007, she danced solo in "So Far, So Close" at the British Umbrella Dance Dance Festival. In 2009, she created and directed "Chinese Communication" in Shanghai. Legendary Dance Master Venus Edited TV Programs 2012 Venus hosted the talk show "Venus Crashes Mars" on March 17th in the Star Satellite Television. Started broadcasting 2011-2012 Jin Xing as a judge of Shanghai Oriental Satellite TV's "Dance Forest Conference" Edit this section Family Composition
They are both world-famous dancers, and both of them have a high level of artistic achievement in dance. But if we want to talk about whose dance achievement is higher, I'm afraid it's hard to distinguish between them, because the two belong to different dance styles, so naturally there's no clear way to differentiate between them.
Jin Xing, in the modern dance on the achievement is very high, for the development of China's modern dance has played a pivotal role. Moreover, Jin Xing runs her own Jin Xing Dance Company, which is a large company containing 16 people. As far as the dance company is concerned, if it is a privately founded dance company, 16 people is already a very large number. This number just shows that Venus is powerful, and it is precisely because there are people who appreciate her dances that her troupe can travel to various places around the world to perform.
Yang Liping is famous for her peacock dance, which belongs to folk dance. She never married in her life for the sake of her dance, just to keep her body in shape and her aura when she danced. Yang Liping's dance was featured on China's biggest stage, the Spring Festival Gala, for all the people of China to enjoy her marvelous dance together.
The two were actually judges together on a dancing program when they expressed different views on the same contestant. Although there was an argument about the dance, I think it was because the two people had different perspectives, one appreciating it from a modern dance perspective and the other from a folk dance perspective, so they naturally had different views.
Both women have played an important role in the development of Chinese dance, and their dances have their own strengths, so it is important to appreciate their dances from different perspectives, and not to get entangled in whose achievements are higher, but to thank them for bringing Chinese dance to the world stage.
In 1988, Venus was awarded a scholarship by the Asia Pacific Cultural Foundation and the American Dance Festival to study modern dance in New York, and at the age of 17, she won the first prize in the juvenile group of the first national "Peach and Lee Cup" dance competition, and was awarded the "Best Outstanding Performer" prize in the second national dance competition. "At the age of 20, the Chinese dancer was sent to New York by the State to study modern dance.
1989~1990, Jin Xing in South Korea, Seoul, held a personal work of the evening, as a member of the international choreography group of the American Dance Festival.
In 1991, during her further study of modern dance in the U.S., she was hired as a choreographer for the American Dance Festival, and in the same year, her work "Half a Dream" won the "Best Choreography Award" of the American Dance Festival. Later, she went to Italy and was employed as a resident choreographer of Italian TV One, and moved to Europe in the same year.
In 1992, she went to Belgium to be employed as a professor at the Royal Academy of Dance of Belgium, and founded the White Wind Contemporary Dance Company in Belgium, and held two personal works of evening party
.