First of all, let's take a look at this year's finalists for the Magnolia Award: Yao Chen, Zhao Liying, Jiang Wenli, Liu Bei and Wan Xi.
Let's take an example: Yao Chen's "It's All Good" has exploded in the spring of this year, and I believe that even if you haven't seen it, you will have heard about it.
This drama is very good to the traditional Chinese patriarchal thinking throughout, the script of the "Su Mingyu" this role is very well molded, and Yao Chen for the "Su Mingyu" this role is the interpretation of the right pinpointing, people are all to the The first step is to make sure that you have a good understanding of how to use the cactus in the desert," she said.
First of all, I think the script is a big problem because Yang Zi couldn't make the cut.
Everyone thinks that Yang Zi's "Xiang Mi Sinking Embers Like Frost" is very good, but we just see the surface, and we don't think about the plot and the content of the script and think about what the intrinsic value of the script is, and what it means, and what it's trying to give the audience, and what the impact is.
The director of the State Administration of Radio, Film and Television said the network audiovisual should pay more attention to guiding young people to develop correct values, sing the main theme, promote positive energy to create high-quality masterpieces, and strive to provide high-quality spiritual food for the people.
Contrasting the works of other shortlisted actresses: Jiang Wenli, "A Little Woman Under the Gate of Zhengyang", Liu Bei, "Sesame Hutong", Wansi, "Get Out of the Way", Yao Chen, "All Quite Well", Zhao Liying, "Knowing Whether to Know or Not Should Be Green, Fertile and Red Slim", we know, these heroines are struggling heroines with a reasonably good plot and a broader script than the immortal film of Yang Zi, these scripts are not like Xiangmie, not fine.
The scripts are not as fine as Xiangmie's. Xiangmie's scripts have been changed at the director's discretion, and the plots are even more seriously watered down, and the TV series that could have been 40 episodes were dragged hard to more than 60 episodes, which had to make people think that this is clearly just trying to make a profit in the ratings.
Secondly, Yang Zi's appearance in the drama is very little.
Many times, the main character has not appeared in an entire episode, either two or three times, and the rest is in a desperate attempt to hold up the various supporting characters.
The last thing is Yang Zi's own acting skills.
She's still a bit short of the fire, and it's undeniable that Yang Zi has a lively and cute side, and she can bring out the lively and cute part of her character very vividly.
But there are many netizens who think that Yang Zi's role in the "forerunner" is too much to do, there is no real significance, at the same time, I think Yang Zi is too anxious to get the awards to show their own, and I just hope that she can get a better script, adjust the mindset, and slowly build up the strength to grow, and finally get the desired results. I'm not going to be able to do that, but I'm going to be able to do it.