Yang Liping is old and strong, dancing with only a piece of cloth "cover up" is another Princess of Peace, do you like her?

The layman, there is no special love for dance. But Yang Liping's dance has shocked me. How in the world can there be such a beauty, so full of spirituality, strength, and can go up to the beauty of the spirit. Including my mother and father, they never stop their remote control for any dance program, but when they see Yang Liping's dance, they can not help but marvel, too beautiful! I have seen more or less a little bit of our classical dance, the annual dance competition, but never again have I felt the shock of watching the Moon. Ah yes, deaf and mute that thousand-handed Goddess of Mercy is also very beautiful, but that is dozens of people's varied efforts to create, and that kind of force Yang Liping a person did.

As one of the imitators and learners of Yang Liping masters, Yang Liping masters opened the door for me to dance. In the past, I would immediately change the channel when the TV played dance, due to the lack of interest. Now I will change the channel immediately when the TV is playing dance, because I know that it is not a real dance compared to Yang Liping's dance. For example, take the "Spirit of the Bird", this dance with your age and experience and understanding of the dance of different levels, you will see completely different things. I used to think that "The Spirit of the Bird" was modeled after a bird, but now I think it's a flying spirit.

Yang Liping's dance seems simple, a professional dance school can be half an hour to the "Spirit of the Sparrow" action all learn down, but out of the jump out of the taste, is completely wrong. Why? Because dance is not action at all. Dance is like a language, action is words, but can these words accurately express the meaning of this skill, only Yang Liping himself can do. From the outside to the heart, it takes a long process. I've been dancing to "The Spirit of the Sparrow" for ten years, and I'm just now getting a taste for it.

Feelings

Because I often see comments like "Yang Liping relies on one dance to eat for life", so here I will only discuss one issue, that is, Yang Liping is not only dancing peacock? This problem we see from the writings of Ms. Yang. First of all, look at her choreography of solo dance works, the early more famous "Spirit of the Sparrow", "Two Trees", "Plum", these three works, whether it is the way or style are different. The Spirit of the Sparrow" need not I say, the work of God, Yang Liping a peacock hand to break the "look at the thighs" of the dance pattern, not only let the dance circle peers marveled, but also let the public see what is the real China's folk dance. After a few decades, "the spirit of the bird" is almost every dance student's required courses, Tai Lihua and other dancers have been over, but until today is still has been imitated, never been surpassed, Jin Xing in a dance class talent show is bluntly Yang Liping's "the spirit of the bird," "no one before, no one after".

So since the "Spirit of the Sparrow" came out of nowhere, Yang Liping "Peacock Princess" this label was nailed, branded solid, so that the audience did not see her later writings can not escape from the heart of the "Peacock Princess" this! The influence of the label, naturally thought that "Peacock Princess" writings must be peacock cackle! This means that the "Spirit of the Sparrow" is an insurmountable monument, and I wonder if the Spirit of the Sparrow of the Yin-Yang Master also originated from here.

This is probably one of Yang Liping's most colorful body language and most revealing of her extraordinary physical dexterity, and some of the clips can be described as almost instantaneous, and I don't know that I thought I was using accelerated broadcasting. Whether it is the dance itself or the body paint make-up, at that time can be said to be very cool. Later dance works mainly include "Moonlight" and "Lotus Heart". We all know that dance pay attention to mobility, mobility of the expression of the need for stage space, "moonlight" just the opposite, creating a fixed-point dance precedent. Yang Liping worships nature, sun, moon and stars included. She thought the moon was beautiful and thought it would be great to dance in it, so "Moonlight" was born.

This is another of Yang Liping's classic looks in addition to her peacock hands. The work opens around a scene under a moonlit night, and includes many imagery, but does not include the peacock, nor does it have the iconic peacock hand look. The Lotus Heart was choreographed and directed by Yang Liping and played by Yang Dance in the Beijing Satellite Television Spring Festival, although Yang Liping also played the Lotus Mother in the dance drama Hidden Mysteries, but the two images are not the same. Writings are contrary to Yang Liping's agile and dynamic style characteristics, modeling and action are extreme serious atmosphere, so the Spring Festival works, so the embodiment of the meaning of auspiciousness and prosperity.