Just after "Les Chants Magnetic Fields" in the 1981s, Jarre embarked on an official trip - and subsequent trip to China with an incredible amount of stage equipment; five performances featuring 35 traditional instrumental accompaniment, followed by the LP concerts (Long-Playing) that arose in China.In 1983, the supermarket collection of (Yarr's) music quickly became one of the most collectible monographs in history - documented by Art Expo, pressed for just a single copy (which fetched at a charity auction nearly 1 million dollars), and again destroyed by the main auctioneer to ensure the rarity of the record! Yarr's next official release was 1984's ZooLook, not connecting with an audience as successfully as previous works, except for an appearance on a global telecast attended by over a million people, and at one point two years of unavailability prior to his April 5, 1986 excessive live show in Houston in celebration of NASA's 50th anniversary.
After the release of "En Attendant Cousteau" in the 1990s, Jarre's greatest life experience was the gathering of 2.5 million fans to see him perform on "Bastille Day" in Paris!
Jean-Michelle Barthelme, who is also a member of the group's music committee, is the first person to be invited to the concert. Jean-Michel Jarre's 1982 trip to China Jean-Michel Jarre's trip to China in 1982 brought him two concerts, in Shanghai and Beijing, from which the album Les Concerts en Chine was born. In his eyes, this ancient oriental country is full of mystery, in the "Souvenir de Chine" this song MTV shows the most, that is, this album, by many European Jarre enthusiasts as the best album ofJarre\'s works, which the "Laser Harp" (Laser Harp) and "Souvenir de Chine" (Souvenir of Chine), which I heard for the first time on the radio in 1988, including "Oxygen" (Oxygene). Oxygene" and "Equinoxe", and was intrigued by his talent, intelligence and playing style. For those of you who are a little older, you may know that there was also a Chinese electronica player named Pu Qizhang, who played some electronica music in the 1980s, but has since disappeared from the scene. However, in contrast, Jarre's work expresses an atmosphere, an abstract atmosphere, which he exploits the performance characteristics of the electronic synthesizer, using the huge sound storage elements and avoiding the shortcomings, creating lively and light rhythms and beautiful melodies, which is very well demonstrated in the 78 album Equinoxe, a rhythm, from the electronic organ, without percussion! playing!
The classical form of composition can also be found in his works, that is, in the form of movements, preludes, progressions, climaxes, continuations of climaxes, epilogues, ups and downs, evocative. He took my breath away with his understanding and grasp of melody, the depth of his arranging skills, and the abstraction of atmosphere!
In the last decade, many of Jarre's works have been adapted into Mix, many of Jarre's audiophiles are listening to it as much as a lot of DJ music, and I've listened to a lot of DJ music as well, and comparatively speaking, Jarre's adaptations of Mix still have a lot of the characteristics of the original version, and it still sounds good. In any case, although Yael's work has not been released much in China, and even if it has been released in rather small quantities [I haven't seen or bought his CDs in stores yet (but there are plenty of them in Europe), except for the Chronologie Part 6 Slam Mix I ordered from Zhongtu (it's still a remix!)], his work may have been recognized by us, and we may not be able to find it on our own. But his work may be used by our media and not noticed by us (as background music there is no need to provide the name of the original author?) , those of you who like to watch soccer may have heard his tune Rendez-Vous 98\' for the France 98 World Cup soccer tournament.
JARRE's breakout hit has sold over 15 million copies and remains the cumulative sales leader in French record history. Oxygen was the introduction to electronic music, even though some of the German pioneers such as Tangerine Dream and Klaus Schulze were already known before him, and it was the first time that ELECTRONICA had such a big impact on the general population. JARRE has found a balance between experimentation (exploring SYNTHESIZER as a new means of musical expression) and listenability.
Yianni, a globally renowned performer and composer, twice nominated for a Grammy Award, whose work has been a favorite for Olympic Games broadcast music for the past decade. After a series of concerts at the Acropolis, the Forbidden City in China, and the Taj Mahal in India, he has finally released his latest album, "IF I COULD TELL YOU" - a musical journey straight from the heart.
Born in 1954 in the uniquely scenic seaside village of Kalamata, Greece, Yani discovered his musical talent at the age of five. "I loved music very much and played the piano often, but I refused to receive a formal piano education. My father wisely encouraged me to venture out. When I didn't want to take piano lessons, he said, 'Well, play whenever you want, you can play whatever you want.' That's what I did then and that's what I do now."
Originally, Jani had aspirations to become a clinical psychologist, and at the age of 18, he was accepted by a university in Minnesota to move to the U.S. and major in psychology. However, after graduation Jani chose to pursue his beloved music career. "I decided to take a year to try it out. I joined a rock band called 'chameleon' and performed in some nightclubs. I immersed myself in music for a whole year, and I've never felt so happy in my life. That's how I found something worth doing with my life."
Yani focused on music and felt immense satisfaction from it, even though success seemed a long way off. "It took me a long time to achieve success, and even though many times it was hard to even make ends meet, I didn't care. Creating is a great joy. The process of creating is one of the greatest joys of my life."
Appearing on the Oprah Winfrey show with LINDA EVANS was a huge turning point in Jani's life. Yianni's career flourished after that. Starting with a show at New York's Radio City Music Hall, his concerts were televised in 65 countries, and his 1998 TRIBUTE was ranked No. 2 on the U.S. touring charts. But those unforgiving days taught Jani many things that continue to benefit him to this day. "Looking back, I learned that I learned many guidelines that allowed me to focus my will in order to make the creation work. No one will teach you this, it can only be gained by experiencing life with your heart."