During her 20-year dance career, Dilinal Abdullah has worked hard, diligently, and endured hardships. She desperately absorbed nutrients from the ocean of art. With her spirituality With his persistence and hard study and exploration of the true meaning of art, he has become the leader among many young actors. Over the years she has won many awards in international and domestic dance competitions. She is good at using superb skills to create a bright and cheerful stage image and show the unique charm of dances of various ethnic groups. In 1985, when she was still under 20 years old, she held her first solo dance report performance in the Xinjiang Song and Dance Troupe. In 1988, she held another solo dance performance at the Urumqi Unity Theater, which was highly praised by dance master Kangbal Khan. and praise from the leaders and guests present. Uighur dance master Kangbal Khan was full of praise for her dance moves. His representative works "Picking Grapes" and "Plate Dance" were rated as "Classic Chinese Dance Works of the 20th Century". In 1991, her solo dance "Iceberg Fire" won the first prize in the National Ethnic Minority Dance Competition, and her solo dance "Sweet, Sweet, Sweet" won the third prize. In 1990, he topped the list of "Top Ten Actors" in the first "Silk Flower" dance competition in Xinjiang. In 1995, the solo dance party "Tianshan Snow Lotus" was successfully held in Beijing. She has visited more than 20 countries in East Asia, West Asia, North America, Latin America and other regions, and has been highly praised. He has won the first prize in the National Dance Competition and the Ministry of Culture's "Wenhua Performance Award". In the 1997 Osaka International Arts Festival in Japan, she defeated all the others and won the "Highest Performance Award", which caused a sensation in Japan. At the "April Spring" International Art Festival in North Korea in 2001, her solo dance "The Girl from Dabancheng" won the highest award, and the "Gold Medal" was highly praised by artists from all over the world. Dilinar is not only highly skilled in dance, but also very accomplished in film and television, singing and dancing, and has won many awards in this area. The TV series "Bazaar of the Western Regions" she hosted won the second prize for national hosting and won the "Excellent Singer Title" in the Xinjiang Singer Competition. In 1998, he won the Best Singer Award in the 6th Asia-Pacific Youth Singing Competition in Macau, which was the first time in Xinjiang's art history. At the 7th National Congress of the Chinese Dancers Association held in Beijing in 2000, Dilinar was elected as the Vice Chairman of the Chinese Dancers Association for her outstanding artistic achievements and great contribution to the cause of Chinese dance art. This is another Xinjiang dance artist to hold this position after the dance art master Kangbal Khan. Dilinar has been specially appointed as a visiting professor at Minzu University of China, Beijing Dance Academy, Xinjiang Normal University, Xinjiang Art Institute, and Beijing Shengji Art Institute. Dilinar, a member of the Literary and Art Expert Committee of the Department of Culture of the Xinjiang Uygur Autonomous Region, a director of the Xinjiang Charity Federation, etc. In order to develop Xinjiang’s cultural and artistic undertakings, Dilinar officially founded Xinjiang Dilinar in Urumqi on July 10, 2007. The Er Culture and Art Exchange and Development Foundation actively carries out multi-ethnic cultural and artistic creation, theoretical research, talent training and external exchanges in Xinjiang, and funds poor students with artistic talents to complete their studies, supports the cultivation of outstanding literary and artistic talents in Xinjiang, and carries out rescue of orphans and disabled children, etc. The activities have made due contributions to deeply exploring Xinjiang’s ethnic song and dance art resources, creating new forms of song and dance art expressions, cultivating ethnic minority literary and artistic talents, and advocating social forces to promote the prosperity of ethnic minority literary and artistic undertakings. Since its establishment, it has supported more than 50 art school students. It has also carried out one-on-one teaching activities called "Art Soul - Big Hands and Little Hands", inviting old artists to help poor people with artistic talents, which has achieved good results.
In order to inherit and develop the career of the older generation of artists and promote the development of excellent art, it is proposed to the Chinese Dancers Association that the famous performing artist and famous Uyghur dance choreographer Mr. Aji Reheman Uyghur dance basic training set (twelve sets each for men and women) ) as the standard for basic Uyghur dance training, her proposal has been highly valued by the Chinese Dancers Association and Chinese dance masters; the China Federation of Literary and Art Circles and the Chinese Dancers Association specially organized the "Xinjiang Uyghur Dance Basics" in Beijing on February 2 this year "Training Standards Demonstration Meeting" is the first in the country, which is of milestone significance for the development of folk dances of all ethnic groups in China. It has been unanimously affirmed and highly praised by well-known experts and scholars such as Chinese dance master Jia Zuoguang. Someone once said: Language is to convey one's thoughts to others, and art is to convey one's feelings to others. Dilinal's passion erupts like a flame, unleashed on the stage. The audience's emotions will be infected by her graceful dance, and they can't help but cheer and marvel! She vividly demonstrated the charm of Xinjiang's singing and dancing. That's Dilinar's style. People often say: Dilinal is a natural dancer, her eyes can speak, her figure is light and graceful, her smile, her spinning and jumping, like a dancing elf, show the art of a dancer. Brilliant, her every move flies in front of us gracefully, showing the elegance of a nation. She strictly demands herself with high standards and works hard to complete all the tasks she undertakes and the tasks assigned by her superiors; on major issues of right and wrong, she shows the political acumen and stance that a people's artist should have. We must firmly and clearly align ourselves with the Party Central Committee, oppose ethnic separatism and illegal religious activities, and safeguard the reunification of the motherland and social stability in Xinjiang. Dare to adhere to principles, strive for refinement and pragmatism, perform job responsibilities, insist on doing their own work, and actively perform various tasks of the Dance Association and the Foundation. As a representative of the National People's Congress in the cultural and art circles in Xinjiang, before the annual National People's Congress meeting, I think about the proposals in the field of culture and art to be brought to the National People's Congress. With the concern of the leaders of the Department of Culture, art theaters and colleagues in the cultural and art circles, and support, over the past few years, we have successively submitted proposals to the National People's Congress: Xinjiang Cultural and Art Troupe's outdated facilities and insufficient rehearsal venues, etc., which have received great attention from the autonomous region party committee and government, as well as support from relevant national departments, and have done our best to serve as a cultural troupe. Responsibilities of representatives in the arts field.