1 point
In layman's terms, it means hand. After watching some video materials, the fingering of POINT is different, but most of them have a feature that they point out from the chest, and many of them follow the direction of the point with their eyes. In addition, they will take span changes. My two teachers talked about a point process when teaching me, such as the right hand pointing to the right, first moving from the left chest to the right chest, and then pointing out in parallel, the left hand rested on her hips, and the shoulders basically kept parallel and crossed. There are many points, such as left, right, up, front, 45 degrees left and 45 degrees right. Whatever it is, follow the process just mentioned. You can't tilt your fingers with your arms when you point. The speed of the point is generally faster, so we should control the strength and speed.
2 turns
The popular saying is handspring. Obviously, this action has a lot to do with nunchakus. When TWIRL is up, hold the hollow fist, raise the arm to the height parallel to the shoulder, and start to turn the wrist. At this time, the arm does not move, the wrist rotates completely, and stops rotating to the height parallel to the ear. My teacher has a very interesting saying: it is a slap when it is turned up, and it is a slap when it is turned down (haha. . . This statement is very vivid).
3 drums
There doesn't seem to be any popular saying about this, but from this word, it means a little drumming. But in fact, the feeling of drums is like drumming, the feeling of hitting the drums and bouncing back. When the teacher was teaching, he said that the process of drumming is to hold a hollow fist and hit it vertically from top to bottom, and then retract it vertically to the chest, that is, raise your arms horizontally to be parallel to your shoulders, and then punch it outwards. The process of retraction is the opposite. The * * * common point of drums and dots is the point in DURM, and the speed and intensity should be controlled at the same time. When one hand is doing it, the other hand should be akimbo, but it seems that the direction of akimbo is not required.
4 lock
It can be said that LOCK is the most representative action of LOCKIN. From the name of this action, we can see how much it has to do with Luo Jin's dance. When locking, the state of hands varies according to styles and personal habits, but they usually hold hollow fists, and some fingers are slightly open.
4. 1 Lock Up
The process is to raise your fist from both sides of your body, and then raise your arm less than a little from both sides of your chest (note that there is a difference between "lifting" and "lifting"). At this point, your upper arm is parallel to your shoulders, and your lower arm is at a 90-degree right angle to your upper arm. Hold your chest out. Then, your hand is lowered in the opposite process. When your arms are placed almost perpendicular to the ground, you can bend over and straddle your feet at the same time, and your arms extend forward and turn outwards.
4.2 Open the lock
It's basically the same as UP LOCK, except that UP LOCK lifts hands from both sides of the body, and OPEN LOCK crosses hands on the chest to make an opening action (imagine stretching), and everything else is the same as UP LOCK.
4.3 Double lock
The arms are perpendicular to the ground at both sides of the body, then bend down and make two quick locks in succession (the original lock is lifted up, which feels like lifting two buckets of water), and then straighten up after two locks.
Lock dance is actually a very sensational dance, which can sell cute and gentlemanly coolness, humor and even funny, and is completely integrated into the dancer's movements, rhythms and even expressions.