Original text
Looking forward, looking forward, the east wind came, the footsteps of spring is close.
Everything looks like it has just woken up and opened its eyes gladly. The mountains are moist, the water is up, and the sun's face is red. The grass peeked out of the earth, tender and green. In the garden, in the field, look, a large area full of a large area. Sitting, lying, playing two rolls, kicking a few feet ball, race a few times running, catch a few times hide and seek. The wind is gentle and the grass is soft.
Peach trees, apricot trees, pear trees, you do not let me, I do not let you, are full of flowers to catch up. The red is like fire, the pink is like the sun, and the white is like snow. Flowers with a sweet smell; closed eyes, the tree seems to have been full of peaches, apricots, pears.
Thousands of bees buzzed under the flowers, and butterflies of all sizes flitted about. The wildflowers were everywhere: a miscellany, named and unnamed, scattered in the grass, like eyes, like stars, and winking.
"Blowing face not cold willow wind", good, like a mother's hand caressing you. The wind brings the scent of freshly turned earth, mixed with the smell of grass, and the fragrance of various flowers, all brewing in the slightly moist air.
Birds will nest in the flowers and young leaves in the middle of the happy, called friends to show off the clear throat, singing a melodious tune, and the wind and water should be. The short flute of the cowherd boy on the back of the cow, this time also all day loud and clear sound.
Rain is the most common, a one is three or two days. Don't be annoyed. Look, like cow hair, like flower needle, like fine silk, densely woven diagonally, people's roofs are covered with a layer of thin smoke. The leaves of the trees, however, are so green that they shine, and the grass is so green that it forces your eyes. In the evening, on the lamp, a little yellow light, baked a quiet and peaceful night.
In the countryside, on the path, stone bridge, there are umbrellas slowly walking people, there are still working farmers in the field, wearing straw raincoats and hats. Their houses, sparse and silent in the rain.
There are more kites in the sky and more children on the ground. The city and the countryside, families, old and small, also rush like, one by one, all out. Shuffling the muscles and bones, shaking the spirit, each doing their own a thing to go. "A year's plan is in the spring", just the beginning of the head, there is a lot of work, there is a lot of hope.
Spring is like a doll that just landed on the ground, from head to toe are new, it grows. Spring is like a little girl, flamboyant, smiling, walking. Spring is like the sturdy youth, with iron arms and waist and feet, leading us on.
Expanded Information
I. Background
The article was written around 1933. At this time, the author Zhu Ziqing has just returned to China from his European wanderings, and concluded a beautiful marriage with Ms. Chen Zhuyin, and then got a son, and at the same time became the head of the Department of Chinese Literature at Tsinghua University, life can be described as a series of good things, the spring breeze.
Second, writing features
Zhu Ziqing's prose "Spring" is full of endless poetic feelings, see endless pictures. He blends the "feelings" of personality beauty with the "scenery" of natural beauty, creating an artistic realm where the feelings and the scenery are blended together.
Zhu Baiqing used more than twenty rhetorical devices in this short essay of only 30 sentences. He utilized more than twenty rhetorical devices. The work is to "spring" throughout the whole piece, by looking forward to spring, painting spring, praise spring three parts of the composition, layer by layer in-depth, interlocking. The author uses the rhetorical style as the "paint" of "Spring" to paint a colorful picture of early spring.
The three metaphors at the end of the book form a "prose" rhetorical pattern. The author uses three figurative metaphors to eulogize the spring in a gradual sequence, which makes the work more powerful and the whole spring scenery more rich.
The author also wants to prove that spring is fresh, beautiful, joyful and powerful. The work closes the whole text with these three similes, which are concise, fast-paced, lively and expressive.
Spring clearly shows the idyllic pastoral style of freshness and cheerful mood. It is a hymn that sings the wonderful melody of spring.
Third, author's profile
Zhu Ziqing (November 22, 1898-August 12, 1948), formerly known as Zihua, No. Qiu Shi, later changed his name to Ziqing, the word Peiyin. He was a modern Chinese essayist, poet, scholar, and democracy fighter.
Originally from Shaoxing, Zhejiang Province, he was born in Pingming Town, Donghai County, Lianyungang City, Jiangsu Province, and settled in Yangzhou with his grandfather and father, calling himself "I am a native of Yangzhou".
He graduated from high school in 1916 and was admitted to the preparatory course of Peking University, and began to publish his poems in 1919.
This is the first collection of prose, "The Backdrop", published in 1928.
In 1928, his first book of prose, Back Shadow, was published.
In July 1932, he became the head of the Department of Chinese Literature at Tsinghua University. 1934, he published Miscellany of European Travels and Miscellany of London. 1935, he published a collection of essays, You and I. 1935, he was born in Beijing, China. On August 12, 1948, he died of stomach perforation at the age of 50 in Beiping.
The theme of Zhu Ziqing's prose is mainly manifested in five aspects: first, the ideology of speech; second, the sightseeing and travel; third, the book of feelings; fourth, the sense of realization; fifth, the accusation of the current evils.
Baidu Encyclopedia - Spring