Colorful Tibetan folk dance
Nature created the Tibetan people's beautiful singing voice, fit body, long and brilliant plateau farming and animal husbandry culture and labor life is the source of their improvisation song and dance creation. Here is my introduction to the colorful Tibetan folk dance, I hope to help you!
Classification of Tibetan folk dance
Tibetan folk dance can be divided into two categories of self-entertainment dance and performative dance, square self-entertainment dance mainly Harmonization, Zhuo, Fruit Harmonization, and so on, and the performative dance mainly includes heap Harmonization, Reba, Nangma and so on. From the circulating area, the fruit harmony, heap harmony, Langma harmony, etc. are mainly circulated in the Yarlung Zangbo River basin, and the main forms of songs and dances circulated in the Jinsha River basin are mainly harmony, Zhuo, etc. With the development of the times, all kinds of dances nowadays are divided into two main types: self-entertainment dance and performance dance. With the development of the times, at present all kinds of dances are gradually popular and expanding to the whole region of Tibet and the provinces Tibetan inhabited areas, and with its own regional cultural characteristics.
Tibetan folk songs and dances in many forms, all kinds of dance in the long history and culture through the creation of the masses and influence and because of the natural environment of the different regions and different flavors, styles are different. Such as Zhuo bold and rugged, harmonic soft and cheerful, pile harmonic delicate exquisite, fruit harmonic free and unrestrained. But as a national dance art as a whole, its overall style is unified, the law is also consistent. For example, the "dancing sleeve" has become the most common and even essential form of basic upper limb movements and means of expression in all kinds of Tibetan dances, with the help of the "dancing sleeve" to express the inner feelings of the dancers and emphasize the atmosphere of the dances. In addition, the regular flexion and extension of the knee and trembling is also a typical action in all kinds of Tibetan dance.
The overall style of Tibetan folk dance
Tibetan folk dance is a fusion of farming and pastoral culture and religious culture into the dance art form, its style is reflected in the dance image of the action of the portrayal of the melodic characteristics and lyrics of the accompanying song, but also because of the agricultural areas, pastoral areas, forested areas, half-farming and half-pastoral areas of the different, but added the cultural color of the region. Regional cultural colors.
The basic features of Tibetan folk dance include: loose hips, bowed waist, curved back (leaning forward), this physical characteristics of the oppressed religious psychological traces, but also from the laborers in order to reduce the physical burden of self-body coordination, with a strong artistic creation, so from the point of view of the dance, but also has another sense of beauty, that is, the labor of the formation of the various parts of the body of the kinetic coordination of the United States. Another feature of the Tibetan folk dance posture is "a smooth side", referring to the dancers to the waist as the initiative, hands and feet with the formation of a side of the "a smooth child" dance rhythm, become a plateau unique posture beautiful, charming and moving physical characteristics.
The basic features of the Tibetan folk dance rhythm include: the knee has a continuous, small and fast, elastic tremor and continuous flexible flexion and extension, forming the Tibetan folk dance "no flexion is not a move, want to move must be the first flexion" of the law of action. This "bend" in addition to the requirements of the trembling knee, including slack hips, due to the characteristics of this law, so that the Tibetan folk dance lower limbs active, upper limbs loose, the formation of the top down, want to move first bend `movement characteristics, so that the dance gives a kind of ethereal and calm feeling.
Tibetan folk dance performance forms include: dance and singing art close relationship, a variety of forms. Most of the performance forms are song and dance, dance and song, song and dance, music and dance, song and dance and music as a whole.
Tibetan folk dance style characteristics
The Tibetan people have a long history, living in a vast area, due to the ancient Tang, Nanzhao, the Western culture and the influence of Tibetan Buddhist culture, as well as the natural environment, labor, production, customs and habits of the differences in the form of folk dance is extremely colorful and varied styles of rhyme, and because of the relationship between the dialect, the Chinese translation of the different sounds. The relationship between the dialect, Chinese transliteration of the different, the same type of folk dance form but has a different name.
Zhuo, Chinese called "pot Zhuang" or "song Zhuang", is a variation of the Tibetan "Guo Zhuo". Zhuo, is the Tibetan language on the dance of a general term, at the same time, Zhuo is also refers to the labor atmosphere is strong, rough and bold Tibetan ancient song and dance form one.
Zhuo is a mass self-indulgence a cappella music dance, men and women stand separately or mixed into an arc singing and dancing, performance, dancers hold each other's hands so that the two teams to take the Qi, the number of people, up to two or three hundred people, the song plays a great role in Zhuo, can be used to greet each other to the song to ask questions, answer. Lyrics cover a wide range of content, there is the promotion of religion, there are songs of praise for their hometowns, there is to teach people to respect their parents, the most commonly used are some of the songs depicting love. The lyrics are mostly double entendres of varying lengths. The form of a song and a dance, generally divided into three sections, the beginning of a smooth and slow, the tune of the deep fine, the dance posture is robust, in the board dance rough and unrestrained, fast board soaring excitement. Zhuo dance is very popular, a variety of different styles, pastoral "Zhuo" slow plate to sing the main, fast plate part of the rhythm of the rapid, there are jumping and turning movements; forest "Zhuo" to Gongbu area is the most famous, which is similar to archery and simulation of the action of the bird; circulated in Zhuo" in Rikaze, Tibet, is majestic and skillful. "Zhuo" is different from other Tibetan dance is the most important feature of the tune is broad and deep, rhythmic staccato powerful, life and labor atmosphere, action amplitude, strong and resonant, showing the Tibetan dance in a kind of simplicity, deep personality traits.
Harmony is called "string" in Chinese, and "Ye" or "Yi" in different Tibetan dialects. Harmony is the oldest and most flourishing art form of song and dance in Tibetan history, originating from Batang in Sichuan Province, and widely spread in Tibetan areas such as Sichuan, Tibet, Yunnan and Qinghai. Harmonization is known for its beautiful tunes, beautiful lyrics, and loose and soft dance rhythms. Harmony of the tune is rich, diverse performances, different tunes with different dance steps, the song is mostly six words and four lines, the content is mostly to celebrate love, labor, hometown or natural scenery, etc., and it is performed in the form of: men and women stand in a row in a circle, a man pulling a string (Tibetan ukulele) to lead the dance in front of them, and with the string tunes, people sing and dance while moving forward, and the team shape sometimes gathers in the circle, and then spreads out, the dance is smooth, lively and joyful. The dance is smooth, lively and joyful, with steps consisting of leaning, teasing, dragging, pointing, turning and other movements, and arm movements such as swinging, pulling out, teasing, flinging and so on. The "dragging step" and the "pointing step and slow turn" are commonly used steps. The traditional repertoire includes "Gulaiyamu", "Selingling Sanglanglang", "Peacock Eating Water", "Longzi BaMu" and so on.
Guo Harmony, also known as "Gou Harmony", "Gou Harmony", "Guo Ri Harmony", etc., is a different Chinese character of the Tibetan language notation. Means "dance in a circle", also known as "circle dance", for mass self-entertainment dance. Circulating in Tibet, ali, zhikaze, shannan, jiangzi and Lhasa near. Fruit Harmony belongs to the ancient form of agriculture and animal husbandry songs and dances, can be carried out in the field, the village or indoor, the number of people is not limited, men and women, young and old can participate.
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