Horseshoe, autumn water, refers to "Zhuangzi - outside the book" in the "horseshoe ninth" and "autumn water seventeenth" two chapters, a saying that the heavenly horse is uninhibited, the Bole good governance of the horse instead of harming the horse's early death; a saying that the autumn water to fill the river, the sea, the sea, the frogs can not be on the sea, the summer bugs can not talk about the ice, the world outside the limit of the domain of the great and limitless.
Tiger's tail, spring ice, out of the "Shangshu - Junya" - "the heart's worry and danger, if the tiger's tail, wading in the spring ice," the words of the "adults" of the heart of worry and danger, like stepping on the tiger's tail, walking in the spring thawing of the ice.
The heart of man is in danger, and the heart of Taoism is only slight.
I think it should be Zhu Zi's school of Taoism on the horse's hooves and tiger's tail of the eight words of the flavor. I am appropriated here just because it reads, looks very beautiful, and borrowed as a metaphor for the Song and Yuan art and artifacts in the two ends of the spectrum, a kind of free and unconstrained, no obstacles to the beauty, such as the Magnetic Kiln, Yaozhou kiln of the knife and axe chiseling; a kind of apprehension, wearing shackles to the beauty of the dance, such as the Ding porcelain and kiln's respect and introspection. And then intertwined, penetration, iterative pressure, illusion.
Tiger's hooves, horse's tail, spring water, autumn ice.
"A guest asked the floating world, no words to point to the falling flowers"
-- Song Magnesia kiln pillow inscription
The old title of the Song Taiping old man "Jin Jin in the sleeve" opening list of the Song dynasty, twenty-eight kinds of the world's first:
"Supervision of books, wine, Duan inkstone, Luoyang flowers, Jianzhou tea, Shu brocade, Ding porcelain, Zhejiang lacquer, Wu paper, Jin copper, Western horse, East silk, Khitan saddle, Xia Guo sword, Goryeo secret color, Xinghua army solitaire, Fuzhou Li-eye, Wenzhou coats, Linjiang yellow finch, Jiangyin puffer fish, Jinshan salty black beans, Jane Silence Guan bitter asparagus, Donghuamen to put the preserved fish, the Beijing (also known as the "right") soldiers, the Fujian out of the scholar, the south of the Yangtze River, Jiangxi Lake outside the elder, the Beijing women, are all the world's best, although the effect of the other, the end of the less than.
From the back of the book, the author's time should have been into the Yuan, but it is indeed filled with a strong flavor of the Sung people.
This smell is the Bianjing women's taste and Jiangyin puffer fish taste mixed, is the taste of the Jiangnan scholar and Kaifeng Donghuamen pickled fish taste mixed, is the wine aroma and the tribute of the Jiaotong country salty edamame taste mixed, is the secret color of Goryeo "out of the incense" and Dingzhou white porcelain ou muddy on top of the tea bed, is the sitting on the gold saddle of the Khitans, the waist wear the Xixia's iron sword, is chewing on a Jane Jane Silk Guan's bitter bamboo shoots, and then suck a mouthful of Luoyang peonies. And then a painful inhalation of the strong fragrance of Luoyang peony flowers ......
In short, the mixing of senses and reason, in and out of jumping in the two ends of the elegant and secular, very contrary and not contrary, inadvertently seduced you, captured you, in the if you are, and with a touch of sadistic reddish scarlet lipstick. In the Song lyrics and Song painting also often have this fun.
Therefore, the ultimate in Song admirers must be called "sycophantic Song", book collector Huang Pi Lie called himself "sycophantic Song master", the sound and color of the absolute good only to hide the school of Song version of life. Painter Wu Hufan filled "sycophantic Song lyrics trace" in Shanghai island, tasting the Song carved "plum blossom happy God spectrum", contemplating mourning his late wife Pan Jingshu, singing and confidant Zhou Lianxia.
Sycophantic Song, is a kind of drowning, so that you have some slight slow suffocation.
However, we are in the heart of the motherland, WeChat still dare not make a mistake and how dare you say "sycophantic Song"? The first thing I'd like to say is that I'm not sure how much I'm going to be able to do this, but I'm sure I'm going to be able to do it, and I'm sure I'm going to be able to do it. Beihai Qionghua Island did begin in Jin, but the great Jin's work to make "Liao pouring Song run", in the state of the destruction of Song "sycophantic Song" is really a bit of a scene, right. In addition to the recent Beijing, the world is in turmoil, the obedient local Beijing natives also feel dishonored. As read a hundred and ten years ago, the Manchu revolutionaries wrote "Yenching Travels":
"Yandi is known as many generous and sad people, and the great and the good are born in this country. Nowadays, there are many people who are shy and bowed down. Is not the five hu qidan jinren mongolian east hu steal and after the stink mixed with the nature of the people for the big change yeah? Or Yan people to the most close by outsiders repression, so the habits of nature to develop the root of the slave nature?
The author calls on Jing Ke and other "dog-slayers" to rise up in anger. Afterwards, we returned to the hu man center to eat a meal of hu man wine and meat, dried the meat and wine, washed our feet and went to bed, not caring about the slanting sun outside his door.
Looking south at Kaifeng, the repeatedly flooded and destroyed Bianjing Songcheng has long been buried under the ground, and the new Kaifeng has been magnificently transformed into a snack town in the Central Plains. The new Kaifeng has been transformed into a snack town in the central plains. Looking south again at Hangzhou, the West Lake is still singing and dancing, but the combination of the smoky atmosphere of the famous electric city and the bookish atmosphere of the "paradise on earth" has not yet been properly combined, and the 150 paces out of the West Lake will make people feel impatient. Aman Fayun's Washoe Garden is elegant, but the contracted Hangzhou-style restaurant is not. So which existing metropolis on the planet can we go to in pursuit of Song nostalgia?
Thinking about it, reviewing the collection of this book to the artifacts, found that about half of them had been Japan's old collection, packaging tung box Mori Ran in the list. Another friend, Mr. T, the new Kyoto mansion in the Kinkaku-ji Temple, mossy ancient walls, the scenery is charming, warmly inviting guests to stay.
The heart said good - not as good as the East.
The first step was to go to Kyoto.
In a short letter to my colleagues in the shooting team, I wrote:
On the Japanese photo, the theme is roughly to go to Kyoto to find the color, sound, fragrance, taste and touch of the Song and Yuan dynasties. This is because Kyoto from the Heian to Muromachi eras was heavily influenced by Song and Yuan culture and Zen Buddhism, especially the Southern Song. During the Gandao and Chunxi periods, Zen Master Eisai, the first ancestor of the Rinzai Sect in Japan, traveled twice to the Song Dynasty to seek the teachings of the Dharma, and upon his return to Kyoto, he propagated and expounded Zen Buddhism. Chinese monks and merchants from Ningbo and the Tianmu Mountains also traveled eastward during the Song and Yuan centuries, bringing with them Buddhist statues, paintings, ceramics, lacquer ware, and even tea ceremonies, incense ceremonies, floral arrangements, and kabuki music. Recalling more than ten times to and from Kyoto, I feel that its temple architecture, mountain and water system, wood and stone gardens, street layout, river through the city, restaurants and bars along the river spread the atmosphere of the Song style. So we can take some scenes. Muromachi era Nengaku master Shi Aya monk said: "hidden flowers are the real flowers," and said: "to play the momentum of the angry waves, must be stored in the wind soft heart," we do not need to shoot the autumn scene shoot flowers, shoot fruits, shoot the leaves, shoot the water, ink, tea, wine, snacks, and even bean curd or shark's fin noodle, and combined with a few artifacts to go with it. Fruit still life layout can refer to the six persimmon figure of the monk Muxi. Express a kind of late fall maturity, lethargy, silence and reincarnation. Of course, the great Shiting Kushanshui of Longan Temple is indispensable, as it smells similar to our Ge Kiln porcelain. Good luck, autumn and.
So the photographer Cao with fox, cow, Nan colleagues split into action: to go to the Honnouji Temple next to Teramachi-dori Hatsujido gently lifted the warm curtains, to buy ink and incense; in the beginning of the Meiji 37 years of Kyoto's famous store Yojiya to buy a bright red rouge; and then in front of the Isetan station to buy persimmons, pick the most beautiful and pure color of the few; in the intersection of the Kawaramachi florists to choose a red geraniums, hairy chestnuts; along the way to shoot Kamogawa Sanjyo Shijo water scenery; and then in Kan-eido Kan-eido On the way, I photographed the water scenery between Kamogawa Sanjo and Shijo; then I bought several kinds of wakame (Japanese fruit) at Kan-eido. At the end of the day, we went to Genkicho to eat the famous shark's fin noodle at White Bowl and Chopsticks House.
After the meal, we went back to the hotel and everything was ready.
"Zhou feet will be feet, Song porcelain is porcelain"
-- Qianlong "Wing official kiln plate"
Talking about the Qing dynasty emperor's taste in art, the people of the time will be Yang Yongzheng and disparage Qianlong. But only on the Song porcelain appreciation, Qianlong is undoubtedly the Ming and Qing dynasties can be said to be excellent connoisseur. His grandfather Kangxi wins in the innovation, do not like the old magnet, in the "Sheng Zu Ting training maxims" and even said: "the old magnet utensils are used in the past, where it is displayed, are not known. It seems that may not be clean." Therefore, can not be retained, can only be placed on the desk as a moment of appreciation. Father Yongzheng is both innovative and retro. To Qianlong is actually a fanatical "look back" of the retrofuturist.
The National Palace of Taipei's "get good fun" book on the Qianlong "sycophantic Song" combed very clearly, the Qianlong life for ceramics appreciation of the imperial poem about 200, which is inscribed in the five famous kilns of Song porcelain (including misjudgment for the Song), known to exist in the National Palace on both sides of the Taiwan Straits and the British Museum of the artifacts on the 131 pieces of the more, the Beijing Poly has also been a hand of the official kiln small square pots, "Chai Kiln" bowls, official kilns, a small through the ears of pots of the three! Imperial title porcelain. It can be said that the appreciation of ceramics, the Qianlong emperor nine out of ten of the energy are poured into the Song porcelain, so the Zhushan Imperial Kiln Factory of those exquisite work of the new although "new bottles to make better", but obviously for the Qianlong emperor is not very heart, and he is the same as modern scholars, "Tanzai Penheng," "Negative Pleasures Miscellany," "Chunfeng Tang Essay," "Zunsheng eight paper" in the official kiln of the important documents recorded in the very familiar with! Zhang Sheng, Zhang Sheng two, Ruzhou Qing, Northern Song dynasty kilns, Xiu Nei Si, suburban altar, brother kiln, Longquan kiln, we are today in the seminar experts are still not sure of the core of the Song porcelain problem, but also when the Qianlong read in mind. And in the Phoenix Hill kiln site before the excavation of two hundred and thirty years ago, he has been firmly believe that Xiu Nesi official kiln production from Lin'an Phoenix Hill.
"Xiu Nei pottery secret ware, the official kiln is different from the outside world.
"It is difficult to distinguish between the Jianlong dynasty, always out of the Phoenix Mountains"
-- Qianlong "Wing official kiln sunflower plate"
"The nails are still the remains of the Song kiln, the ice cracks exist in the vitreous water nourishment.
An example of the soil under the Fenghuang Mountain, which is precious without pottery"
- Qianlong "Wing official kiln dish"
This book has the honor of including two famous pieces of the Ge Kiln, one is the Ge Kiln bonobo square wash, and the other is the Ge Kiln through the ears of the pot, the bottom of the pot is also covered with the imperial title, and affixed with the yellow label of the Qing Palace "King's Name", it seems to be old hidden in the Forbidden City Jing Sheng Zhai. The brother kiln ware is also qianlong often title of the famous ware, there are aria "brother kiln plate" cloud: "in the state of refined excellence zhangsheng, plate had for pan so sheng, the new method does not see a hundred garbage broken, that the number has a difficult brother. Qianlong on the most important point of the kiln is known as the "hundred trash broken" glaze layer broken dense flake different from the kiln's special aesthetic, the so-called "kiln hundred trash broken, the iron foot is only called precious. It seems to be marked with a bad appearance, but it can complete the spirit of tranquility." ("Wing Kiln Sunflower Bowl")
Qianlong that the Kiln porcelain victory in the "ancient color Mu Ran fire color micro", and glaze is not as good as the official kilns green and moist, that is, "pure green, although the feeling of Xun kiln". But the saint bright as a torch Qianlong surprisingly found: brother kiln in the five kilns in the first place is: in line with political correctness. The Qianlong title brother kiln plate poem said "laugh at the sunflower hundred trash, just like the martyrs good follow the name", that is, "a hundred trash broken" layer "lobes" symbolizes the "martyrs" of the section of the wind; and its commonly used sunflower mouth modeling symbolizes the vassal sunflower sunflower to the sun's loyalty.
Qianlong in the broken pattern of the kilns in the Brothers saw "mountains and rivers broken wind fluttering" Wen Tianxiang, can be described as wild imagination. So Wen Tianxiang, Shi Kefa is also honored as the Qing dynasty's saintly and loyal, and credit in the dynasty's founding of Hong Chengchou, Qian Qianyi was shamefully classified into the "two ministers biography". Such a "sycophantic Song", but also some of the Song far away, right?
After paying homage to the martyrs, tea break, back to the Song porcelain color, sound, aroma, taste, touch it. Five desires for the Buddha's offerings, including the mirror, lute, incense, fruit, heavenly clothes five items, respectively, corresponding to the human eye, ear, nose, tongue, body, and then correspond to the human heart of the five senses of desire - color, sound, fragrance, taste, touch. Negatively speaking, the five desires prevent people from being able to purify their six roots and become empty of all four senses. Positively, the five desires are the driving force in the lives of mortals. Indian Buddhism has five desires, and Aristotle also has four senses, except that taste is subordinate to touch. The Roman Gellius in the second century also divided the senses into these five. In Britain after the Middle Ages, the five senses also became a common sense concept.
However, whether East or West came earlier or later is another story. The five human desires are also reflected in ceramics.
Color, you can see the Ding kiln ware "a ou the world white", you can see the Longquan glaze of the plum early green; sound, you can play the "gold buckle fixed ware" bowl and plate of the clanking sound, you can listen to the official Bro Bro Broken ware of the mute murmur, as if new openings are still continuing to shivering growth. Touch, can caress the glaze of the Brother Kiln wash "ghee light" as soft as silk, such as the virgin's slightly sweaty cheeks. Magnetic kiln bold pick carving scratch fall plum vase is feel sharp, such as massage gua sha like pain. Fragrance and flavor can be found in Jianjian Rabbit Hair and Jizhou Tortoiseshell. And put the small square wash of the Ge kiln in the stone garden of Longan Temple on the long corridor, inside the water, in the afternoon sunshine of the frosty day to take its shadow, with a low perspective, horizontal composition of the lens to pay tribute to Ozu Yasujiro, this frame of the work of the scene does mix the boundaries of the color, the sound, the aroma, the taste, the touch.
Will you leave and abandon, or will you embrace? The choice is yours.
Ru, official, brother, Jun porcelain beauty, historically, connoisseurs thought in the glaze layer grain and bubbles, caviar pattern, crab claw pattern, willow thread pattern, eel blood pattern, earthworms walking mud pattern ...... let you wander in the grain intoxicated do not know the way back. And thin tire thin glaze, thin tire thick glaze, the second overfired, many times after hanging glaze glaze produced a variety of glaze bubbles, some such as "poly foam save beads", some as few as the morning star, or milky, or crispy light, these pieces of grain and bubbles under the naked eye for a sense of view, ten times magnification for a sense of view, twenty times magnification for a sense of view, under the microscope and for a sense of view. Inheriting the traditional visual inspection method, we see as if the kiln from the body of the alkali metals and oxygen escape, become suffocated in the glaze layer of a bewildering and beautiful bubbles.
The method of identifying ancient ceramics with bubbles is really a torturous tantric mind, as ignorant as I am, only from the play "Copenhagen" in the Heisenberg quantum mechanics, "the principle of inability to measure the vulgarization of the interpretation of the principle of inability to measure - that is, when you focus on a point and think that it is measured accurately, the act of measurement at the same time also inevitably disturbs that thing, and other quantities are distorted. So 'if you know the present, you can foresee the future' is wrong, and agnostic Zhuangzi and Zen are right.
Knowing? Know whether? Porcelain is like that, the work is like that, and life is like that, right?
However, in the face of a purple mouth and iron feet of the kiln wash, I still can not help but pick up a ten times magnifying glass, breathless and concentrated, carefully looked at again and again, as an expert. Admittedly still do not understand, only to recall the former teacher's teachings, look at the ancient porcelain to see the bones only. By the way, the tire bone has not yet seen it, and then leaned over to stick that a few points of iron-colored nails on the marks until the eye sore. Trance seems to have been picking glaze to see the bone, and then knocked the bone to suck the marrow, as if by mistake into the Song Li Song "skeleton illusion play" under the "five miles of the pier", the big skeleton hanging silk puppets small skeletons, the viewer is to see the bone, but can see the original face of life?
Liao, Song, Jin and Yuan dynasties of the divine board, the northern magnetic state kiln system of porcelain pillows on the more calligraphy and poetry to express the thoughts of the family or flesh and blood, often moving the ear and eye. Mr. Ye Chemin "Chinese ceramics history" recorded a few pieces of porcelain pillow is representative.
Such as the British Museum collection of the Northern Song Dynasty, Emperor Xining four years Rushan kiln "family eternal peace" pearl ground scratching pillow, the word, the work is safe, when the Northern Song Dynasty. And a side of Japan's collection of Shaoxing three years on the pillow of the Magnesota kiln on the long inscription describes the Song and Jin war between the journey of homesickness.
"The time is hard, the career is empty, the brothers are detained in the West and East. The first time I saw this, I was in the middle of the road, and I was in the middle of the road, and I was in the middle of the road. ...... When I traveled to Yingchuan, I heard that the Jin soldiers leaped south, and on both sides of the road, the flesh and bones were all over the place, so I can sigh and lament. For the road blockage, inconvenient to go, still return to the original county. And heard a clamor, conscious of panic, thinking of sadness and lamentation. It is hard to go out for a while when you are at home for a thousand days. Only by composing poems can I find peace of mind. I have been living in the cold city for half a year, and I have been with my friends for more than twenty years. The first time I saw it, I was in Shaoxing for three years, and it was the first day of the Qing He Wang day.
The author's writing is sincere, and the situation of panic and lamentation is very real. However, he felt a little bit of peace of mind, "only poetry" of the lines of poetry is not he made, but copied Bai Juyi poem. The "low-end" intellectuals in the townships, with their false pretenses and their plagiarism of the masters through asymmetry of information, are not immune to the common practice in their displacement of flesh and blood. However, the phrase "a thousand days at home, go out for a while" is still a good saying.
At the turn of the Jin and Yuan dynasties, the Magnetic State kiln, the white and black flowers of the wine bottle is another representative. In this volume, the "Qinggu wine" calligraphy vase is an example, to the then popular Mi Fu body calligraphy quickly written, viewed still can smell a thousand years ago the smell of wine. Another white-ground and black-flowered jug in the collection of the Pengcheng Lingtangshan Cultural Center is inscribed with a small song, "The morning rooster first reports, the evening crows scramble to make noise, which is not a bustle in the red dust? The road is far away, the water is far away, all the famous people are on Chang'an Road, today's young people will be old tomorrow. The mountains are still good, but the people have disappeared. The inscription in the margin reads "Made by Zhangbin Yiran". This kind of interest reminds us of Fang Lijun's bald and skinny paintings of the same Handan people a thousand years later, and it seems that the roots of "Cynical Realism" are also in the Song Dynasty.
One of Mr. Ye's favorite quotes from a porcelain pillow is on a white-on-black pillow unearthed in Linshui County, Pengcheng, Hebei Province:
"I always remember the day I left home, and my parents said to me, "When I meet a bridge, I have to get off my horse. I always remember the day I left home, when my parents told me to leave home. I always look for a place to stay before it gets late, and then I look at the sky when the rooster crows. The first time I saw this was when I was a child, and the second time I saw it was when I was a child, and the third time I saw it was when I was a child.
In the Song and Jin dynasties, religion flourished, Buddhism flourished, and the Taoist gods and goddesses came to earth. In the Song and Yuan arts and crafts, this kind of immortal subject matter for a bulk. This book has a white jade carving of the old collection of the Shanshui Hall female fairy picking Chi small statue, the first time I saw it, to the usual eyes named Shennong picking medicine. Further scrutiny of the jade is indeed a female phase, the name of Shennong is actually a mistake. Checking Mr. Yang Zhishui's "Mao female story map test", we know that it should be the image of "Mao female" in the popular "Biography of Immortals" during the Tang and Song dynasties. Maoness, with the character of Yujiang, had a green hairy body and lived in the Huayin Mountain. By the Western Han Dynasty hunters saw the hairy woman claimed to be the Qin Shi Huang palace girl, Qin died into the mountains to meet a real person to grant the formula, eat pine leaves do not hunger and cold, light as flying. In the mountains, has been more than one hundred and seventy years. Immortals are ageless, however, in another book, "Hug Park Zi ? The Book of Immortal Medicine", the hairy woman eventually died. Because she was forced by the good people to return to live on earth in the city and to eat the smoke and fire within the fourth ring road again. The hair on her body gradually fell off over the course of a year, and she died two years later. "The first thing I'd like to say is that I'm not sure if I'm going to be able to do this, but I'm sure I'm going to be able to do it, and I'm sure I'm going to be able to do it.
The Southern Song Dynasty's Fang Yue has a poem called "Spring Plate," which describes the Song Dynasty's spring cake eating scene, with the following lines:
"Green and red set out to reflect the plums and willows, and purple and green invite drunkenness in the pines and bamboos. The moon is bright, and the moon is crisp, and the moon is clear, and the moon is bright.Fang's leek and shredded pork burrito this inscription is too elegant, but let a person look at a little appetite are not. The sound of "Gong and Shang" is made by chewing the spring pancake, and it is really hard to eat with poets. However, it is appropriate that Gong and Shang correspond to the mouth and nose, which are the five apertures of human beings. The fact that the sound of "Gong and Shang" can be produced from "biting spring cakes" indicates that the Song and Yuan people were sensitive to music and rhythm, and therefore the Song and Yuan dynasties were also the heyday of Chinese lyrics and songs. The production and performance of the guqin, which was the most important music of the literati, also reached a peak in the Song, Yuan, and early Ming dynasties.
After the penultimate artifact in this volume, the copper smoker of the High Mountains and Flowing Water, I would like to find a bed of Song qin as the end of the scene, in order to fulfill the dream of the sages, "to become in music". However, the Song qin was hard to find on earth for a while, so it was not available in the end. At the time of finalizing the manuscript, a bed of "phoenix crop" qin suddenly appeared in the office. This zither was in the old collection of Mr. Wang Shixiang's Lixongju, and was one of the nine zithers recorded in the Zizhen Collection. The style was derived from the Fuxi style, and the face was flat and round, which was quite ancient. It was once judged by Mr. Guan Pinghu to have been made in the late Yuan and early Ming dynasties. This qin is characterized by the solidity of the lacquer and the delicate and vivid broken lines of the flowing water. It was once repaired by Mr. Zheng Minzhong, so Mr. and Mrs. Wang Shixiang often played it. I don't know the skill of the instrument and I was curious about the sound of this instrument. I asked Prof. Wang Feng to play it, and he said that the sound is "ancient and transparent, with a long rhythm", which is a very good instrument.
This phoenix crop piano in the Republic of China through the famous collection, first for the red bean museum owner Dong Beizi Pu Xiyuan collection, and then returned to the White Cloud Temple abbot An Shilin, in 1946, An Taoist priests by the group of live incineration "cremation", the piano from the phoenix nirvana is still able to survive. It was then returned to Mr. Guan Zhonghang and then to Wang Shixiang. After a century of twists and turns, it is a good fortune that this qin has come back to life again. Mr. Dong, the owner of the Red Bean Pavilion, was a great master of music, a famous ticket of Beijing and Kunming, and a benefactor of Meilang. He was the composer of the Qing national anthem Gong Jinou, which became the anthem of the Qing Dynasty, Jinou Ou, when the Wuchang Uprising broke out six days after the release of the anthem. Mr. Zhu recalled that in the 1920s, every spring, Master Dong often invited guests to enjoy flowers and tea at the Otter Garden in Xishan Mountain. He invited guests to sit in the courtyard under the apricot tree tea, he was in the study within the curtain bar for the guests to play the piano, but the sound of the piano, do not see the Aman qin people, when the house of the book case for the famous Song Muzhong inscription rosewood case, the zither song for the "high mountains and flowing water", not long after the collection of the Red Bean Pavilion owner of a few bankruptcy, paintings and calligraphy, a few cases, the ancient zither dispersed into the market.1952 Pu Xiyuan died in Shanghai, the master of the Mellan in the pouring rain went to Shanghai to mourn, and the coffin covered with a large coffin of nanmu, and the coffin covered with a large coffin of nanmu, and the coffin covered with a large coffin of nanmu. The last time I saw Master Pu was in front of his large casket. I don't know the sound such as my generation, gently caressing fine review phoenix crop zither round pool round marsh, in the continuous endless lacquer surface water broken lines, half a minute half a bright time to hear that under the western mountains from the phoenix throat issued a murmur.
But the interest in the zither, why bother with the sound on the strings.
An American neurologist said that playing back music in the brain is very different from listening to an actual performance, and that it takes half as long or less to play back a piece in your head than it does to actually play it. Kazuo Ishiguro's short story "The Cellist" is about a young man who plays the cello in a Venetian cafe and meets a mysterious middle-aged lady. The lady only listens to the boy play and gives him spot-on instructions, but never demonstrates herself. It turns out that the lady, who grew up with a superb intuition for music, suddenly gave up playing as a teenager, as if she were obsessive-compulsive, and has been listening and talking ever since, but never playing herself. The boy's depth of playing skyrocketed under this extraordinary psychiatric training. But while the lady draws the boy as a soulmate, she also makes him a prosthetic that she can play. This relationship makes even the very talented boy become confused. After the lady finally returns to her normal life and marries someone else, he becomes a mediocre bar player and his talent disappears into thin air.
? Go to the exhibition in the water city of Venice on the best sunny day in early September. After nightfall, walk to St. Mark's Square to find Kazuo Ishiguro's cellist. The three outdoor cafes on the west side of the piazza have each set up their own stage and take turns playing to attract visitors, and as he says in his novel, because the piazza is big enough, visitors "will hear one tune fade out and another tune get louder, as if he were tuning a radio. A variety of famous classical arias are played "half in the wind and half in the clouds", followed by some old movie themes - The Godfather, of course, and then, surprisingly, the violin version of "Jasmine".
St. Mark's Square, the parlor of Europe, except for the ballroom added by Napoleon the Conqueror at the beginning of the 19th century, all the buildings were completed between the 9th and 14th centuries, and with a kind of conservation attitude of restoring the old as the old, as it is now in the 21st century. This time is also our two Song, Liao, Jin and Yuan, while our Song City can only be in the underground and theme parks.
Deep into the night, when the moon is full in the sky, is also the time of the sea tide. Just see a stream of lagoon water mixed with seawater from the square of the stone brick seams out, gushing out, as the accumulation of a thousand years of aggression and tears, a thousand years of tears whenever the full moon can not be covered from the ground out of the sockets. Until they accumulated in front of the Byzantine fa?ade arches of the cathedral covered with golden mosaics, forming a small lake-like mirror, the cathedral as if in the water, floating, sinking. The orchestra of the café in the strong wind began to play again, not Debussy's piano piece "Silence in the Cathedral", but the violin concerto Mascagni's opera "Cavalleria Rusticana" Intermezzo. Tranquility, sparseness, like a breeze and water, a kind of narrative memories slowly flowing, it seems that this should be the music that everyone will like. That's why it accompanies Robert De Niro in Raging Bull as he swings his fists alone. It's also the music that accompanies Don Michael Corleone as he dies alone in his chair in The Godfather II. And this melody also takes us back to Beijing, to Sunny Day, when Ma Xiaojun climbs like a big cat on the green tin roof of Duan Qirui's ruling government, and this tune also plays in the sunset backlight.
The smell of the sun, the smell of hay, the smell of Malan white sheets came ...... making people a little homesick.
The night is also deep, the light is also dim, the wind is also cool.
Still back to the Song Dynasty, or to end with a sentence on the porcelain pillow of the Magnetic State Kiln:
"Few words in the congregation, no matter how early to go home"
2017.11.27. the morning of the day
? In the second village of happiness in Beijing