Dance Changbai Waterfalls Afterthought 3000 words

When the golden crow's afterglow on the sundial turned round and round, gradually annihilated the Chen Guo percussion sound, blow-dried Liu

Bang dance gale when the tears of excitement, blurred the Wei Jin Qing Shang elegance of the body, dulled the Gongsun sword full of potential radiance of the Hall, far away from the Hall of the philosophical interest under the Salt Lake, and finally fixed in the sun and the moon in the face of the face of the reflection in the wind to send the flow of clouds on the sleeve like water? Time into a long and narrow aisle, along the road trajectory marked with memory and habit. When the time and forward into a scale, we saw the group dance "Changbai Waterfalls" choreographed by the teacher to the Kai Ming, it is that magnificent, rushing Changbai Waterfalls for the subject, with the help of natural scenery in the shape of the changes, with the technique of borrowing things than Xing, giving the work a strong emotional color. In the dance work "Changbai Waterfall", the choreographer and director make organic unity between the subjective feelings, true feelings and passions felt in life and the objective external scenery, put the feelings into the scenery, and reflect the poetic and picturesque life of the Korean people in a blended way. The group dance "Changbai Waterfall" chooses different changes in structure such as dispersion, concentration, height and so on of various graphics to form various stage pictures and the characteristic style of the whole work, which makes the picture of the dance richer and more diversified, and at the same time, it has a greater impact on the audience's vision. Successful dance works always seize the most intense and impulsive moments to express emotions, turning invisible emotions into visible "shapes", and the emotions are moved in the middle and shaped in the outside, so as to pluck the strings of the audience's emotions. In the structural diagram of the dance, Changbai Waterfall utilizes more "circle", "arc" and other graphics, and its flowing route is harmonized with the stage structure. It emphasizes the process of human movement - the sense of motion of the line, so there will be "蜲 Snake Rising, Cloud Turning and Floating", "Ethereal Ruoxi Xiangfeng, Wan Turning and Swimming Dragon", "Like the bright moon flooding", "Like the bright moon flooding", "Like the bright moon flooding", "Like the bright moon flooding", "Like the bright moon flooding", "Like the bright moon flooding". "The shape of the moon is like a river of clouds, and the body is like a light wind moving waves. Dance is not sculpture, not words, not melody, dance is dance, it must flow in time and space. Certain mobility, to bring vitality to the dance works, brought the realm of dance art, and it is in the time of the appreciation of the sequence of structure, continuous ups and downs of the flow, to get deeper and deeper into the higher level of emotional experience.

In the whole performance of Changbai Waterfall, its content can be divided into three sections.

The first section: a slow and light music leads to the beginning of the dance, a young Korean girl standing on the platform in the center of the stage with a long fan in her hand. She holds her fan high in both hands and shakes it from top to bottom, which visualizes the characteristics of the Changbai Waterfall and the magnificent scenery of the waterfall stirring up thousands of waves. Immediately afterward, in the melodious music, the rest of the dancers danced with the long fan, sometimes high above their heads, sometimes around their chests, presenting the form of the clear water flowing back and forth and rushing endlessly.

The second section: euphemistic lyrical rich national characteristics of the Korean Arirang played, the dancers with the rhythm of the music dance

dance, as if the Lingbo Fairy standing in the Yaochi, Pavilion Cui Gai, surplus dimples, when the makeup is washed. The waves of the liquid turn over, neon dance, broken souls running water. A hand and a foot all show the Korean women's strong and soft character.

The third section: accompanied by the rhythmic drum beat, the dancers will dance the long fan sometimes up, sometimes down; sometimes rowing flat circle, sometimes rowing standing circle? With the accelerated rhythm of the drums, the long fan or fluttering or laying down on the ground, like a waterfall from the sky and splash the clouds filled the scene, showing the Korean women soft emotional depths of the latent hot feelings of the eruption. And through the meandering changes in formation, smooth stage scheduling, the clever use of sarongs, the artistic performance was accurate and in place, vividly and realistically depicted a picture of the Changbai Waterfalls, a magnificent picture of a thousand miles of water. Finally, the dancers return to the platform, with the same dance modeling as the beginning - the posture of the waterfall as the end modeling, echoing the beginning and end, giving birth to endless associations. Another thing worth mentioning is the ingenious design of the costumes and props, which is also what makes this piece a winner. The white dresses of the dancers in this dance

make the performers appear to be standing upright, and the white color expresses the crystal clearness of the water, and the change of the skirt is used to show the grandeur of the Changbai Waterfall and the endless flow of the waterfall in the dance between one move and the other. Instead of pursuing magnificence, the costumes are used as a part of reflecting the theme of the dance works, so that the theme of the dance works can be revealed and sublimated under the baking and rendering of the dance costumes, so that the dance can be added to the dance. The props of the long fan, using the fan to show "water" is an uncommon practice, which makes the image of the "waterfall" more y rooted in the hearts of the people. There are three kinds of meanings: one is a clever expression of the traditional props of the Korean dance; the second is from the chest of the costume of the ribbon, the shape of which is just like a waterfall, can be carried out on the mountain, waterfall and mother, milk, or the image of the image of the conversion between the free; the third is to hold the hands and dance "long fan" is "water" overflowing in the heart; the hands abandon the "water" in the heart; the hands abandon the "water" in the heart. "Thirdly, if you dance with a long fan in your hand, the water overflows in your heart; if you abandon the long fan and dance with a person in front of you, the water and the person are hidden between abandonment and non-abandonment.

However, an excellent work is not only expressed from the content, but also conveyed from its music.

If a good dance work is not accompanied by a good piece of music, it is as sad as if the artist lost his talent and began to decay from the soul. The "Complete Book of Music and Rhythm" (乐律全书? Lulu Essence of the outer chapter" has said: "Where people move and have section, not if the dance, incomplete dance so move Yang Qi and guide all things also, music and dance joint, said in the and, to the and, the status of the day, all things Yuzai." Therefore, music and dance are inseparable. Rhythm and rhythm is an important means of dance performance, dance is through the rhythmic movement of music to express emotion. Rhythm and rhythm make the dance art pursuit to reach the highest level. Rhythm is based on the rhythm of the changes, to the rhythm of a certain mood through the formation of rhythm. Dance rhythm is the unity of rhythm and emotion, manifested in the body parts between the action and the action of the continuous flow of lines. Rhythm is regarded as the core of the dynamic beauty of dance, and becomes the source of the infectious power of dance. With rhythm, the dance movement gets rid of the mechanical drill and becomes the carrier of poetry. The dance "Changbai Waterfall" perfectly combines music - its characteristic rhythm of the gamelan and the long drum. The use of the slow tempo - fast tempo - slow tempo form corresponding to the music of the whole work makes it overflowing with strong emotional colors. Spontaneity, reserve, boldness, elegance, rich rhythms and emotional colors, the water of Changbai has a thousand shapes and the richness of the life of the children of Changbai with their joys and sorrows corresponds in a delicate and meticulous way. It is as if the light clouds were covering the moon, and the snow was floating as if the wind was flowing back to the snow. When you look at it from afar, it is like the sun rising in the morning sun; when you look at it, it is like lotus flowers in the clear water.

Changbai Waterfall is located in the north side of Tianchi, at the end of Croucher River. The Croucher River flows to 1250 meters to form a waterfall with a drop of 68 meters

The waterfall is named Changbai Waterfall because it is one of the famous scenic spots of Changbai Mountain. The stage set of the dance "Changbai Waterfall" is also taken from this. By a person standing on a high platform, the rest of the dancers staggered distribution in the surrounding area, all holding a long fan and shake. The image of the stage set clearly shows that the Changbai Waterfall is hanging like a snow dragon on the half-wall rift valley where the peaks are competing with each other, and the spring breeze and the rain make the weather very beautiful. The dawn mist is continuous, the wind and frost for billions of years. People can not help but think of the vapor filled, rainbow neon haze, beads pendant jade attached, spraying gold splash Cui's beautiful landscape. Qiongying axe broken non-moon old man, waterfalls into the sky non-weaver. The shape, the scenery, the meaning, the god is so jumped on the stage.

A successful dance work, artistic conception and artistic performance is not to be ignored. In other words, all the performance of the dance is for the theme, but without the corresponding and rigorous artistic conception and accurate artistic performance, and then the positive theme of the content is pale and powerless. Dance "Changbai Waterfall" attaches great importance to the creation of the beauty of the mood of the work, focusing on the perfect unity of content and form. So that each audience in the heart of this work, the heart of the "waterfall" and the dance in the performance of the "waterfall" mutual association, imagination, from the depths of their hearts to realize the connotation and spirit of its expression, and then feel the beauty of the dance, the beauty of nature, the beauty of the momentum and the beauty of the spirit. The beauty of the dance, the beauty of nature, the beauty of momentum and the beauty of the spirit.

As the saying goes, "There are a thousand Hamlets for a thousand readers." Similarly, there is a long white

waterfall in everyone's heart.

The dance "Jangbaek Waterfall" shows the indomitable, unceasing life consciousness and tenacious character of the Korean nation through the realistic approach of the actors' dancing long fan and the morphological characteristics of the Jangbaek Waterfall,

which shows the audience the indomitable, unceasing life consciousness and tenacious character of the Korean nation. "The snow is light, and the dragon is scared." The long, flowing fan in the hands of the dancers was like a silver stream cascading from the sky, landing like a thunderous sound to the ears. Stop and stare, white dress, flap incense brush sleeve, flying goblet. As if people can see the splash of countless waves, flying snow in the sky. After a dance, fluttering like a stunning, graceful as a swimming dragon, glory of the autumn chrysanthemums, Huamao spring pine. As the saying goes, "Who is bound by the smoke and waves of freedom, not like the earth. I wish to accompany this feast every year." Li Bai, the great poet of Tang Dynasty, once wrote a poem like this: "The golden flower folds the wind hat, the white horse is small and late to return. Dancing with broad sleeves, like birds coming from the east of the sea." This poem is the first poem written by Li Bai about the Goguryeo people in the Changbai Mountain area, which reproduces the characteristics of the Goguryeo people's style with vivid strokes, thus adding a vivid picture of our multi-ethnic history and life. Before the bright moon on Changbai Mountain, forty-five feet of waterfall spring. The dewdrops splash like white smoke, and the flowers are more numerous than the flying snow. Pine and bamboo are shining in the sky, and hundreds of flowers are shining in the sun. The winds of song praise the spirit of virtue. Dance is the art of beauty. Dance is the art of beauty, beauty in it, joy in it. Dance is the art of love, love is in it, meaning is in it. Mr. Kai Ming to the philosophical interest in life reflected in the dance, with five thousand years of splendid culture cast "Changbai Waterfalls" it is clear and elegant dance tone, in the elegant music, banquet music, folk music in the brilliant writing of its "long-sleeved good dance" of the legend?

The flowers on Changbai Mountain are facing the sun, and the Changbai Waterfall flows far and wide.

Reference, Baidu library it/view/b2157e43a8956bec0975e3eb.html