Basic Rhythms of Northeast Yangge:
1. Upper Body Rhythms: The main body rhythms of Northeast Yangge are swinging from side to side and twisting back and forth. The horizontal swing body is the body of the left and right sides of the chest and waist alternately lifting pressure, the formation of the upper body of the left and right side of the horizontal swing.
Twisting before and after the body is to waist as the axis, shoulder-based body on the left and right sides of the body alternating back and forth twisting, shoulder and upper body twisting to form a body, crotch don't twist, such as the shoulder of the shoulder alternating back and forth to draw a circle that is, the right shoulder drive behind the upper body on the upper arc to the front, at the same time, the left shoulder walks down the arc to the rear.
Ru Ti pressure rhyme: positive step position, hands on the waist. The waist as an axis, the body of a rib driven chest and waist alternately lifting pressure, the formation of the upper body rhythms, the heavy beat in the lower; rowing round rhyme: a positive step position, hands on the waist. The waist is the axis, the left and right shoulders alternate from 1 point to the back of the figure of 8 standing round, the crotch stays immobile, and the heavy beat is underneath. (This movement is commonly used in the Northeast Yangge as the "steady phase" rhythm.)
Back and forth.
Before and after rhyme: a positive step, hands on the waist. Head rhythmically, cleanly and sharply to the oblique upper head, requiring a pause, eyes first. At the same time, the foot pressure follows the movement. (Before and after rhyme is also known as sunward style, which means facing the sun).
2. Double Knee Flexion and Extension: different characteristics of double knee activities. Hard flexion and extension of both knees fast flexion and extension and elasticity; soft flexion and extension of the knee joint flexion and extension to have an inherent sense of flexibility, the music of the heavy beat of the body's center of gravity down; straight knees to show that the action of Burgundy, playful features.
such as fast flexion and straight: fast knee flexion and extension, and elastic; fast flexion and slow straight: fast flexion, toughness of the slow straight, beat down; slow flexion and fast straight: knee flexion and extension to have the inherent flexibility, the music of the center of gravity down, the knees fast straight.
3, heel press: different foot position of the heel press. Such as the front step, small step, big eight step, bow and arrow step. When you press the heel, the second half of the beat lifts the heel of both feet, the forefoot is on the ground, and the legs are quite knee. In the first half of the beat, the feet quickly drop the heel, the time to lift the heel should be short, and the time to land should be relatively long.
So, in the training of heel press, the heel should be lifted low, pressed quickly, pressed on the positive beat, to have the strength of the burgundy, that is, "step on the beat, twisted in the waist".
Northeastern Yangge style characteristics:
Northeastern Yangge's rhythmic style can be summarized as "stable in the wave", with a hot and spicy, simple and strong emotional characteristics, is the Han folk dance in the most northern characteristics of the dance, and dance in the Burgundy strength, the United States, the strength to add color to this dance. The color of this dance is greatly enhanced.
Because of the special regional environment and customs, the Northeast Rice-planting Dance has developed the aesthetic characteristics of stability, strength and beauty. The "wave" of the Northeast Yangge is reflected in the rhythm of the body; the "strong" is manifested in the kicking step '"out of the rush to fall steadily," and the "kicking step" has a particularly strong sense of rhythm. "
The rhythm of the kicking step is particularly strong, a single kick step has three different changes in one beat, the moment of kicking out is a very fast process of exertion, this process is like a fast inhalation, the foot seems to be like a sudden breath of a moment, but very quickly transformed into a long sigh like the movement of the center of gravity.
In these three variations, the moment of kicking out embodies the characteristics of "艮", "俏", "泼辣", "爽快", "干脆", and the movement of the center of gravity fully embodies the characteristics of "稳定", "美", and "浪", which shows that kicking not only expresses "艮", but also "浪". Wave". The "wave" is reminiscent of an arc.