Why did the "professional hanzi dodger" diva turn into an earthy top stream?

"Horse-dodging hans you are mighty and majestic, galloping steeds like a galloping wind" is a phrase that the vast majority of Chinese people are said to have no way of pronouncing properly.

As one of the sacred songs of the colorful ringtone era, "Horse Trap", created in 2009, seems to have written the melody into the memories of a generation, so that people can't help but sing it out as they recite it.

But nowadays, people can't sing the song properly either.

Here's a heartwarming reminder.

These days, if you notice that your coworker's back suddenly starts shaking and twitching at breakneck speed, laughing like an asthmatic donkey -

don't mistake this for an attack of some kind, and rush to your aid. Why don't you take a look at the screen first? After all, maybe TA is just secretly learning Chinese.

For the most part, Chinese meant Mandarin, until the Internet era gave it a new meaning.

The term "Chinese" in this case refers to the entire language system (including body language) used by the ethnic pop star Ulantuya to "hide from the Hanzi" during her song "Horse Pole".

The popularity of the "hiding from the man" came from an accidental discovery made by netizens during online archaeology -

Mr. Ulantuya's live performance of the song "Horse Lassoing", in which he sang "The man who lassoed the horse, you're mighty and strong".

When Mr. Ulan Tuya sang the phrase "the man who lassoed the horse", he would always avoid the "man" in the high register by pulling the microphone away, suddenly dancing, interacting with the audience, and so on, and so on.

Sometimes, a song is sung, but there is no one.

However, if you can hide from the Hanzi, you can't hide from the broken sound.

So, the "Chinese language" represented by the "Eagle", "Encounter", and "Flying Dream Horse" is like a chicken crazy different.

A Hundred Ways for Famous Singers to Hide from the Hanzi

"The Hanzi who lassoed the horse you are mighty and strong, the steed that galloped like a swift wind" is a phrase that the vast majority of Chinese are said to have no way of pronouncing properly.

As one of the sacred songs of the color ringtone era, "Horse Lassoing Pole", written in 2009, seems to have written the melody into the memories of a generation, so that people can't help but sing it out as they recite it.

But nowadays, people can't sing the song properly either.

After the baptism of the Internet's popular "Hide the man", the correct version of the chorus has long since become "everyone together! The right version of the chorus has long since become "Everybody come together!

This kind of soprano can't sing up so he talked about it in a way that netizens called "tactical interaction".

"A lasso pole shivering a mouthful (for) all the friends"

"I want to hear all your voices, mud meng howling ah (how are you guys) ~"

And even if the language barrier, can not stop Mr. Tuya interaction. And one of the most iconic scenes of all time was during a tour in Norway in 2013.

This is probably one of the best live performances she's ever played, and after descending roughly 100,000 keys, Ms. Tuya sang it down so smoothly the entire time that many of the netizens who came to the archaeological site in admiration were disappointed, "How is it that there is a hanzi? Master Qing knot."

However, in the matter of hiding hanzi, you can always trust Mr. Tuya.

In addition to interaction, Ms. Tuya's specialty is tactical mai.

For example, when he sings "wilderness", he pulls the mike a little, and when he sings "man", he pulls the mike a lot, and when he sings it, he drops the mike tactically, and then he turns it into a "wilderness", so that the audience can relive the past. "The first time I saw this, I was able to get a good look at it, and I was able to get a good look at it, and I was able to get a good look at it.

The netizens summarized the "Tuya's Law" - in other factors remain unchanged, the distance of Ulantuya's mai increased with the rise in pitch.

With tactical interaction and tactical miking, supplemented by tactical dancing and tactical tuning, these four weapons make it possible for Mr. Tuya, who has been singing live for more than a decade, to be almost invincible.

But even in the studio version, Mr. Touya has his own little tricks up his sleeve.

For example, when you get to the line "Give me a look, it's hot, hot, hot, hot, hot" you hear a sharp sound like hot water boiling, like hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot, hot.

The association of "an eagle" sung as "an eagle", "an encounter" sung as "an encounter", "an encounter", "an encounter", "an encounter", "an encounter", "an encounter" and "an encounter". "

But only the insiders will understand that this is the result of Mr. Tuya's skillful use of

But only an insider would understand that this is the result of Mr. Tuya's skillful use of the technique of flux and the unique technique of breaking the sound, so that the audience can feel how hot this hot.

After watching 100 videos of the "Hiding Man" remix, it's hard not to wonder - if Ulaan Tuya sings so poorly, how did "Horse Pole" become such a hit?

After reopening the news from ten years ago, people realized that the original singer of the song was called Ulantuya.

And Ulantoya and Ulantuya are not the same person.

Ulantuya, a contemporary plum?

You probably can't imagine how hot this new earthy top stream really is.

After making a name for himself with "Hiding from the Man," Ulantuya's videos of his performances on the B-site have become a huge, interactive spectacle.

God said there should be light, and we don't know if there is any, but Ulantuya said there should be light, and there was a rising sun--

Ulantuya said there should be grass, and there was literally green grass--

Ulantuya said there should be grass, and there was literally green grass--

Ulantuya said there should be grass, and there was literally green grass on the screen. -

Ulantuya said there should be clouds, and a white imaginary cloud appeared overhead-

Speaking of horses, the netizens gave her another row of horses. And not just any horse, but a dream as a horse.

Speaking of which, I think the condescension of the flower of Mongolia, has been embodied as much as possible.

It is reasonable to say that this kind of artist who takes the initiative to play a joke, usually will eventually get the netizens "black to the depths of the natural red" love.

It is reasonable to assume that the netizens will eventually love the artist, but sadly, anyone who has heard the original "Horse Pole" song will not give her the hot and steamy eyes again.

In 2009, produced by Guangzhou Crescent, Ulantoya sang "Horse Pole", which became a hit when it was released, and in 2011, Ulantoya left Crescent after her contract expired. As the copyright of the song belongs to the original company, Ulantoya lost the right to sing commercially.

The breakup was not a happy one, and it didn't take long for Crescent Moon to find a singer named Ulantuya to re-record the song, and to hold a press conference to announce that "Ulantuya has taken over the role of Horse Pole, and Ulantuya has no right to sing it anymore".

From then on, the two men with similar names were in very different situations. The two are in very different situations. Tuya has appeared in the Spring Festival Gala many times, while Toya has been in obscurity.

This can also be seen from the two microblogging account: one called "national pop singer Ulantuya", 3.15 million fans; the other called "free Ulantuya", 510,000 fans.

Specifically, Ulantoya's tone is more gentle, Ulantuya's tone is more thick, compared to the latter may even be more suitable for grassland wind, ethnic wind. However, her range is not wide enough to sing "Horse Pole", which is a bit of a struggle, and it's easy to sing out of tune without lowering the key.

Previously, there was also a live broadcast platform that enabled the two to have a continuous PK, with Ulantuya singing on the left, and Ulantuya on the right, probably wearing a Zeng Yi teacher, and specializing in the atmosphere.

And for Ms. Tuya, Rama seems to have formed a muscle memory, to the "Hanzi" line, obviously not for her to sing, the arm actually began to tactical dance up. Some netizens bluntly said, this meeting is called the new era of "ghosts bumped into the Li Kui".

In all seriousness, the Ulaan Tujia, who has become a ghost, has no faults at the legal level, but the same stage, the dish has become the original sin.

Chinese music world to create the ability to God song has become worse?

In fact, there is a hidden story between the two versions of "Lasso Pole".

Even if Toya went on to sing a number of well-known songs such as "Fiery Red Sazirang", the two have become incomparable in the singing world compared to Ulantuya.

When Ulantuya four CCTV Spring Festival Gala, traveled around the world tour, a variety of honors and titles to get soft when the ...... Ulantuya stage is often limited to local stations, network platforms, and even small shopping malls in the county.

After five years away from Crescent Moon, in 2016, Ulantoya announced her choice to return to her old employer.

This return allowed her to get back the right to sing "Lasso Pole". At the time of the interview, she choked up a few times, with "not forgetting the beginning" to describe the cooperation: "I experienced a lot of things during the five-year period, there is a very big touch, but also make me have the idea of returning to the company."

It seems that the end of the singer's universe is, in fact, copyright.

Similarly, the copyright of the originator of the network magic song "Mice Love Rice" went round and round, and the original singer Wang Qiwen and lyricist Yang Chengang also broke out in a copyright battle, but in the end, the Intellectual Property Office of the People's Court of the Haidian District ruled that Taigue Impression was the copyright owner, and Hu Yanglin was the designated singer.

That's right, it's the same Hu Yanglin who sang "You smell of her perfume, it's my nose that's guilty".

Later, Hu Yanglin (real name Hu Yanglin) terminated his contract with the agency, and the company found another newcomer, Gui Yingying, to sing Perfume Poison, with a very artistic stage name, Hu Yanglin.

It's always been said that the Chinese music scene used to be about the gods and goddesses, but now it's about sorting through the garbage.

Every once in a while, the video of "how much the Chinese music industry fought in XX years" would be rehashed and reminisced.

People take time as an axis, and find that the most popular songs of each year in the past, from the beginning of the century, the singer and songwriter Jay Chou, Wang Leehom, JJ Lin, gradually turned into the domination of the square dance market of the soil high God song "the most dazzling national wind" "Little Apple" and film and television works of the OST, and then turned into all kinds of idol's chart-topping songs.

People can't help but wonder what happened to the Chinese music scene after 2010. But even those god songs that don't make it to the top haven't been new for a long time.

With the unexpected popularity of "Hiding from the Hanzi", "Horse Pole" has become the latest single song cycle in many people's minds. A netizen said, "I can't stop thinking about it, and once I let go, my brain immediately renewed the pole.

The only good thing about it is that you don't have to cycle through it anymore. The last song that was replaced by "Horse Pole" was called "ring ring ring", released in 2006.

Author | Lu Zino

Proofreader | Green

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