Our Song" exploded the stage, everything can be Beijing rhyming drums, do you like this performance?

In the program "Our Song", Dazhang Wei and Wang Su Taki sang the song "When Dreams Wake Up", which exploded the stage. The song "When Dreams Wake Up" is melodious in itself, and with the addition of Dazhang Wei's Jingyun drums, the song has even more flavor, and I really enjoyed the performance.

A wonderful performance

Da Zhang Wei and Wang Su Taki's version of "When Dreams Wake Up" set the stage ablaze for a while. In the initial showdown of Group B singers, the two singers even won the first place in the score with this powerful rendition. The most important person to thank for this success is actually Dazhang Wei's grandfather. It is this old man, so that the "big" Zhang Wei from childhood to the Beijing rhyme drums, thus laying a very good foundation of traditional music and art.

On the stage of "Our Song", Dazhong Wei performed a powerful interpretation of what it means that all songs can be Jingyun drums. Lin Yilian's version of "Waking up from a dream" was sung through the flavor of Jingyun drums, which immediately produced an explosive effect.

The singer-guests in the audience even said that this kind of melody is like a vortex, attracting people to go in and then they can't come out. At the same time, Dazhang Wei's rendition of this Peking rhythms and drums is not a spoof, nonsense, but brings the listener into an effective situation.

As stated in the program, Dazhang Wei's Jingyun drumming, combined with Wang Su-Taki's rendition of "When Dreams Awake," gave the audience the feeling of having heard Lin Yilian's "When Dreams Awake" in a Beijing hutong marketplace kiosk.

This feeling is not out of place. On the contrary, Dazhang Wei's Peking rhythms and drums become the real physical background of "When Dreams Wake Up", and "When Dreams Wake Up" becomes the street marketplace under the melody of Peking rhythms and drums. This kind of complementarity is very rare.

About Beijing Rhythmic Drums

Da Zhangwei said in the program that his love for Beijing Rhythmic Drums originated from his grandfather. His grandfather was very fond of Jingyun drums back then. In an earlier program, Dazhang Wei mentioned that his grandfather's grandfather helped the emperor hunt in the paddock, which was also a very interesting thing.

Jingyun drums can rarely be heard in variety shows anymore. These forms of drums were once widely circulated in Beijing, Tianjin and Hebei, as well as in the northeast and Shandong, and used to be an important form of musical entertainment for the common people in these areas. As Dazhang Wei said, our own rap opera can be adapted to all popular songs.

On the stage of Our Song, Dazhang Wei's Peking Rhythm and Drums (京韵大鼓), which is really worth praising, not only inherits the art form of Peking Rhythm and Drums (京韵大鼓), and brings more novelty and cognitive desire to the young audience, but also, more importantly, the Peking Rhythm and Drums (京韵大鼓), which has quickly formed a kind of vestigial feeling of the Beijing hutongs and cityscape. The audience and listeners were able to conjure up images of Beijing's ancient city during Dazhang Wei's rendition.

And in the midst of this ancient flavor, Lin Yilian's version of "Waking Up from a Dream" rang out, taking the audience back to the 1990s in no time at all. The art of song is, of course, first and foremost the art of melody and lyrics. But at the same time, as the melody grows longer and longer, they will gradually become part of the listener's memory.

Conclusion

And this rendition by Dazhang Wei and Wang Sutu Taki has just the right amount of melody to reinterpret the sense of flavor of the story. This is to help the audience build a sense of the story of the old Beijing city. This style of Jingdong daguerreotype carries the memories of our traditional musical arts and deserves to continue to be carried forward.

Da Zhangwei's version of "Waking Dreams" on Jingdong Drums did leave the audience somewhat unfulfilled. This kind of interesting and valuable way of combining music and art, our variety show, should be a little more. The annual Spring Festival Gala should invite Zhang Wei and Lin Yilian to come on stage together and re-enact the Beijing Rhythmic Drum version of "Dreams Wake Up".