"just empty in g minor" is very tense. the front is like a flexographic, warm and soft, but it is not an adagio for e-string playing. Its transition from 2-Legato to 3-Legato is like the sound of nature floating from a distance. At first, I gradually got the band accompaniment from the bass, which led to the violin releasing a sound. E string plays a beautiful voice, crisp and sweet, like a girl singing.
In the middle is the tension ... the treble gradually turns to the bass, then the treble and the bass intersect, and the tension is gradually introduced by three consecutive f and post chords. . . I entered a growing triplet, followed by a powerful harmony ~ ~ ~ and then entered the next picture. The third painting is a jumping and warm picture to highlight a strong emotion coming slowly, from weak to strong harmony, to the final theme.
Every note in Vitaly's Seven Holes is an emotional catharsis that disturbs your heart. You can hear anger, joy, talk, sadness and Li Qingzhao's style of "searching, being lonely and miserable", all of which are shrouded in a sad atmosphere.
Venting emotions is one of the characteristics of Baroque art, but this piece is very nice and is considered to be The Romantic Period's.
As far as listening is concerned, the genre of "Just Empty" is very similar to "passacaille"; They are all dark, but very solemn and serious. With the gradual development of those 20 variations, a strange sense of reverence for divinity gradually emerged.
Finally, as far as violin skills are concerned, this piece is used to train bow skills. I also like seven holes in G minor, especially sarah chang's version, as she described, sweet sadness, sweet sadness. Come on, practice.