According to the above, this is a personal musical sense of cultivation, because we have been listening to the "dong" and "step" of the two drum beats to dance which basic steps, I am here to say once again, breaking in the basic steps are only a few.
The so-called "stepping on the empty point"
The so-called "stepping on the empty point" is to step a little bit more between the two points of "thud" and "step", I will give you an example. Let's say when we're practicing toprock, we're listening for the "dong", and then when we're preparing for the "step", which is just before the "step", we're stepping on the "step" a little bit more. "Or we'll do an extra "dong" before the "dong" as follows: "dong." "dong," "dong," "dong," "dong," "dong," "dong," "dong. Now, just to be clear, there are some dance songs that have more than just a "thud" and a "stomp." The analogy that I used above is that the "thud" and the "stomp" are in the "thud" and the "stomp." "So I'm here to teach you how to create your own "dong" or "stepping" point. So I'm going to teach you to create your own "dong" or "dong" point to practice. Generally, once you're familiar with toprock (recommended for skilled dancers), you can add an extra "dong" or "dong" point to your practice. "
This is the first time I've ever heard of this kind of music, and I'm sure you'll be able to do it with ease.
The so-called deletion point is that when we listen to dance music, we can't just listen to the two obvious points of "dong" and "dub", but we can also listen to the two obvious points of "dong" and "dub", which are the same as "dong" and "dub". We should pay attention to the music that goes best with "dong" and "step", so that when you're listening to the speed of a dance song, apart from "dong" and "step", a dance song depends on the rest of the music to complete it. If you don't have this music, then I don't know how to make a good dance music or a good dance music. Sometimes, when we hear a very good dance music, when we enjoy it, when we express it with our body, then we have to remove the "thud" and "stomp", and we have to remove the "thud" and "stomp". "By deleting, I mean, we're gonna fade out the thuds and the thuds, and we're gonna analyze the line of the music, and if you're listening carefully, you don't have to listen to the thuds and the thuds, and you don't have to listen to the thuds and the thuds. "If you listen carefully, you might not have to listen to the thuds and the stomps to dance, and you'll be able to anticipate the next thud and the stomp, and that's the hardest part of dancing. The hardest thing about dancing is the mind, especially the mind of popping, and there's a saying that the mind is the king of popping, and there's not a lot of people in the country that can really do that, so we need to be familiar with the music, not with the drums, but with the charm of the music, so that you can control it physically and mentally, so that you can control it in a roundabout way, and then you can control it physically, mentally and spiritually, and then you can control it physically and mentally. "
Four, the body point.
The so-called body point is the point where you let your body control the two "thuds" and "steps." The body point here is usually the "thuds" and "steps." The body point is usually the point of the "thud" and "step", for example, after the "thud" there is still an echo behind it, at this time, you have to kick your foot out and retrieve it as a streamline to pull back your foot! The body point can also be called the orientation point, the so-called orientation point is when we dance a simple left-right toprock, we face the mirror and dance the toprock left-right, but when we get good at the toprock, we don't have to face the mirror all the time and "thunk" and "step". When we get good at the toprock, we don't have to face the mirror all the time and "thunk" and "thump", we change our position, like sideways, and continue to do the toprock, in short, we don't face the mirror, but we change our body, and when we change our body, we also have to pay attention to the control of the music, you don't just change it, you have to change your body, and then you have to be ready to step on the next drum beat, because we're in a good position. Because the moment we change our position is a point, we can use a deletion point, use music other than the "dong" and "step" points to do this turn, or we can use an empty point, a single point, for example, let's use a single point to do this move, "dong", "step", "step", "step", "step", and so on. For example, if we use the single stomp to do this move, when we change our body position during the "thud", we have to be ready to kick before the "stomp" point comes, so that we can incorporate the "stomp" point into the movement. A lot of people think my steps are hard to learn, but I'm just changing the position, the steps are still the same, how you change the position depends on your absolute control of the music, don't step on the dead spots, the so-called four spots are the turns you've already thought of in advance, you deliberately wait for the "thud" to come and then do the turns. Although you so turn movement is very smooth turn over, but does not mean that you do very easy Insiders see that you this action is not very skillful so usually on the music of the practice I suggest that we increase the time to practice it Otherwise, even this turn of the basic action you do very difficult to do!