Wang Jian was the most handsome person and a minister of Xiao He. ——Wen Tingyun's "Two Songs for Pei Gong in Zhongshu Ling"
The leader is graceful and graceful, and his poems worship the quilt. ——Wen Tingyun's "Writing a Letter to a Friend While I'm Sick"
The glory has faded away, and I think about the river and the sky independently. ——Wen Tingyun, "Zugong Palace to Friends in Qin in Late Spring"
Poor Xie Hun is still in his glory, and his name has been passed down through the ages. ——Sun Yuanyan's "Jin Xie Hun"
A clear breeze and beautiful bridles are far away, and the green watercolor clothes of Shuangjiang River are new. ——Wen Tianxiang's "The Slogan of Sun Tixing's Speech at the Banquet of Quanzhou"
If you want to know the true face of Huangshan, half of its splendor lies in the Yuping Tower. ——Lao She's "One of the Little Poems of Huangshan"
Jiangzuo Fenghua ranked first, and Wang's dignified literature was published. ——He Zhu "Send Wang Anjie to Wukang Wei"
Sichuan and Yue have lost their vitality and their splendor and talent. ——Hu Su's "Three Elegies from the Minister of the Ministry of War to Yan Yuan, the Sikong Attendant"
There is no need to leave a sword and carve a boat to find it, we can often see each other in the snow and moon. ——Shi Daochuan's "Twenty-Eight Ode to the Ancients"
In the midst of the fragrant winds, splendor and rain, there is no harm in talking about Quhui when spring is sleepy. ——Shi Zhengjue's "Ode to the Dream Studio"
The wind and beauty of the reed lands on the shore in the snowy autumn, and the boat turns to the beach in the frosty night under the full moon. ——Shi Zhengjue's "Playing with the Waiter"
The carved panjiao millet competes with the times, and the group embroiders the elegant and elegant purple palace. ——Yan Shu's "Dragon Boat Festival·Yuge"