The classic interpretation of Wang Guowei's Words on Earth - Seeing Flowers in the Mist
Seeing Flowers in the Mist
Bai Shi's works of landscape writing, such as "Twenty-four Bridges are still there, and the waves are swirling in the center of the waves, and the cold moon has no sound," and "A number of peaks are clear and bitter, and it rains at dusk on Shangliu", "The evening cicadas in tall trees tell the news of the west wind". "Tall trees and evening cicadas, said the news of the west wind", although the rhyme is high, but as in the mist, the final layer. Plum Creek, Dream Window and other families to write the disease of the landscape, all in a "separated" word. The Northern Song style was extinct after crossing the river. The first time I saw this is when I was a student at the University of California, Berkeley, and I was a student at the University of California, Berkeley.
Read the words like love.
Some of the words are read with a sense of harmony, affection, and compassion, and soon they are in a good place, in love.
Some words read as a cover, as if there is a thin layer of windowpaper, will be two people's emotions, a window, but difficult to tell, only to end up with a wandering two, the mood is not happy.
Wang Guowei on Jiang Kui's words, always quite a bit of criticism.
Wang Guowei first praised Jiang Kui's words for their elegance.
In fact, reading words is like tasting people.
Jiang Kui's words read, like a breeze traveling in the text, slowly, gradually feel the coldness of gradual cold.
Jiang Kui's words compared to the Song lyrics of the warbler in the Yan Yan's gaudy wind, naturally, more show style.
Jiang Kui may be a chronic person, even sadness seems to be elegant, always stepping on the unhurried step, despite some internal grief, face can always calm smile, this smile if the wind across the pond, the surface is shallow, which contains the waves.
More perhaps, the chronic people, it seems to be a very deep generation, do not like the color, and even anger and sadness seem to be more sluggish than the reaction of others.
However, the word can not be compared to the character of the person, a person's character is good or bad, and art has nothing to do. A person's character is not good, then can be ignored. But the word, with words to attract people's hearts, if it is cloudy, its beauty does not appear, then read the word of the people, also gradually lost interest in it.
People who like Jiang Kui in ancient times, I am afraid that they like his word is a watery, clear, elegant melancholy.
This does not seem to be the style of Jiang Kui's words, but more like the character of Jiang Kui. Read his words, imagine his appearance, I'm afraid it is a refined scholar, implicit introverted slightly noble, between the eyebrows of the ink fragrance, this ink fragrance is not his talent, but a reader's strong smell of books.
This text is his temperament.
It's a matter of words, and his true intentions, as if always embarrassed to confess, hidden in the text of the following, meandering between the internal organs, preferring to secretly hurt, can not be released.
First taste of Jiang Kui "Yangzhou slow":
Yangzhou slow
Jiang Kui
Huaizuo famous city, Bamboo West, a good place to unsaddle less than the first trip. I'm not sure if I'm going to be able to do this, but I'm going to be able to do it," he said. Since the horse peeped into the river, the ruined pool of trees, still tired of talking about soldiers. The gradual dusk of the clear horn blowing cold, are in the empty city.
Du Lang Jun reward, counting now, heavy to be surprised. The first time I saw this, I was in the middle of a long journey, and I was so happy to see you. I'm not sure how much I'm going to be able to do with this, but I'm sure I'll be able to do with it.
Unsaddle your horse and stay a little bit, just for the Bamboo West Pavilion good place to live, that the Huaihe River east of the prosperous place - Yangzhou. In the past, ten miles of spring wind Yangzhou Road, today the caper wheat grass green. Only blame the Jin soldiers into the Yangtze River, deserted pool yard, cutting down trees, so far are still hate to talk about the old days with soldiers. It is late, dusk has arrived. Painted horn blowing up, miserable cold, this was robbed empty Yangzhou City.
If you have the talent of Du Mu, now, you will be surprised at the barrenness of Yangzhou. Even the cardamom fine words, the green house good dream, it is difficult to express the beautiful feelings. The twenty-four bridges of the past are still there, the river waves are vast, the cold moon is silent. Look at this bridge year after year of red peony, year after year blooming, it is for whom it blossoms?
The lyric mainly utilizes the contrast between the present and the past, as well as the techniques of allusion and personification. The heart of the wave is swinging and the cold moon is silent. The top and bottom are combined, and the top and bottom look at each other, a piece of bleakness. Even so bleak, the word is not intense emotional outbursts, and finally just faintly asked: "I read the bridge side of the red herbs, year after year to know who is born." This sentence outbreak of emotion is still not as good as the sentence "year after year flowers are similar, year after year people are different" to come to the real and fierce.
Point Jiang Jiang Li
Jiang Kui
The swallows and geese have no heart, and the western shore of Taihu Lake goes with the clouds. The number of peaks is clear and bitter, and the dusk of Shangliu is raining.
By the fourth bridge, I want to **** the sky to live with. I'm not sure if I'm going to be able to do that. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it," he said.
The north swallow leisurely, with the clouds scattered in the western shore of Lake Taihu. The number of peaks of the bitter, discussing the dusk of the rain. The sage who lives by the fourth bridge, I wish I could go with him. I have already been there, but where is the sage now? I can only lean on the fence and look at the remnants of the willow dancing with the wind.
Read this word, in the words of the text, seems to have the immortal style of Taoism, but also with the sadness and compassion of the miserable state of mind.
Read this word, the picture that appears in the eyes, as if there is a wild crane flying through the clouds, free thinking, boundless openness, the wind on the face of the sadness.
Such a picture is the overall feeling of the word, and feel that such a feeling is not from the word out, after reading this wonderful.
When I read his words, I feel as if he has written down some feelings, but when I think about it, I feel that they are very small.
This feeling seems to be related to the temperament of the words.
The temperament of the words is more about the style of the wordsmith.
I always think that Jiang Kui's words, take one of the sentence alone, it is very difficult to win, because of the nature of the idle, is his style. His words, often relying on the words with their own emotions and heart of the letter to go into the charm, he is not in the words of the fine-tuning in the work. Just like a talented pianist, he has a talent that others do not have, and he was born with it, and God molded such a temperament for him alone. This temperament creates his ability to write words, he was born to put words together for words.
After tasting these two words, plus the previous "dark fragrance", "shadow", think Jiang Kui this person is not only a chronic person, or a word in the approach to lazy people. It seems that Jiang Kui was too lazy to look for another rhetorical technique, and he used anthropomorphism quite a lot in his words. "The twenty-four bridges are still there, the center of the waves swings, the cold moon is silent." The "bridge" and "cold moon" are written as human beings. "Several peaks are clear and bitter, and it is raining in the dusk of Shangliu." Jiang Kui also wrote about the peaks as if they were people. Jiang Kui seems to be more direct than others when he writes about the scenery, he will see the scenery compared to his emotions, what are his emotions, if the scenery has a mood, the scenery is also the mood.
Other words in the writing of the scene, always pay more attention to the rendering of the liner, through the scene, melting feelings in the scene, expressed warmth and closeness, the scene is one with each other.
Jiang Kui, in his words, seems to be less of a process of melting, that is, the literati tend to touch the feelings, when he wrote his words, it seems to be the enjoyment of the scenery, the sadness of the link to be omitted. More often than not, he focused on his inner world, wandering in his inner world is difficult to get out, so he wrote the scenery, he wrote very direct, direct outside, but also very popular, such as the characteristics of the plum blossom, incense, he said directly that it is incense, for example, at this time he was in the mood of loneliness, he said that the cold moon is silent, as if the scene is just a kind of objective existence, his mood is the scene of the outside.
Although the man is revealed in the words of the personal heart, many people may want to think that Jiang Kui is an emotional person. But he was not, as we said earlier, and can also be read in the words, the man seems to have a kind of elegant idleness, perhaps called subdued sadness.
Do not pay attention to the characteristics of the external scenery, that is, a lyricist lack of sensitivity to the scenery, on a grass, trees, spring flowers, autumn and moon, then although the word through so much of an aristocratic, but ultimately it is difficult to cover up their clumsiness.
Jiang Kui in the words to express himself, the feelings of the self outside the scene can not pinpoint, love and scenery can not be well integrated, always feel like reading, as if a fear of criticism but eager to seek medical treatment of the patient, communication, hidden, not open enough like twisted. As the saying goes, "If the skin does not exist, the hair will not attach." The message is still not smooth, the scene must not be able to convey the spirit.
The sentiment is not correct, then the scene is not true.
Perhaps, Wang Guowei's opening statement of the realm, emphasizing that the author should have a true feeling is also the reason.