Crush on Peach Blossom Garden
In my opinion, Crush on Peach Blossom Garden is a coincidence of two real-life times and spaces, and the story of the play is very simple: ? Crush? and? Peach Blossom Garden? , two unrelated crews, both of which have a contract with the theater for that night's rehearsal. The two sides are at loggerheads, and neither side will budge. On stage, the two troupes are in a hurry to rehearse the play and steal the stage from each other. Afterwards, the two theater groups on stage finally decided to **** with the stage, a group of one side, each of their own play rehearsal, the two plays thus began to subtly intertwined together?
?
? is a modern cupcake. The young man and woman Jiang Binliu and Yun Zhifan met in Shanghai because of the war, but also because of the war separated; after the two coincidentally fled to Taiwan, but each other do not know, 40 years after the bitter love to see, when the man has been married for many years, Jiang Binliu on the verge of death.
? Peach Blossom Garden? is an ancient comedy. Wuling people fisherman Lao Tao, his wife Chunhua and the landlord Yuan boss fornication, Lao Tao ran away from home, the edge of the stream line, found the Peach Blossom Garden; into the Peach Blossom Garden, met the people or Chunhua and Yuan boss, but it seems to be the case, the three spent a pleasant time; Lao Tao back to the Wuling, Chunhua has been with the boss of Yuan to become a family and have a child, but the family is in disrepair.
"Crush on Peach Blossom Garden" has become a stage spectacle of ancient and modern sadness and happiness interlaced with each other.
First of all, the part of the "secret love", roughly, the information of the play is not exactly the same as its title, where is this? It's a half-century-long love affair. This is a half-century-long bitter love, or rather, a desperate love. The first love of the young man and woman, Jiang Jiang, is the first love of the young man and woman. The young man and woman in love, Jiang Binliu and Yun Zhifan, are on a sweet date by the Huangpu River, without the familiar straightforward sweet words, and without the usual men and women playing with each other, which the audience is accustomed to. The audience is used to seeing men and women playing with each other. There's just a swing. Swing? The Scarf? Scarves? and a few dim street lamps, and two quiet people under them. The two people at this time, as they said themselves, as if everything does not exist, the whole world is only the two of them.
At that time, in their eyes, the world is very small, the self is very big?
No one could have imagined that their next meeting would be in Taipei forty years later.
The next time the two met, it was in Taipei forty years later, where the two met.
It was quiet, just like forty years, with only words?
The difference is that forty years ago, the quiet, probably out of the two youth, there are so many things to say but shy to say, the atmosphere is a little bit awkward, but the two are very enjoyable; but at this moment, the quiet, more or less out of the uncontrollable sadness and helplessness, the same there are too many words to say, but really don't understand, from where to start. The atmosphere is also a bit awkward, but this awkwardness makes the two more difficult.
Just as Yun Zhifan was about to leave, Jiangbinliu's trembling voice rang out: ? Zhifan, all these years, have you ever thought about me?
Buried more than forty years of tears in this moment finally in the eyes of the two old people in the wind, after half a century, these two hands finally and tightly held together.
Half a century later, Jiangbinliu said to the young people: in that big era, people have become so small, so small? era, creating this poignant across the ages? secret love?
And again, ? Peach Blossom Garden? This part, and the other "Peach Blossom Garden" is a costume comedy where Lao Tao, Chunhua, and Boss Yuan are all searching for the Peach Blossom Garden in their hearts. Because of his wife Chunhua's affair with Boss Yuan, Lao Tao drops everything and swims upstream to the Peach Blossom Garden by accident. The world envies his carefree life, and Lao Tao settles his mind there and is changed by the people and things there. So he went back to invite Chunhua and Boss Yuan to go to the Peach Blossom Garden together, regardless of their former envy. However, Wuling has changed completely, and Boss Yuan and Chunhua have become husband and wife and have a child, but they are still entangled in the matter of firewood, rice, oil and salt every day, and live an unhappy life. They don't want to believe what Lao Tao said about the Peach Blossom Garden, and they don't want to go there with him. In the end, Lao Tao goes back to the Peach Blossom Garden alone, but he can't find his way back to the Peach Blossom Garden. The play "Peach Blossom Garden", which seems to be a farce in the beginning, is quietly linked to "Crush", which makes people helpless and sentimental.
I think the play "Crush on Peach Blossom Garden" contains a variety of real-life allegories, which are analyzed below (personal opinion only)
1. cross-strait relations
? The expression is the separation of flesh and blood between the two sides of the Taiwan Strait, ? Peach Blossom Garden? expresses the confused state of mind of people in the context of that era. It is because of this proposition related to politics and the times that "Crush on Peach Blossom Garden" made many Taiwanese audiences lose their voices and cry after laughing at it 20 years ago. A pair of lovers at the end of World War II part ways in Shanghai, promising to meet again in the future. Unexpectedly, the civil war broke out and the man went to Taiwan, thus breaking the connection. In the end, dying, dying in a hospital in Taipei before registering a missing person notice, wanting to see his girlfriend of the year one more time. Finally, the old lovers meet, many old feelings vividly. And the corresponding cross-strait relations are not exactly like this? Cross-strait relations from decades ago to the complete ban on the gradual relaxation of policy, which is not without the people on both sides of the Taiwan Strait personality is the people's fight. The drama "Crush on Peach Blossom Garden" was first performed in Taiwan in 1986, causing a sensation on the island. As far as I check the information to understand, in 1949, Taiwan issued martial law, from then on into the 38-year-long ? White Terror? period. During this period, Taiwan's rulers created a superb number of political injustices in order to maintain stability. According to the former? member of the Legislative Yuan, Mr. Hsieh Chung-min has calculated that since 1919, there have been many political injustices. Xie Congmin, from 1950 until the lifting of martial law in 1987, there were more than 29,000 political cases in Taiwan, involving 140,000 people, of which about 3,000 to 4,000 were executed. And "Crush on Peach Blossom Garden" this play was created successfully, Taiwan has just lifted martial law, the province's political and cultural a desolate, a hundred waste, the launch of the play, undoubtedly to the cultural market in Taiwan injected the first share of fresh blood. According to historical statistics, from 1945 to 1953*** there were about 1.2 million foreigners who came to Taiwan, of which about 600,000 were evacuated from
Taiwan's military. From 1950 onwards, the 600,000 soldiers who originally came to Taiwan with the Kuomintang were gradually replaced by young provincial recruits after the implementation of compulsory military service in Taiwan. In the footsteps of Taiwan's economic progress, they remained a sacrificed group, most of them in their later years, with little attention paid to them. For decades their physical bodies were in Taiwan, but their hearts were still anchored in their distant hometowns. Although after a few years the mainland is open for family visits, many of them can no longer wait for that time, and even their souls cannot return to their homeland. Those veterans who came to Taiwan at that time are still alive at this moment are very few! Their roots are in the mainland, they have always wanted to go back to the mainland to see their relatives, some veterans have realized their wishes, some veterans have not been able to fulfill their wishes even in their old age? If they are still alive, they are also the ones who are most looking forward to having the two sides of the Taiwan Strait be reunited!
So I really hope that Taiwan can be peacefully reunified, not war, do not let our generation repeat the old generation of flesh and blood separation of the tragic situation!
Who doesn't want to return to the fertile land where he was born and raised? At that time, life in Taiwan was just too chaotic.
And it was in an overall chaotic and disorganized environment that "Crush on Peach Blossom Garden" unfolded, which also fit the heart of the Taiwanese people. Afterwards, there is an overall unified order (i.e., two theater groups performing on the same stage) in the disorderly environment, which can be said to be a climax in the script, which also expresses the longing of the Taiwanese people for a stable life. Being realistic is an important factor in the success of Crush on Peach Blossom Land.
2. Life and feelings
Jiangbinliu and Yun Zhifan fall in love in Shanghai, but they are far apart in tiny Taipei. Lao Tao, who is bent on finding the Peach Blossom Garden, sees a pair of immortals at their destination who look exactly like their self-loved ones and love rivals? There is also a woman in white who has always traveled on stage and looks for everyone? Liu Ziji? , is for? off-stage theater? Whether it's a Crush? and the "Peach Blossom Garden". Peach Blossom? or? Theatre Outside Theatre?
In fact, there are two things hidden in the bottom of everyone's heart: one, a never-realized feeling called ? The first is a feeling that can never be realized, called "secret love". The second is a place that can never be reached, called? The second is a place that can never be reached, called the "Peach Blossom Garden".
The regrettable feelings between Jiangbinliu and Yun Zhifan are saddening, and the feelings between Chunhua, Lao Tao and Boss Yuan are also entangled.
Jiangbinliu and Yun Zhifan fell in love in Shanghai, separated for forty years, and wait until the reunion after forty years of the woman has been old, the man has been very sick? For every person in the play, there is a kind of destiny. The relationship between Lao Tao and Chunhua is destroyed by Boss Yuan, and Chunhua and Boss Yuan seem to have a sweet relationship, but they are also winning but the troubles of the trivial family life. Suddenly, I remembered Qian Zhongshu's Siege of the City, Sun Hongjian and Tang Xiaofu, and Leng Qingqiu and Jin Yanxi in Gold Dust Family,? People outside the city want to rush in, people in the city want to escape? ,? Marriage is the grave of feelings? Secret Love Perhaps the relationship between Jiangbinliu and Yun Zhifan is perfect, but if they really enter the marriage hall, it will be a different kind of life! Compare this to the dystopian drama? Peach Blossom Garden? The trivialities of Lao Tao's family are slightly more realistic in a society that prizes money and fame! Chunhua is also pitiful, she does not understand the true feelings, she only understands who is good to her, who is rich, who can give her happiness, she will choose who. In Northern Love, Yang Zixi and Wu Di split up and make up for money, and Xiao Mang puts down Shen Bing for fame and fortune, but happiness is fleeting, and when they repent, Wu Di and Shen Bing are no longer waiting for them where they are. The plot does not write the scene of Chunhua's regret after Lao Tao went back, but it writes the scene when Lao Tao found that the reality is not as perfect as his self-imagination and wanted to go back to the Peach Blossom Garden, but he could not find the road. Life is like a play of sadness and joy, and the place without love is always a foreign land. I guess most of the people in the mistake of genuinely loving self or genuinely good to self after the person will swallow the bitter water of regret it!
In my opinion, ? Crush? seems to be a cup of tea, but in fact for a comedy;? The peach blossom? It seems to be a comedy, but it is a cup of tea. Secret love? In the end, a pair of lovers who have been separated for forty years finally meet and have no regrets;? Peach Blossom Garden Although Chunhua betrayed the old Tao and Yuan boss fornication and had a son, but did not cherish the happiness in front of him, completely plunged into the chaos of the life of the firewood, rice, oil and salt?
A happy and a sad climax, before and after the time and space are intertwined with each other, each other fusion, very comedic and thought-provoking. Think of the self as that stage on the two plays overlap, life so far how many missed coincidental waiting, in a sudden look back, often all into the empty. Everyone may jump around in these two plays, and occasionally jump out of the theater outside the theater, do will be the audience, scrutinize self, laugh at self, and then continue to live their own lives?
After watching Crush on Peach Blossom Garden
After watching this movie version of the play, we followed the camera and felt a different Crush on Peach Blossom Garden. The conflict and harmonization of contradictions, the gap between reality and ideal.
In terms of the conflict of contradictions and coordination. Whether it is the work itself, the music and sets or the character of the characters. First of all, from the work itself, Crush and Peach Blossom Garden two different crews, a ? Cupcake? and one? Comedy? The two stage effects are very different, but the work itself handles its music very well, and the music is very well handled in the transition between the two theater groups, neither making people feel abrupt nor too bland and tedious. And in the beginning of the dark love theater group's music tempo is slow, peach blossom group tempo is obviously upbeat, and then to the second half of the opposite, into the dark love theater group tempo radical, and peach blossom group tempo tends to slow down. This also gives a kind of drive in the plot. After that, in terms of characterization, there is also a reflection of the conflict and coordination of contradictions. In the first half of the work, Lao Tao is a characterization in agitation, while Chunhua and Boss Yuan are in love, and the character expression is relatively calm. However, after experiencing the Peach Blossom Garden, Lao Tao seems to have been inculcated or infected by the atmosphere of the Peach Blossom Garden, and his character becomes soothing, giving people a sense of calmness. In contrast, Chunhua and Boss Yuan live together, and after going through the trials and tribulations of getting along with each other, not only do they not live the life they imagined, but instead they become down and out, thus the character's personality explodes, which is very expressive. This also reflects the conflict and harmonization of contradictions.
From the aspect of the gap between the ideal and the reality of "Crush on Peach Blossom Garden". Crush crew, Jiangbinliu and Yun Zhifan's feelings. Peach Blossom Garden crew, Chunhua and Boss Yuan's initial dream, and even the crazy woman who has always been looking for Liu Ziji.
First of all, in terms of the crush crew, in the beginning, Jiang Binliu had everything planned out, the letters, the love. In his ideal, he and Yun Zhifan together is just a matter of time. However, the reality is cruel, Yun Zhifan did not come back, and he did not contact Yun Zhifan, everything in the past has become a passing cloud. When he was seriously ill, at last, he met Yun Zhifan, but not only him, we all realized the same, everything was different. He had a wife, and Yun Zifan had married, they both had their own families, their own children and even grandchildren. We are not the parties involved, do not understand the psychology of Jiangbinliu, but, envisioning my self in the situation at that time, those feelings perhaps we can also appreciate one or two. Yun Zhifan in the heart of Jiangbinliu, may not be purely just young love that simple, that is his youth, is his impulse, is his youthful dreams and visions, that is something more important than simple feelings. In addition, I think Jiangbinliu for his wife at the moment is not necessarily no feelings, perhaps that is more than feelings let the person cut off constantly, such as affection, such as duty. After that, looking at the Peach Blossom Garden crew, Chunhua and Boss Yuan had such perfect aspirations for the future, with children and laughter, only the reality made them poor and corrupt, and all of them were not what they had envisioned at the beginning. And Lao Tao went to the Peach Blossom Garden, he is the real winner in the end, he experienced the Peach Blossom Garden which is more perfect than the reality, and was forced by the reality to see the reality, which is what our society wants us to learn. The director is trying to tell us that this is probably the state of mind.
Finally, I would like to say that the work and the reality are not the same, the reality is often more complex than the work expressed, more cruel, but we have to deal with. Art, from life, but higher than life. This is the charm of art. The above are some of my understanding and thoughts on "Crush on Peach Blossom", which represents my personal opinion.
Crush on Peach Blossom Garden: Comedy and Tragedy of Feelings
Tragedy "Crush on Love"? The man and woman in love, the love of the city, Shanghai goodbye, fate, Taipei reunion, a stone's throw away, after 40 spring; comedy "Peach Blossom Garden"? Diet man and woman, the world tumbles, mistakenly into the peach blossom, the former love is unforgettable, the old place to pick up the old, how can the love be embarrassed, and ultimately can not be solved; the movie "Crush on Peach Blossom Garden"? A stage, two plays, comedy is not happy, tragedy is not sad! Two originally independent narrative text, by mistake, focused on the same theater stage. Seriousness and absurdity, introspection and exaggeration, order and chaos, sadness and happiness, dreams and reality, the complete and unique structure of the movie, but they all point directly to: expectations? Searching? Waiting?
Escape?
Evading?
Evasion, of sorts, is a way of saying, "How many things of the past and present have been put into a laughing matter?
The feelings? Such a three-part story, how many generations have been staged, I do not know to continue to the end of the night? Which tube of superior intelligence of the men, or ice and snow smart women, all willing to break into the love gate, died in vain from hate. Just marvelous, who will be who's peach blossom? Life and times, could it be that the original is generally chaotic! Laughing and playing, to the sadness and joy, the absurdity of the constant impact of the contradictions, is the eternal order of life, it may not be known! The Peach Blossom Garden of Jiangbinliu and Yun Zhifan is the love of two people, who have searched for each other after being separated in the war, but have not seen each other until half of their lives in the turbid world. Lao Tao mistakenly entered the Peach Blossom Garden, but finally like Shakespeare said? The warmth of the cottage, better than the ruthless palace? He couldn't forget his spring flowers, and after coming out, he was lost in the Peach Blossom Garden. In the Peach Blossom Garden, Mr. Yuan and Chunhua are happy and prosperous, but in reality, they are tearing each other apart and complaining about their concrete and trivial lives. In fact, they were also like Jiang and Yun. They were also like Jiang and Yun, who were holding hands with their sons. That like looking forward to? With the son to grow old? And really come together, only to find that the so-called perfect is actually a mirror. Originally, even if there is an oath of allegiance, the ultimate enemy but the erosion of time! So, even if it is true that Jiangbinliu and Yun Zhifan have always been together, must be happy for a long time?
Alexandre Dumas wrote at the end of The Count of Monte Cristo that the greatest wisdom of life is concentrated in two words. Expectation and waiting. The main character in the novel in the wrongful imprisonment without putting down expectations, and finally in the waiting to win the revenge and rebirth. Li Bihua wrote: the reason why there are unswerving feelings in the world, loyalty and righteousness, is because time is quite short, so as to support it, there is no filial son in front of the bed of a long time, it is not easy to last for a long time, and the perfection of everything lies in the fact that there is no time to get worse. The perfection of all things lies in the fact that there is no time to go bad. Obviously, Lai Shengchuan's Peach Blossom Garden is more like the latter that can be referred to and then referred to. It is like a flower bud waiting to bloom, silently waiting for the stunning bloom, but just before the night encountered a storm, all the expectations and waiting for all into nothing! Still have not had time to disseminate the fragrance of the fragrance is so mercilessly dispersed, I do not know who will come to bury the remnants of the fall into the quagmire.
The director of the play "Crush" tried to use the stage to recreate the heart of her a beautiful white camellia? Ebina Liu think is the director of the embodiment of self, boil to gray hair and cloud temples also have no chance to see again? She? He is only able to find solace in his visions. Only the side of the female assistants have no choice but to accompany him crazy, accompanied by him obsessed! An inexplicable woman has always been in the theater obsessively looking for her lover Liu Ziji? This is exactly the name of the main character in Tao Yuanming's "Tales of the Peach Blossom Garden", but there is no result by the end of the show. The theater's janitor rambled on? Ten minutes! I don't know how many ten minutes I've waited in my life! Everyone in the movie is plagued with a tangle within themselves, all expecting something, searching for something, waiting for something, and ultimately running away from something.
Also worthy of scrutiny is the female nurse protagonist. When Jiangbinliu reminisce about the unforgettable old love years ago, the female for his long-lasting love is greatly puzzled. She pulled out of my boyfriend Xiao Chen broke up two weeks ago. These two days I have been trying to think ah, what he looks like ah? But how to think can not think of hey! Between them seems to be across the space and time dialog, the old people spend their lives looking for the sacred feelings, people today is easy to get it? This day's feelings compared to the past is not pure enough, or because of the easy to get and not be cherished? It is said that the ideal of life is the ideal life. It can be pushed, the ideal life is not the ideal of life, because the ideal has been realized. A life without ideals is an ideal life? This sounds like a paradox of word play, but speaks of the embarrassment of the ideal and reality. Life and feelings, ask, whose price is higher? Plain and simple life sustains the course of life, feelings are just some important passers-by in life or ideal luxury, to the plain embellished with some color and passion. After that, there is no it, still need to life's normality.
The Chinese are fascinated and extremely good at playing with the harmonies of words. The Chinese people are obsessed with and very good at playing with the harmonies of words. and? The Chinese people are obsessed with, and very good at, playing with the harmonies of words. The Chinese are also very good at playing with the harmonies of words. The Chinese people are fascinated by and extremely good at playing with the harmonization of words. And? Stay? are all classic shifts in the meaning of the harmonic characters. The director of the play Peach Blossom Garden was furious when he realized that one of the peach trees on the set was just a blank space, and that there was inexplicably an additional peach tree on stage. The artisan explained that this was called ? white space? White space? The director was y confused. The artisan continued to add: "This kind of white space is very meaningful. This kind of white space is very meaningful! Context? The director rejected it, even in a tone of fear. White space? and? Context? are the highest level of traditional Chinese art and aesthetic theory, and through the director's puzzling questioning? Rereading? The benefits of the movie have been compatible with the philosophical thinking about life. The personality is that at the end, he is extremely depressed and innocently asks loudly: ? Why did the peach tree escape? This is clearly the old Tao is? The first thing I'd like to say is that I'm not sure if I'm going to be able to do this. or? Stay? The hard choice of the face of the question? The audience is also involved in the plot again in the unintended chaos.
The climax of the movie is the two crews playing together on a single stage. The situation must be out of control, but the truth is that it is some kind of beautiful chaos. It's a beautiful mess. The lines of the two crews were able to seamlessly connect with each other in a natural way, and there was a magical ? Subtext? y meaningful additions. For example, in one paragraph, the nurse says, ? You're still waiting for her, I don't see the need to yay!!!? Lao Tao interjects: ? I'm afraid she's waiting for me. In another paragraph, Mr. Yuan says, "Don't go back. Don't go back, you'll only interfere with their lives. Nurse: "I'm not going back. I mean, if Ms. Yun really comes, things might get even more troublesome. Lao Tao interjects: "I don't know what to say. What do you mean by that? Nurse:? Because you might be more upset. Because of the emotional connection between the two dramas, the movie's "Absent Presence" is a very important part of the story. The movie's "absent presence" and the play's "absent presence" are the same. and the theater's? The movie's "absent presence" and the play's "sense of scene". The movie's sense of absence and the play's sense of scene. the sense of scene, the sense of separation. The unobtrusiveness of finding the? The right balance. The balance of the film is very good," he said.
The film's epilogue, Jiangbinliu and Yun Zhifan finally met, in fact, the two early years after the broadening of the soon to have been living in a city, the nearest time may only be separated from a street, but a stone's throw away from the world, reunion door, really really make things happen! Red face cloud temples change into gray hair, when the youthful dreams were life dissolved into a speechless sigh! The two of them were able to meet in the huge Shanghai, but the small Taipei was difficult for them! Or they should be grateful to fate, they will be each other's best time framed in their memories, and at the end of life to make a break? Have you thought about me all these years? The dusty past was slowly opened, the softest part of the heart was y touched. The most important thing is to be cared for!
After the play Crush on the Peach Blossom Garden
Last weekend, I had the honor of watching the classic play Crush on the Peach Blossom Garden by the famous Taiwanese director Lai Shengchuan. I'm not going to go into the details of the play here, but I just want to say how I felt after watching it.
I have always been on the tragedy is not cold, perhaps this is a kind of immaturity, but I really do not like to see the tragedy, so the crush to see me is quite boring, after all, such a similar story is also too much to see, and a large part of a large section of Qiong Yao type of lines, especially the opening of the moment, the Qiong Yao of the mess, can not stand.
Peach Blossom Garden is a comedy, so I was more interested in it, not to mention the two living treasures of Ho Kyung Shee Na, which made it hard not to laugh! But the unexpected surprise from the old Tao's character Yu Entai, is the martial arts inside the? Lu Xucai, the warrior of Guanzhong, said when he first entered the Peach Blossom Garden: "Wow, the grass is fresh and beautiful! Wow, the grass is fresh and beautiful; holy crap, the falling flowers are colorful! It's really too classic.4 When I was in the Wulin Outreach, I felt that he and Tong had the most material on their bodies, and they were two of my favorite characters. This time, I watched his performance in the drama, and found that it is still one of the most colorful, worthy of the master's degree in Shanghai opera ah, the power is indeed deep! In fact, I feel that Peach Blossom Garden is ostensibly a hot comedy, but in essence it is actually a tragedy in a comedy set, using the form of comedy to express tragedy, and there will be a bitter feeling in the laughter. Especially at the end, Lao Tao had already lived a carefree life in the Peach Blossom Garden, but because he still can't forget Chunhua, he returns to Wuling and wants to bring Chunhua and even Boss Yuan to that earthly paradise. But everything in Wuling is already different, and Lao Tao, who was supposed to be the husband's role, is now an outsider. Even so, he is bent on sharing that perfect world with his late husband. With a hilarious opening and a lonesome ending, Lao Tao's sadness is expressed in the form of a playful and noisy comedy, which adds a bit of hidden heartache to the story.
In addition, I would also like to mention that the woman in white who appears from time to time, and Liu Ziji, who is looking for the Peach Blossom Garden in his mouth, and the Peach Blossom Garden in his memory? Nanyang Liu Ziji, noble scholar also, heard, gladly regulate to, unsuccessful, looking for the end of the disease mentioned the name of that person exactly the same ah! This is also a few days after I remembered, but still do not understand her skewer has any special meaning? Can one of you explain?
After Dark Love for Peach Blossom Garden
? I can't imagine ah, so big a Shanghai we can be in one piece, a small one Taipei stopped us? It is Jiangbinliu who lamented that the arrangement of fate is not what people want;? My husband is very good, he is really very good? Yun Zhifan told each other that I am still happy;? I really have to go? Let him face the reality. More than forty years of nostalgia should be how nostalgic ah, but that moment of meeting, the heart of the camellia can not go back, a lifetime of dreams on this awake.
Crush on Jiangbinliu, mistakenly entered the Tao Hua Yuan old Tao, the heart can not let go of that once, only to go back and see her now, see not have their own appearance of those years, only to understand that you are hiking at the same time, she and her world did not stand still. Whether it is a mistake, criticize or not, your peach blossom she can not understand, your years of bitter thoughts can only be locked in the heart. This is a tragedy and a comedy, sad and happy.
The play is not much to see, before I saw the rhinoceros in love, and then some of the school graduation play, I feel that the script on the stage, it is really a great thing, the text immediately vivid up. Though in this play, there were two scenes that stirred together and borrowed the actors' mouths to criticize each other: the director of Crush said that the comedy of Peach Blossom Garden ruined his idol Tao Yuanming, while the director of Peach Blossom Garden said that he felt that the tragedy of Crush made him want to laugh. I'd like to know what the process of creating a play is like, taking that kind of experience, that kind of feeling, and expressing it through the stage in a possible form, and then designing the taunts, the dialog, the characters, the setting, the costumes, the props, and so on and so forth.