Poems about Yangliuqing New Year Paintings 1.Yangliuqing New Year Paintings
Yangliuqing New Year Paintings
Yangliuqing New Year Paintings are the famous folk woodblock prints in China. It inherits the tradition of Song and Yuan paintings, absorbs the forms of Ming Dynasty woodblock prints, arts and crafts, and theater stage, and adopts the method of combining woodblock overprinting and hand-painting to create a distinctive style that is vivid, joyful, auspicious, and full of touching subjects. In the history of Chinese printmaking, Yang Liuqing New Year Painting and the famous Suzhou Taohuayu New Year Painting in the south are called "Southern Peach and Northern Willow".
Yangliuqing New Year Painting began in the Chongzhen period of the Ming Dynasty, and before the Guangxu period of the Qing Dynasty, it was the heyday of the development of New Year Painting. At that time, the town of Tianjin Yangliuqing and its neighboring villages, most engaged in the production of the New Year's paintings workshop, "every family will be dyed, every household good painting", New Year's paintings because of the origin of the name.
The production method of Yangliuqing New Year paintings is "half printing and half painting", that is, the first wooden plate is carved out of the picture line pattern, and then printed on paper with ink, and then filled in with colorful brushes after two or three monochrome plates are set. Yangliuqing New Year Paintings have both the rhythm of the knife method of printmaking and the brush strokes and color tones of painting, constituting different artistic characteristics from those of general painting and other New Year Paintings. Yangliuqing New Year Paintings have various themes and rich contents, especially specializing in reflecting real life, current affairs, customs and historical stories, which are popular among the general public. Some of the traditional masterpieces, such as "Years of Prosperity" and "Summer in the Lotus Pavilion", are not only widely circulated among the people, but also regarded as treasures by Chinese and foreign artists and collectors. Mr. Zhou Ruchang once wrote a poem for Yangliuqing New Year's Paintings, giving a vivid description: "Yangliu is as green as a painting, and the embroidered girls are dressed in red. There are hundreds of paintings and thousands of scenes, all of which are seen on the wall in the New Year." As a national folk art, Yangliuqing New Year's Paintings have gone global and have been exhibited in Japan, France, Britain, Italy, Thailand, Singapore and other countries.
Yangliuqing New Year's paintings are a lineage of Tianjin's centuries-old splendid folk culture, but due to a variety of reasons, the survival and development of this folk art as well as the inheritance of the difficulties that have arisen. However, the Tianjin authorities have realized the problem, began to rescue this folk culture, and has made some progress.
The only old man who still paints "tank fish"
In the Yangliuqing New Year's Paintings, people are most impressed to count the fat doll holding the fish pattern, but we are called "tank fish" Yangliuqing New Year's Paintings are not familiar.
According to reports, in the past in the Yangliuqing area, "tank fish" New Year's paintings every year on New Year's Day to paste in the water tank above, meaning auspicious. In recent years, due to the town's people are connected to the tap water, water tank no, "tank fish" New Year's paintings there is no place to stick. Because there is no market, now "tank fish" New Year's paintings almost no one painted.
The reporter after much probing, finally learned that in the village of Gongzhuangzi, there is a Wang Xueqin old man is still painting "tank fish". Wang Xueqin this year has been 70 years old, is the only one in this area is still painting "tank fish" yearbook people. The old man said, he could not bear to let the "tank fish" New Year's paintings lost before continuing to paint. The old man's two sons said they would not engage in their father's profession, they think that painting New Year's paintings is not as easy as doing labor to earn money to support their families.
Wang Xueqin old man said, painting "tank fish" is not difficult, but the key is to paint "tank fish" income can not attract the interest of young people now. He was worried that in a few years, maybe there will be no more hand-painted "tank fish" on the market.
The fragile inheritance of "master and apprentice"
Yangliuqing New Year Painting is a kind of intangible cultural heritage, and the protection of intangible cultural heritage is facing one of the most challenging problems is how to pass on. Because Yang Liuqing painting has been used in the traditional way of inheritance of masters and apprentices, its vitality is relatively fragile.
The reporter visited the reporter learned that at present, these workshops are still masters with apprentices, more than a dozen, less than three or two. According to reports, a young painter to do a good job of coloring coloring work to do fine, generally after two or three years to exercise, which does not include the production of engraved plates and other complex processes. That is to say, training the successor of the craft of New Year's paintings is never a short-term behavior. Such a simple master with an apprentice practice, for the cultivation of this folk art successor there are still some limitations.
Cultivating successors for Yangliuqing New Year paintings
Perhaps it is precisely because of the inadequacy of the "master and apprentice" approach that the government of Xiqing District realized that one of the most important elements of the current work of folk culture preservation is to strengthen education and training of talents.
In order to let the children of Xiqing District from a young age to feel the inculcation of folk culture, to understand the cultural connotation of Yangliuqing, Yangliuqing New Year's Paintings of the artistic techniques inherited, Xiqing District Government has done the overall planning. It is understood that the just compiled Yang Liuqing New Year's Paintings textbook will be used as a compulsory education in Xiqing District 9 years of art class mandatory textbook, in September this year into the classroom of students.
Another according to the Xiqing District Cultural Bureau, Ma, recently the Xiqing District Government and the Nankai International Management Forum reached a cooperation agreement, funded by the latter, in the region-wide selection of 20 high school graduates with a certain degree of literary merit for a period of three years of post-secondary training, and after completing the specialization of folk art inheritance, dissemination and promotion of work. At present, the enrollment of folk college class is in progress, the training course will be officially opened in September this year.
2. Urgent: about Yang Liuqing New Year's Eve
France, Britain.
Yangliuqing New Year's paintings of the production method for the "half-printed half-painted", that is, the first carved out of the picture with a woodblock line pattern, and then printed in ink on paper, historical stories and other subjects for the specialty, for the masses to enjoy. Yangliuqing New Year Paintings have both prints and colorful brushes. Yangliuqing New Year's Paintings have the flavor of the knife of printmaking: "Year after year" (fish)
Yangliuqing New Year's Paintings are famous folk woodblock prints in China. It inherits the tradition of Song and Yuan paintings." Yangliuqing year painting as a national folk art, has gone global, was in Japan, are in the new year wall meet, set two or three times after the monochrome version, especially to reflect the real life, current events and customs, rich in touching subject matter of the unique style. Danqing hundreds of thousands of scenes, not only in the folk widely circulated. In the history of Chinese printmaking, family embroidered women even clothes red, made a vivid description of the image of "willow green like a painting, but also for Chinese and foreign artists, collectors as treasures. Mr. Zhou Ruchang wrote a poem for the Yang Liuqing New Year paintings, Yang Liuqing New Year paintings and the south of the famous Suzhou Peach Blossom Dock New Year paintings and known as the "South Peach and North Willow".
Yangliuqing year painting began in the Chongzhen years of the Ming Dynasty, absorbed the Ming Dynasty woodblock prints, "Lotus Pavilion summer" and some other traditional masterpieces, before the Qing Dynasty Guangxu is the heyday of the development of year painting. At that time. Yangliuqing New Year's Paintings of diverse subjects, rich in content, there is a "family will be dyed, constituting a different artistic characteristics with general painting and other New Year's Paintings, households are good at painting," said, New Year's Paintings because of the name of the place of origin, but also the painting of the brush strokes of the color tone of the town of Yangliuqing, Tianjin, and its neighboring villages, most of which are engaged in the New Year's Paintings of the workshop production, arts and crafts, theatrical stage. Forms, using woodblock overprinting and hand-painted combination of methods, the creation of a distinctive lively, joyful and auspicious, meaning Yang Liu Qing New Year Paintings, on which there is a wearing a red bib of the big fat boy holding a big carp, Italy
3. Tianjin Yang Liu Qing New Year Paintings in the sub-fish lying in the lotus What is the meaning of
Yang Liuqing New Year Paintings through allegorical, realistic and other means of expression of the people's good feelings and aspirations, especially in order to directly reflect the current events of each period of time and style. It is especially characterized by directly reflecting the current affairs, customs and historical stories of each period. For example, the doll on the picture "Liannian Yuyue" has a child's face and Buddha's body, and the doll is playing in the posture of Yangliuqing New Year Paintings
Wujia, holding a carp in his arms and a lotus flower in his hand, which is a harmonic symbol for a rich life, and it has become a classic of New Year Paintings, which has been widely circulated. Yangliuqing New Year's Paintings take a wide range of materials, such as historical stories, myths and legends, opera characters, secular customs and landscapes, flowers and birds, etc., especially those closely related to the people's lives, as well as with the nature of the current news, etc., not only rich in artistic enjoyment, but also has a precious value of historical material for research. The fine tradition of combining realism and romanticism represented by these excellent works has formed the mainstream of Yangliuqing New Year Paintings, which has continued to develop until now. The artistic characteristics of Yangliuqing New Year Paintings are manifold, and the conditions for the formation of its artistic characteristics are also manifold. Among them, the more obvious and prominent ones are in the production. Yangliuqing New Year Paintings have both the rhythm of printmaking's knife technique and the color tone of painting's brushstrokes, constituting different artistic characteristics from general paintings and other New Year Paintings. Yangliuqing New Year Paintings have various themes and rich contents, especially specializing in reflecting real life, current affairs, customs and historical stories, which are popular among the masses. Some of the traditional masterpieces, such as "Years of Prosperity" and "Summer in the Lotus Pavilion", are not only widely circulated among the people, but also regarded as treasures by Chinese and foreign artists and collectors. Mr. Zhou Ruchang once wrote a poem for Yangliuqing New Year's Paintings, giving a vivid description: "Yangliu is as green as a painting, and the embroidered girls are dressed in red. There are hundreds of paintings and thousands of scenes, all of which are on the wall in the New Year. As a national folk art, Yangliuqing New Year's Paintings have gone global and have been exhibited in Japan, France, Britain, Italy, Thailand, Singapore and other countries.
ZiYu Crouching Lotus: A doll swims in a lotus pond and touches a goldfish, then bites the fin of the fish with its mouth and continues to touch the fish.
With "lotus", "fish", and other harmonies for "lotus year with surplus", meaning a good life.
4. What are the masterpieces of Yangliuqing New Year Paintings
Yangliuqing New Year Paintings use allegorical realism and other techniques, ingenious and chic ideas, smooth and fresh lines, coloring ancient and simple curvilinear, rich in the rich flavor of life.
The content of the paintings is very wide, such as historical stories, myths and legends, opera characters, secular customs, landscapes, flowers and birds. Some of the representative works, such as "Renewal of All Things", "Prosperous Years", "Fortune, Longevity and Peace", "The Unicorn Sends Its Son", "The Five Sons Seize the Lotus", "The Hall of Loyalty and Righteousness", "The Return of Wen Ji to the Han Dynasty", and "A Bountiful Rise for the Five Valleys", have been circulated widely and are very much appreciated by the people.
Shao Wenjin's "Mountain Magpie Cries Elsewhere" has become one of the masterpieces of modern Yangliuqing New Year Paintings, and has been collected by the National Art Museum of China forever. In Yangliuqing New Year Paintings, the subjects closely related to people's lives, such as "Busy Farmers", "Celebrating the Lantern Festival", "Late Ferry on the Autumn River", "Auspicious Celebration in the New Year, Happy and Safe Family", "Fisherman's Wife", etc., and "A Woman's Searching for Education", "Marriage in Civilization", "Robbing a Pawnshop", etc., which are featured with the current news, are not only rich in artistic appreciation, but also have precious historical research value.
5. What are the poems about "Tianjin"
1, "Looking at Tianjin Bridge in Spring"
Tang Dynasty: Yong Tao
Tianjin Bridge is drenched in spring water with a reddish haze, and the smoke and willow winds are brushing the bank. The emperor's carriage does not come to the golden palace to close, and the palace warbler brings out the flowers of the upper sun.
Translation: The rich spring colors of the red sunset and the smoky willows along the Tianjin Bridge contrast with the loneliness and coldness of the Shangyang Palace, which expresses the poet's deep feelings in a tortuous way. The first two lines of the poem focus on the word "look" in the title of the poem, writing about the beautiful scenery around the Tianjin Bridge. The last two lines are about the lonely scene in front of Shangyang Palace, which implies a heavy sense of the past and the present. The whole poem has a natural language, deep and subtle feelings, and is full of flavor.
2, "Boat Mooring in Tianjin"
Tang Dynasty: Kong Shangren
The Tianjin Gate is very beautiful, and the sea is east of the floating land.
Translation: The Tianjin Gate is very beautiful, and the panhandle floats in the east of the sky and the sea.
3. "Tianjin Strand"
Tang Dynasty: Li Bai
The white jade who is the groom, back to the car across Tianjin. The first time I saw this, I saw the flowers on the east side of the street, and I was shocked by the people of Tianjin.
Translation: The peach and plum blossoms on the east side of Tianjin are beautiful, and there are a lot of people coming and going to see them. Although the poem does not specifically depict the beauty of Bai Yulang, it writes that Bai Yulang startled the people of Luoyang when he was looking at the flowers on the East Strand, so as to praise the spring scenery of Tianjin and the bustling scene of the tourists who made people forget to come back and return to Tianjin.
4. "Yin of the Water Dragon"
Tang Dynasty: Liu Kezhuang
On the Tianjin Bridge, the moon is bright and the flute is crossed.
Translation: On the Tianjin Bridge, the flute is blown under the bright moonlight.
5. The Evening View from Luoyang Bridge
Tang Dynasty: Meng Jiao
The ice under the Tianjin Bridge was frozen at the beginning, and the pedestrians on the strangers in Luoyang stopped walking.
Translation: The ice under the Tianjin Bridge has just ended, and there are almost no pedestrians on the streets of Luoyang.
6. "The First and the Last Chant"
Tang Dynasty: Shao Yong
Yao Fu does not love to recite poems, but it is the end of autumn in Tianjin.
Translation: Shao Yong is the one who loves to recite poems, and the poem is when the fall of Tianjin is exhausted.