There is always a certain kind of memory for the hometown, which does not need time and space limitations, and is instantaneous. In this book, the description of the environment around the plains can be described as a wonderful pen, attracting people into the country. The opening is a golden earth plain, "wheat yellow, the earth is no longer like the earth, he was inspired, the essence of a lift up. Between fields and fields, between villages and villages, between wind and windmills, between acacia trees and acacia trees, the endless wheat fields and the June sunshine, everywhere overflowing with blinding golden light." I don't know whether it's because the inner memory of my childhood is too deep, or because of this exquisite description, while being mesmerized by the story, I was even more reminded of my hometown.
Yes, the wheat in my hometown is yellow and it's time to harvest. Coincidentally, in the wheel of time, once again came to my hometown. The sun shines, the wheat wave rolls, the earth is golden. Just no longer people holding a sickle, wearing stars, harvesting in the wheat field. The development of science and technology has facilitated people's working life, and left the good memories in the long river of history.
There is also the reach of the starry sky, but also a star in the memory. The starry sky on a summer night, vast and boundless, the most innocent thing is to see a meteor crossing, make a wish. Grandma said that every shooting star is a story, a story about death. When a shooting star flew far away, it meant that someone had left the world in a faraway place. At that time, death was so far away that it had nothing to do with sadness, and it became a story, a landscape. Unexpectedly, years later, Grandma has become the main character in that story, and Granny is now fighting her illness. The Milky Way is really like a river in the sky, starry and vast, quietly flowing with silver light, probably the grandmother is also one of that starlight.
II. Regret
Tuanfang's regret was an arrow that pierced through to Tuanfang's heart. It's a hole when you think about it.
--Bi Feiyu "Plain"
Sanma's Arrow of Regret
Sanma's appreciation of Duanfang stems from Sanma's inner imagination. What attracts Sanma, initially and primitively should be the charm of the male physique. Sanma fell into the river of love at the first sight, but helplessly this river of love only flows with the tears of Sanma's unrequited love. The river of love, and that can not be crossed by the class, by the influence of Sanya's mother, Sanya's first love completely into the bottom of the heart of the dark current, and Duanfang this lack of knowledge.
Sanya secretly promised her life to Duanfang, breaking through her mother's obstacles, breaking through the colored eyes of Wangjiazhuang, and even breaking through the boundaries of life and death. Only, Duanfang knew that pesticide drama of Sanma, but failed to stop the god of death. Sanma could have broken class and ended up with Duanfang, but left the world after her body was inhabited with vapor.
Wu Manling's arrow of regret
Wu Manling, how to look at it is positive. Informed of the most positive, "promising". The village secretary of Wangjiazhuang, who lived alone in the brigade and gave the opportunity to return to the city to others, the one who did not want to leave. That person who can work with the male generals compared to the work, that person who does not want to go back to the city because of attending the wedding of his girlfriends, that person who is regarded as a strong man by the Wangjiazhuang family, but in the end, because of rabies, a bite of Duanfang's shoulder.
The person who has always regarded Duanfang as in love, because of various reasons, did not help Duanfang, send him to the army, and still feel guilty inside. Even the person who dreamed of Tuanfang, in the end, when he was delirious, he still chanted about Tuanfang, and put that bite into Tuanfang's neck.
Duanfang's Arrow of Regret
Duanfang has been told since he was a child that his father is gone, but in Duanfang's heart has since been rooted in the notion that his father is just not around, still alive. Therefore, his reluctance to stay in Wangjiazhuang led to two years of high school, which was more of an escape from Wangjiazhuang than a study. However, what's meant to be is finally here. So there is the next series of stories. People always grow up in stories. "Life is a piece of tofu, time slaps it to pieces, white splattered everywhere. These crumbs that can't be picked up are what life is supposed to look like, and they fall apart in a pot, unconnected to each other."
Duanfang's regrets lie in the day he met Zhao Jie in town, in the heartbreaking sobs at his biological father's grave; in the day of San Ya's strange death, in the day he was bitten on the neck by Wang Manling 。。。。。。 His regret lies in the constant loss.
Three, not yielding to fate
Everyone in the story, not yielding to fate. The vast plains, the four seasons, everyone seems to have no way out, and seems to live to the end of the ideal.
Wu Manling, always convinced that she has a bright future, even if she is afraid of ghosts and loneliness, she still refuses the opportunity to return to the city again and again. Sanma, always adhere to the faith of love, even if there is an insurmountable gap, still defiant. Duanfang, who has always had the strength and ambition to repeat the old ways of her grandparents, struggles on. Although he went to high school, he still wants to come back to be a farmer.
Duanfang struggling in the contradiction, one day he will go out, provided that he can adhere to the ideals and beliefs, otherwise the test tube shot broken and the future of Duanfang.