When I am silent, I feel full;
I shall open my mouth, and at the same time feel empty.
---------------- Weeds - Inscription
The brave are angry, and draw their blades against the stronger; the timid are angry, but draw their blades against the weaker. There must be some heroes among the irredeemable nations who specialize in glaring at children. These weaklings! The grandchildren grow up glaring at other children, and thinking: they have lived all their lives in anger.
---------------- "Miscellaneous Feelings"
The Chinese are always in favor of compromise. For example, if you say, "This house is too dark, and a window must be opened here," people will not allow it. But if you advocate removing the roof, they'll come to terms with it and be willing to open a window. What kind of mourners
and happy people are these? However, the creation is often designed for the mediocre, with the flow of time, to wash the old traces, only to leave
pale red blood and indifferent sadness. In this reddish blood color and indifferent sadness, and to give people a temporary life,
Maintaining a life that seems to be non-human. I don't know when such a world is an end!
We are now walking on a narrow and dangerous path, with a vast, endless quagmire on our left, a vast, endless expanse of floating sand on our right, and our destination far, far away, in the mist.
But joking with Changeless is something we all have in mind, because he is straightforward, argumentative, and humane -- to find a true friend, he is the right one.
There is also a garden behind the Sanmeishuoya, though small, where one can also climb up to the flower beds to fold the waxy plum blossoms, and search for cicada molts on the ground or on the laurel trees. The best thing to do was to catch flies and feed them to the ants, quietly and noiselessly. However, the students went to the garden too much, too long, but not, Mr. shouted in the study: 'Where are all the people? ......" "The lacewing sings low here, and the crickets play the lyre. If you turn over the broken bricks, you will sometimes meet a centipede; there is also a spotted paper, which, if you press its spine with your finger, will emit a puff of smoke from its posterior orifices with a clap. ......" The cherry blossoms in Ueno look like crimson clouds when the firm is in full bloom, but underneath the blossoms there is no shortage of "Seikoku students" who are gathered in groups. Under the flowers, however, there were also groups of "Seikoku foreign students" in crash courses, with big braids on their heads, so that the tops of their student hats towered up to form Mount Fuji. There are also dissolved braids, coiled flat, in addition to the cap, the oil can be seen, like a little girl's hair bun in general, but also to twist the neck a few times.
It is really beautiful graduation, natural everyone is looking forward to, but once the graduation, but also some of the coolness of the loss. Climbed the mast a few times, needless to say do not deserve to be half a sailor; listen to a few years of lectures, down a few times in the mine, will be able to dig out the gold, silver, copper, iron, tin to it? In fact, even their own uncertainty, not to do the "work to do a good job must first sharpen their tools theory" so easy.
Climbing up to the sky twenty feet and drilling down to the ground twenty feet, the result is still nothing, the learning is "on the poor Bishop fell into the yellow spring, two places are not seen.
This sentence reveals Mr. Lu Xun's admiration for the living impermanence, and borrows the impermanence's "heavy human feelings" to enlighten us. As a human being, law and order are important, but we should also have a strong sense of compassion, just like Mr. Changeling.
The whole article is full of the author's admiration and praise for Mr. Live and Let Live, highlighting the goodness of Mr. Live and Let Live. 2. We are now walking on a narrow and dangerous path, the left side is a vast and endless mud pool, the right side is also a vast and endless floating sand, and in front of us is the destination that is far away in the fog.
This is Mr. Lu Xun's idea of life in the countryside at that time with profound and beautiful language depicted to the fullest. He also wrote about the low quality of the country people at that time, and paved the way for the later writing of the living impermanence.
3. Do not have to say turquoise vegetable beds, smooth stone well railings, tall soapberry trees, purple and red mulberries; do not have to say that cicadas in the leaves of the long chant, fat wasps crouch in the cauliflower, light and swift caller larks suddenly from the grass straight to the clouds. Depicting the rich joys of childhood.
Reveals Lu Xun's nostalgia for his childhood and his yearning for a better life.
The first thing I did was to make a mistake. However, they also made mistakes, because then they also began to talk nonsense. The first time I saw this is when I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young man, and I was a young woman, and I was a young woman, and I was a young woman, and I was a young woman, and I was a young woman, and I was a young woman, and I was a young woman, and I was a young woman, and I was a young woman, and I was a young woman. The beauty of the eagle, it is at the moment it fights the wind and rain as the soul of the Peking roam; like the beauty of the river, it is at the moment it is the waves of a torrent in the flow.
★ I do not care about the dog, as for my cat, but only because they yell, in addition to no malice, I am confident that my jealousy has not been so extensive, when now "at every turn" of the fall, which can not be declared in advance. For example, people when with the previous, but also some formalities, the new is to write a love letter, as little as a bunch, as much as a bundle; the old is what "ask the name," "Na Cai", kowtow for bowing, last year, Haichang Chiang's wedding in Beijing, worship, worship, on the full worship of three days, also Printed a red-faced "Wedding Festival", "Preface" in a big discussion: "In all fairness, both named rituals, when it must be heavy. Specializing in simplicity, why use the ritual for? ...... then the world's aspiring rites, can be carried forward! Can not retreat in the rites of the common people who do not go down!" Yet I am not angry, because I need not be present; and so I can see my hatred of cats, for the simple reason that they yell in my ears.
★ Negitori and his father dined and drank, and his father's eyes filled with tears, and without realizing it, he sang a song, as the novel prepares to tell us about the disappearance of Negitori's mother. This metaphor implies that the father over the years to endure the pain, hard work to bring up the child is not easy, the song as the wind, the words of its state of fluctuation, the cool wind of the fall through the pathos of the state of mind.
★ Thousands of mountains, a blue, thousands of mountains in the bush, thousands of forms of mountain rock bold mountains, beautiful water, high mountains, trees and lush valleys under the valley of the Green Sea, green mountains, strange mountains and beautiful water
★ life, is to face the reality of a smile, is to cross the barriers to look at the future; life, is to use the heart of the shears in the path of life cut out the leaves of the branches; life, is to face the confusion or the darkness of the soul of the soul burned up a bean big, but bright and smile! The first thing you need to do is to get your hands dirty.
★ Life is beautiful and short. Some life is lonely, some life is colorful, different people have different life pursuit; life is a one-way line without return, everyone with their own life is beautiful, and is short. Some life is lonely, some life is colorful, different people have different life pursuit; life is a one-way line with no return trip, everyone with their own all the time.
There is time to move forward.
★ maturity is a bright and not blinding light, a mellow and not mushy sound, a do not need to others to look at the face of the calm, a finally stopped to the surrounding complaints to ask for the atmosphere, a kind of disregard for coaxing smile, a kind of indifference to wash away the bigotry, a kind of needless to declare the thickness, a kind of height that is not steep.
★ life as a bouquet of flowers, carefully watch, in order to see its beauty; life as a cup of tea, taste, in order to appreciate the true flavor. We should be from the failure, from the success, from life to taste the philosophy of life.
★ Life is a blooming flower, it blooms beautifully, stretch, gorgeous and multi-capital; life is a beautiful poem, fresh and smooth, long meaning; life is a beautiful music, rhythmic harmony, winding and melodious; life is the flow of the river, flowing, rolling forward.
5. Good Words and Sentences in Chaohua Xiushi "Uncommon"Introduction Chaohua Xiushi is the only collection of reminiscence essays written by Lu Xun, originally titled "Old Matters Revisited", which has always been highly rated.
The author says that these essays are "memory essays" copied "from memory".
The first five were written in Beijing, the last five in Xiamen. The first five were written in Beijing, and the second five in Xiamen. They were initially published in the semi-monthly magazine Mangyuan under the general title of Old Matters Revisited.
In July 1927, Lu Xun reorganized the book in Guangzhou, and added a small introduction and postscript, and in September 1928, when the collection was renamed Chaohua xixi jiqing (Pilgrimage to the Sunset). It was published in September 1928 by the Weiming Society in Beijing as one of the Weiming Xinji (New Collections of Weiming) compiled by the author.
In February 1929, the book was reprinted, and in September 1932, the third edition was republished by Beixin Bookstore in Shanghai.
The cover of the book is painted by Tao Yuanqing. The book cover was painted by Tao Yuanqing.
Including: "Dog-Cat-Mouse", which is disgusted by and hates cats; "A Chang and", which misses his long mother and laments her misfortune and is angry at him; "Twenty-four Pictures of Filial Piety", which criticizes the hypocrisy and cruelty of feudal filial piety; "Five Rampant Fairs", which expresses the shadow of the feudal patriarchal system; "The Impermanence", which depicts a superstitious legend of a soul-suspending messenger; "From the Garden of a Hundred Crops to the House of the Three Flavors", which is written about the events of childhood; "Father's Sickness", which exposes the misuse of quacks by a The Sickness of My Father", which exposes the misuse of quack doctors; "Zuo Ji", which depicts the image of an ill-intentioned and loathsome Mrs. Diffractor; "Mr. Fujino", the Japanese teacher who Lu Xun is most grateful to; and "Fan Ai Nong", a friend of the same hometown, who scribbled all his life.
These ten essays, which are "memories of memories" (Preface to "Three Leisurely Collections"), record Lu Xun's life path and experiences from childhood to youth, vividly depicting the life of the late Qing Dynasty and the early Republican period, and are important artistic documents for the study of Lu Xun's early thought and life as well as the society of the time. It is an important art document for studying Lu Xun's early thought and life as well as the society at that time.
Many of these works are included in junior high school textbooks, such as From the Hundred-Clover Garden to the House of Three Flavors, which can be seen as playing a very large role in education.
Lu Xun in the creation of "The Morning Flower and the Evening Gleanings", in the choice of style style, perhaps inadvertently, but inevitably, what he chose is to express his own unique personality and spiritual temperament of the style.
And the difference in orientation of their feelings and the resulting expression of different ways, the diversity of the text. One is the sense of miscellany.
In the 30's, Mr. Li Changzhi said that the "Chaohua Xixi" "named prose is still mixed with lyrical elements in the memories of the miscellaneous sense", we can not say that the "Chaohua Xixi" of the ten prose are this miscellaneous sense, but two of them are indeed in fact miscellaneous sense of the body, that is, the "dog-cat-mouse" and the "twenty-four filial piety". Figure". The second is a genre that combines prose and miscellany.
This combination may not be a conscious creation of style, but a natural extension of the author's feeling from inside to outside when writing, driven by inner emotional experience, and turning to outer civilized criticism. As Lu Xun's writing is always social, and seldom sinks into the inner world of the individual, so Chaohua xiqing jie can be seen everywhere in the description of the feelings of the internal and external, and its style is basically a combination of prose and miscellaneous feelings, the most typical is the five rampant meeting, Uncanny, Father's Disease>, Trivial Records.
Third, pure prose. Lu Xun in the recollection of the past life experience, more into the personal emotional world, and less out of the miscellaneous feeling type of argument, which became pure prose.
Of course, the so-called "pure" is relative, for Lu Xun, completely immersed in the personal emotional world is rare, like Bing Xin, "the past" as pure expression of the personal inner world of the genre is not found.
But Lu Xun also sank into his own emotional world, which resulted in a purely prose style with very few miscellaneous sensory elements, such as From the Hundred-Clover Garden to the House of Three Flavors and Mr. Fujino. [edit paragraph] Writing background Lu Xun was already a pivotal writer in the literary world when he created Collections of the Morning and Evening Flowers.
In 1926, after the March 18th tragedy, Lu Xun wrote articles such as "Memorial to Liu Hezhen", angrily denouncing the reactionary government's shameless behavior, and was persecuted by the reactionary government, and had to live a life of displacement. He had to live in Yamamoto Hospital, German Hospital and other places.
In spite of the hard life, he wrote a lot of prose poems and three essays, Twenty-four Pictures of Filial Piety, Five Rampant Fairs, and Uncommon, which were later combined with Lu Xun's Dogs and Cats, which he wrote before the tragedy. Cats? Rat" and "A Chang and the Sutra of the Mountain and the Sea", which were included in the prose collection Chaohua xiqing (朝花夕拾). In September 1926 Lu Xun accepted an offer to teach at Xiamen University in the south, but he stayed there for just over four months because he realized that the air in Xiamen University was just as foul as in Beijing.
Lu Xun saw all sorts of ugly faces of intellectuals here and attacked them without mercy. Although Lu Xun did not like Xiamen University, he devoted himself to the courses he took, and the classes he taught were very popular with the students.
In addition to his busy teaching schedule, Lu Xun wrote a number of works, which include five essays, From the Hundred-Clover Garden to the House of Three Flavors, Father's Sickness, Zuoji, Mr. Fujino, and Fan Ainong. These five essays, together with another five essays written in Beijing, make up the entirety of Chao Hua Xi Jie.
Chautauqua Xijie was published in 1927. The first lesson of the next book.
"A Chang and. The reason why the image of "Impermanence", which is "ghost but human, rational but emotional", is loved by the public is because there is no justice on earth, and the wicked are not rewarded for their evil deeds, while "the just judge is in the underworld".
Lu Xun has written many times about the ghosts and monsters of the "impermanent" in Chao Hua Xi Jie (朝花夕拾)>. In Uncanny, he describes in some detail the Uncanny that he saw in the temple fair.
It can be seen that people in the temple fair prefer white impermanence, and generally hate black impermanence, and from the text Lu Xun also prefer white impermanence. He thinks he is "not only lively and witty".
And alone this point can be very eye-catching in all colors of ghosts and monsters, very "crane" feeling. Therefore, we can know that in the temple fair at that time, the White Impermanence was a very popular role.
The whole article is full of the author's admiration and praise for the living changeless, first write the fear of him as a child, and now his admiration for him as a contrast, but also take the King of Yanluo's mediocrity and the horror of the death of the changeless and the contrast, highlighting the goodness of the living changeless.