The Emperor of the Han Dynasty was very fond of the color of his country, and he was unable to get it from the Royal Palace for many years.
The Yang family has a daughter who is not yet known.
Born to be beautiful, it is hard to give up on herself, once chosen on the side of the king.
The smile of a hundred winks, the six palaces have no color.
The spring cold gives bath Hua Qing Pond, hot spring water slippery wash gel fat.
Servant helped the baby up, but it was the time of the new grace.
The clouds and temples, the flowers, the golden steps, the hibiscus tent, the warmth of the spring night.
The night is short and the day is long, and from now on the king will not come to court.
There is no time for pleasure, and the spring is a special night for the spring tour.
Three thousand people in the harem, three thousand favorites in one.
The Venus is made up to serve the night, and the Jade Tower is drunk and spring.
Sisters and brothers are all listed, the poor colorful birth portal.
This is the first time I've seen the world's parents, and I've seen the world's parents not give birth to a boy.
The LIXIL Palace is high up in the green clouds, and the music of the immortals is heard everywhere.
Slowly singing, slowly dancing, and condensing the silk and bamboo, all the time the king is not enough to see.
The drums and drums of fishing and sun-drums were carried to the ground, breaking the neon dress and feather clothes song.
Smoke and dust from the nine city queues, and thousands of riders traveling southwest.
The Cuihua is a city that has been shaken by the sea, and is now more than a hundred miles west of the capital gate.
The six armies were not sent out, and they died before the moth-eyebrows of their horses.
The flower inlays have been left unattended, and the green buckles of the gold sparrow scratch the head of the jade.
The king couldn't save his face, and he looked back to see the blood and tears flowing together.
The winds of the Yellow Eyes are scattered, and the cloud stacks are winding their way up to the Sword Pavilion.
There are few people traveling under Emei Mountain, and the sun is thin on the flags.
The water of the Shu River is blue and the mountains of Shu are green, and the Holy Lord is in love with them.
The moon is the color of sadness in the palace, and the bell is the sound of broken hearts in the night rain.
The sky is spinning back to the dragon's harness, and I can't go to this place with hesitation.
The earth at the bottom of the Mawei slope is full of mud, and I can't see the jade face of the empty place of death.
The officials and the ministers were all covered in clothes, and they looked east to the capital gate to return.
All the pools and gardens are still the same, and the hibiscus and willow are still the same.
The hibiscus is like a face, the willow is like an eyebrow!
Peach and plum blossom in the spring wind, autumn rain when the sycamore leaves fall.
There are many autumn grasses in the south of the Western Palace, and the fallen leaves are not swept away by the red steps.
The children of the pear orchard have new white hair, and the green eagle in the pepper room is old.
The evening hall fireflies think quietly, lonely lamps pick all not sleep.
The bells and drums are late for the first night, and the starry river is about to dawn.
They are the first to be able to use their own personal computer to make their own decisions, and they are the first to be able to use their own computer to make their own decisions, and they are the first to use their own computer to make their own decisions.
It's been a long time since I was born or died, and I've never been able to dream.
Qionglong Taoist Hongdu guest, can be sincere to the soul.
For the sake of the king's thoughts, he taught the priests to look for it.
Placing the air and harnessing the gas to run like electricity, ascending to the sky and into the earth to seek it all.
The two places were all gone, but they were not to be found.
Suddenly, I heard that there is an immortal mountain in the sea.
The pavilions are exquisite, and the clouds rise up, and there are many fairies among them.
There is one person who has the word "Tai Zhen", with snowy skin and flowery appearance.
Bibimbap in the west room of the Golden Palace, I told Jade to report to her.
It is said that the son of the Han family was envoyed by the emperor, and I was frightened by his dream in the tent of Jiuhua.
When I was a student at the University of California at Berkeley, I was a student at the University of California at Berkeley, and I was a student at the University of California at Berkeley.
The cloud sideburns are half-exposed to the new sleep, and the flower crown is not whole to come down to the hall.
The wind is blowing and the sleeves are fluttering, just like the dance of neon dresses and feathered clothes.
The jade face is lonely, the tears are dry, and the pear blossom has a branch in spring with rain.
They are the first to be able to see the world, and they are the first to be able to see the world, and they are the first to be able to see the world, and they are the first to see the world.
The love in the hall of Zhaoyang is over, and the sun and moon in the palace of Penglai are long.
Looking back at the world, I don't see Chang'an, I see the dust and fog.
Only the old things to show deep love, tin alloy hairpin will be sent.
The hairpin left a strand and a fan, the hairpin broke the gold and the inlay.
But the heart is as strong as the golden tin, and we will see each other in heaven and on earth.
This is the first time I've ever seen a woman with a heart of gold in her hair, and I've never seen her with a heart of gold in her hair.
The seventh day of the seventh month, the Hall of Eternal Life, is the time when no one is whispering in the middle of the night.
We wish to be birds of a feather in the sky and branches of a tree on earth.
The sky is long and the earth is long, and this hatred has no expiration date!
The Song of Eternal Hatred is one of Bai Juyi's representative poems, and one of the most famous long narrative poems in the history of Chinese literature. In the first half of the poem, he satirizes the Tang Ming Emperor's despotism and misuse of the country, and in the second half, he writes with sympathetic strokes about the Tang Ming Emperor's bone-deep love for his wife. In this way, the theme of the poem changes from criticizing to praising the chaste and devoted love between Emperor Tang Minghuang and Yang Guifei. However, there is still irony in the praise and sympathy. This is a long poem with a dual thematic idea, which has achieved a high artistic achievement, especially in the second half of the poem, which utilizes the Romantic fantasies, greatly enhancing the expressive power of the white poem. Vivid characters, beautiful language and voice, and the blending of lyrical writing and narrative are also the artistic features of the Song of Long Hate.
Appreciation I
This poem was written in the first year of Emperor Xianzong of the Tang Dynasty (806 A.D.), when the author was 35 years old and served as a lieutenant of Zhouzhi County. According to Chen Hong, a friend of Bai Juyi, he, Bai Juyi and Wang Qifu visited Xianyou Temple in October of Yuanhe year. By chance, they talked about the tragic story of Emperor Tang Minghuang and Yang Guifei, and all of them lamented it. So Wang Qifu asked Bai Juyi to write a long poem and Chen Hong to write a biography, so that the two would complement each other and be passed on to future generations. Because the last two lines of the poem are "the sky is long and the earth is long, and this hatred has no expiration date", they called the poem "The Song of Long Hatred" and the biography "The Biography of Long Hatred".
The Song of Everlasting Hatred*** is divided into three sections, from "Emperor Han's heavy color thinking of pouring the country" to "breaking the "Nishang Yuyi Qu"" **** thirty-two sentences for the first section, writing the love life of Emperor Tang Minghuang and Yang Guifei, the effect of love, as well as the resulting desertion of the country and the Anshi Rebellion. The first eight lines are about the love life of Emperor Tang Ming Huang and Yang Guifei, the effect of their love, and the outbreak of the An Shi Rebellion. The first eight lines of the poem are about the beauty of Yang Guifei and her being wooed by Emperor Tang Minghuang. The fact that the poem says "Emperor of Han" when it is clearly Emperor of Tang is a habit left over from the Tang Dynasty when they wrote ancient music. The poem is about a beautiful woman who is a great beauty of the whole country. The name "Yu Yu" refers to being an emperor and ruling the world. The eighteen lines from "Spring Cold Bathing in Huaqing Pond" to "No Male Reborn, No Female Reborn" write about Yang Guifei's favor and the resulting luxury of the Yang family. Huaqing Pond: on Mount Li in the south of Lintong County, east of Xi'an City, there is the emperor's palace, famous for its hot springs. Gel: a metaphor for the whiteness and moistness of a person's skin. Bukao: a kind of headdress for women in ancient times. "The spring night is short and the sun rises high, from now on the king does not have an early morning court", wrote Tang Ming Huang's obsession with sound and color, deserting the political affairs. "The service banquet without leisure, spring from the spring tour night specializing in night. Harem beauty three thousand people, three thousand favorites in one." Write Yang Guifei was favored degree, simply inseparable. Then the author used the allusion that Emperor Wu of Han favored Chen Ajiao and wanted to build a golden house for her to compare the relationship between them. "Sisters and brothers are all listed in the earth, poor glossy born portal. So the world's parents are not born male but female." When one man won the Dao, the chicken and the chicken were born. Yang Guifei was favored by one person, and the Yang clan immediately became powerful. Brother Yang Guozhong became the prime minister, several sisters were appointed as a large country lady, fighting for power and wealth, unbeatable. Du Fu's "The Walk of the Lillies" was written about this incident. The emperor consort is also a person, also have lust, this point and the common people no difference; But the emperor has the hands of the noblest authority, his lust and the use of this noblest authority is often inseparable. This makes the effect of their love is very different from the common people. Lust is not a great sin, but by lust and lead to indiscriminate reward, so that the bad guys steal the power, disorders, which is not far from the end of the country and destroy the family. So we comment on the emperor's love must not leave the specific content of their lives and their social effects. "The Lixi Palace is high up in the green clouds, and the immortal music is heard everywhere. Slowly singing and dancing, the king sees not enough." These four lines echo with the previous one, "From now on, the king does not go to court in the morning", further depicting Emperor Tang Minghuang's obsession with sound and color, and his misuse of government and the country. The luxurious life of the Tang rulers was built on the basis of cruelly plundering the working people and plunging them into extreme poverty. Du Fu in the "from Beijing to Fengxian Wing Huai 500 words" described a Tang Ming Huang and Yang Guifei on Mount Li after the enjoyment of life, and then said: "Tong court by the distribution of silk, originally from the cold girl out. Scourge their husbands' families and gather the tribute to the city." And also said: "The vermilion door stinks of wine and meat, and there are frozen bones on the road. Glory and blight at hand, melancholy and difficult to recount." It is because the ruling group is so mediocre and corrupt, and the class conflict is so sharp, so when An Lushan, the big ambitious man once launched a rebellion, the Tang Dynasty, the pyramid of dazzling people's eyes immediately toppled and collapsed. "The drums and drums of Yuyang moved the ground and broke the Neishang Yuyi Song" is a graphic illustration of this process. Yuyang: the name of the county, the county seat is in present-day Jixian County, Tianjin. This area is sometimes called Yuyang County and sometimes Fanyang County. An Lushan was then the governor of the three towns of Fanyang, Pinglu and Hedong, and his base camp was in Yuyang. Drum: a musical instrument used in the army. The drums of Yuyang refer to the rebel army led by An Lushan, who started the rebellion in November of the 14th year of Emperor Tianbao of Emperor Xuanzong of the Tang Dynasty (A.D. 755). Nishang Yuyi Song: the name of a dance song, which came from Xiliang in the middle of the Kaiyuan period. It is said that Emperor Minghuang of the Tang Dynasty had personally worked on it and embellished it, and produced song lyrics for it. Yang Guifei after entering the palace, good for this dance.
From the "nine city que smoke and dust" to "soul never come into the dream" *** 42 sentences for the second paragraph, write the mutiny at Mawei, Yang Guifei was killed, and from then on, Tang Minghuang Yang Guifei's thoughts, deep love. The first ten sentences of the paragraph are about the mutiny at Mawei. The Nine Castles and Queens: refers to the capital city. The emperor's palace had nine gates, so the palace was called the Nine Heavy. Smoke and Dust: refers to the enemy police. Thousands of Riders and Ten Thousand Cavalry Rides to the Southwest: refers to the escape of Emperor Tang Minghuang and others from Chang'an to Sichuan, which took place in June of Tianbao's 15th year (756 A.D.). Cuihua: refers to the emperor's honor guard. It was more than a hundred miles west of the capital gate, the place of which was Mawei Stage, west of Xingping in present-day Shaanxi. Six Armies: the ancient term for the armies of the Son of Heaven, here referring to the guards of Emperor Minghuang of Tang. No hair: no further advance, here refers to the mutiny. At that time, the mutinous soldiers first killed Yang Guozhong and Yang Guifei's two sisters, and then forced Emperor Tang Minghuang to give Yang Guifei to death. Flower, Cuiqiao, Gold Bird Hairpin, Jade Head Scratcher: all are the ornaments on Yang Guifei's head. The following eight lines of the poem "The Yellow Eyes are Scattered and the Wind is Saggy" describe Emperor Tang Ming Huang's thoughts about Yang Guifei on his way to Chengdu and during his stay in Chengdu. Cloud: the air passage in the mountains. Jiange: Jianmen Pass, a dangerous pass between Shaanxi and Sichuan in ancient times, in the northeast of Jiange County, Sichuan. Emei Mountain: in today's Sichuan Emei County southwest, not in the way from Shaanxi into Sichuan, here is the poet to emphasize the Sichuan-Shaanxi mountain road is difficult and diffuse pile up. Li Bai's "difficult road to Sichuan" in the so-called "West when the Taibai bird road, can be cut off across the top of Emei." The same mistake. "The following four lines are written after the Tang army recovered Chang'an, Tang Ming Huang from Chengdu back to the capital once again through the Mawei Stage, see the present and think of the past, the scene of sadness. The sky is spinning and the earth is turning: it refers to the change of the situation and the recovery of the two capitals by the Tang army. It happened in September and October of the second year of Emperor Suzong's reign (757 A.D.). Dragon: refers to the carriage of Emperor Tang Minghuang. Not seeing the empty death place of Jade Face, there is only an empty grave, and the body is gone. From then on, the story was added to the mythological color, there was a legend that Yang Guifei had been "disintegrated" into immortality and went away. "The following twenty lines are about Tang Ming Huang's sadness after his return to the capital. The words "Let the horse return" are used to describe how the people's heart is in a state of confusion. Taiyi: the name of the pool in Daming Palace. Weiyang: the name of the palace where the emperor lived in the Han Dynasty, here referring to the Daming Palace in the Tang Dynasty. Xigong: Taiji Palace, the Tang Dynasty called "Xigong" or "Xinei". South: Xingqing Palace. Tang people called Daming Palace, Taiji Palace, Xingqing Palace for the three big inside. The Daming Palace was the residence of Emperor Suzong of the Tang Dynasty. The abdicated Emperor Tang Minghuang had been placed in Taiji Palace and Xingqing Palace after his return to the capital. Pear Garden Disciples: refers to the court singing and dancing team that used to serve Emperor Tang Minghuang, who is said to have personally taught them to rehearse. Pepper room: the palace room where the consort lived, with pepper and mud coating the wall, one to take its fragrance, the second to take its many children. A Eunuch: eunuchs. Green E: refers to the palace maid. The above two sentences are divided into Tang Minghuang and Yang Guifei, which means that the people who used to serve them in the past are now old. Mandarin ducks tile: roof tiles on the roof of the house, which are interlocked with each other. Jade coverlet: a quilt decorated with jadeite feathers. The above layers, explaining the Tang Ming Huang all the time in thoughts, nothing without scene is not evoking his nostalgia for Yang Guifei. Wen/Han Zhaoqi Source: CGN
Appreciation II
As a generation of literati, Bai Juyi can be considered a success. His realistic pen has written many bleak scenes and sounded alarm bells again and again. His Song of Eternal Hatred can be considered the masterpiece of his life.
The poem begins with a comedy and turns into a tragedy, and although the author's intention is to "punish the beautiful", it becomes an ode to love. The most successful part of this narrative poem is the lyricism, a rather complex plot only a few lines in a concise account of the past, and focus on the rendering of love, detailed writing Tang Minghuang and Yang Guifei love and the death of Guifei after the two sides of the feelings of nostalgia.
The Song of Eternal Hatred is a song of "eternal hatred", which is the theme of the poem, the focus of the story, and a seed buried in the poem that touches people's hearts. What is "hate", why "long hate", the poet is not a direct narrative, lyrical out, but through his poetic story, layer by layer to the readers, so that people can figure out their own, to go back to the memory, to feel. The first thing that gives us the enjoyment of artistic beauty in Song of Everlasting Hatred is the moving story in the poem, and the exquisite and unique artistic conception of the poem. The center of the whole piece is the song "Long Hate", but the poet starts from "heavy color", and it is written and rendered with great effort. "The sun rises high", "not early morning", "night special night", "see not enough" and so on, seems to be the extreme joy! It is like a comedy, however, the extreme joy is contrasted with the endless hatred behind. Tang Xuanzong's lustful misrule led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The tragedy maker ends up being the hero of the tragedy, which is the special and twisted part of the story and the reason why the hero and heroine of the poem have to "hate each other". Many people say that The Song of Eternal Hatred has an ironic meaning, and I think the ironic meaning of this poem is here. So, how does the poet express the "Long Hate"? Mawei slope Yang Guifei's death, the poet portrayed extremely delicate, the Tang Xuanzong that can not bear to cut off the love but also want to save the inner conflicts and painful feelings, are specific and graphic performance. Because of this "blood and tears and flow" of the death of the goodbye, there will be that endless hate. Subsequently, the poet used a lot of ink to repeatedly render Tang Xuanzong's longing for Yang Guifei from various aspects, but the storyline of the poem did not stop at one emotional point, but with the layers of the character's inner world, sensing the constant change of his scenery, moving forward in time and the story, and using the character's thoughts and feelings to open up and promote the development of the plot. Tang Xuanzong ran to Shu, is in the death after the parting, the heart is very sour and sad; return to the road, the old place re-experienced, and evoked sad memories; back to the palace, during the day to see things hurt, the night tossing and turning sleepless. Day and night thought but not, so hope in the dream, but again "long life and death after years, the soul has not come into the dream". Poetry up to this point, has been the "long hate" of the "hate" written very moving, the story ends here seems to be possible. However, the poet's pen, a twist, a different realm, with the colorful wings of the imagination, conceived a charming and attractive fairyland, the plot of the tragic story to the climax, so that the story more twists and turns, there are ups and downs, there are ripples. This twist is both unexpected and reasonable. Due to the subjective desire and objective reality constantly contradictory, collision, poetry to the character of the psychological expression of a thousand turns, the story also seems to be more moving.
The Song of Eternal Hatred is a narrative poem with a strong lyrical component. The poet, in narrating the story and shaping the characters, adopts the lyrical technique that traditional Chinese poetry specializes in, harmoniously combining narration, landscape writing, and lyricism, forming the characteristic of the lyrical repetition of the poem. The poet sometimes injects the thoughts and feelings of the characters into the scenery, and uses the refraction of the scenery to emphasize the state of mind of the characters; sometimes he seizes the characteristic scenery and things around the characters, and expresses his inner feelings through the feelings of the characters, rendering them layer by layer, and appropriately expresses the hard-to-reach feelings that the characters have stored deep in their hearts. From the yellow mist to the green mountains of Shu, from the night rain in the palace to the triumphant return, from day to night, from spring to fall, touching things everywhere, seeing things and thinking of people, repeatedly rendering the main character's bitter pursuit and search from all aspects. If he can't find it in real life, he goes to find it in his dream, and if he can't find it in his dream, he goes to find it in the fairyland. Such ups and downs and layers of rendering make the character's feelings spiral back up and reach a climax. The poet is through such layers of rendering, repeated lyricism, back and forth, so that the character's thoughts and feelings embedded in a deeper and richer, so that the poem "delicate texture", more rich in artistic infectivity. As a narrative poem, The Song of Eternal Hatred has a very high artistic achievement. Throughout the ages, many people have recognized the special artistic charm of this poem. What infects and seduces the readers in The Song of Eternal Hatred? I am afraid that the moving, lingering and sentimental is its greatest artistic personality, and it is also the power that can attract readers for thousands of years and make them infected and seduced.
A "Long Hate" has a flavor!
Bai Le Tian said. It can be seen that the poet's heart, really to the "Song of Long Hate" infused with too much emotion.
Bai Le Tian's life feeling the times and sadness of the world, the sentence of the passing of the world, many powerful Chen people's suffering, the evils of tyranny, such as "a sad thing" of the "Qin Zhongyin", is such a realist poet who advocates that "the article for the time, poetry for the event", but will be a palace monstrosity, but also a long time ago. The poet is a realist who advocates "writing for the times, poetry for the events", but writes about a love affair in the palace with a poignant and heart-wrenching tone. I thought of Bai Juyi's own love life. It turns out that when he was a teenager and a folk girl Xiang Ling know each other, bitter family resistance can not be combined, this deep pain in the "Song of Eternal Hatred" in the creation, it is through the aria of the history of their own feelings of the encounter. Although Bai Juyi had a difficult career and was depressed, he even used Buddhism to numb himself, to find relief for his soul, and hated the corruption of the dynasty at that time. But I think, in this poem, it's more of a glorification of love, or an allusion to my own emotions.
On the other hand, since ancient times, emperors did not love mountains and rivers, and the sound and color of the world is like their patent. So the figure of a dynasty fell along with a woman's wronged footsteps, toward an end, slowly walking. "The red face of the water" is a perfect reason to let the emperor in lamenting their own kingdom far away, to the descendants of an excuse to excuse. Women are nothing but victims of a tragedy. They just use their own powder for their own status interests and to fight for a little favor and a man's embrace. And in the end, they are given to death. It is also a warning to them that while getting what they want, they should not forget the consequences of over-exploitation.
The final stroke of romanticism gives us a little solace and makes me always believe in the beauty of true love in the port of time.
Appreciation III
The Song of Long Hatred, a popular favorite among Bai Juyi's poems, was written in the first year of Yuanhe (806), when the poet was serving as a lieutenant of the county of Xianbin (Zhouzhi, present-day Shaanxi). The poem was composed when he and his friends Chen Hong and Wang Qifu traveled together to the Xianyou Temple and were inspired by the story of Emperor Xuanzong of Tang and Yang Guifei. In this long narrative poem, the author, with refined language, beautiful images, and a combination of narrative and lyricism, recounts the tragedy of the love between Emperor Xuanzong of Tang and Yang Guifei during the An Shi Rebellion: their love was cut short by their own rebellion, and they are endlessly eating the bitter fruits of this spirit. Tang Xuanzong, Yang Guifei are historical figures, the poet does not stick to history, but borrows a little shadow of history, according to the legend of the people at that time, the neighborhood singing, from which metamorphosed into a twisting, turning and moving story, with the loop back and forth, entwined and sentimental form of art, describe, sing out. As the story and characters in the poem are artistic, it is a complex and true reproduction of the reality of people, so it can ripple in the hearts of readers through the generations.
The Song of Eternal Hatred is the song of "eternal hatred", which is the theme of the poem, the focus of the story, and a seed buried in the poem that touches people's hearts. What is "hate", why "long hate", the poet is not a direct narrative, written out, but through his poetic story, layer by layer to the readers, so that people can figure out, to reminisce, to feel.
The first line of the poem opens: "The Emperor of the Han Dynasty thinks about the color of the country", seems to be very unusual, as if the story should be written from here, do not need the author to spend what thought, in fact, the content of these seven words is very great, is the whole program, which reveals the story of the tragedy of the factors, but also to evoke and unify the whole poem. Immediately thereafter, the poet uses extremely frugal language to describe how Tang Xuanzong, before the Anshi Rebellion, was a man of color, seeking color, and finally obtained Yang Guifei, who "smiled back with a hundred winks, and the six palaces of the powder and daisy had no color". It describes the beauty and charm of Yang Guifei, and after entering the palace, she was favored because of her color, and not only was she "newly blessed", but also "her sisters and brothers were all listed in the earth". Repeatedly rendered after Tang Xuanzong got the princess in the palace how to indulge in lust, how to have fun, how to indulge in song and dance in the wine and sex all day long. All these led to the An Shi Rebellion: "The drums of the Fishing Sun moved the ground, breaking the neon garments and feathered garments". This part of the poem shows the internal cause of the "Long Hate", which is the foundation of the tragic story. The poet introduces us to the hero and heroine of the story through this realistic description of life in the palace: an emperor who favors his wife over his country, and a concubine who is a charming spoiled brat. It also implies that Tang Xuanzong's obsession with sex and misuse of the country is the root of this tragedy.
Below, the poet specifically describes the hasty flight of the emperor's soldiers and horses into the southwest after the Anshi Rebellion, and especially the destruction of the love between Emperor Tang Xuanzong and Yang Guifei during this turmoil. "The six armies did not send out nothing to do, but the moth-eyebrows died before the horse. The flower tin was left uncollected, and the jade head was scratched by a golden sparrow. The king can't save his face, looking back to see the blood and tears and flow", written in the scene of their parting at Mawei slope. The "Six Armies" demanded the execution of Yang Guifei, because they were indignant at Tang Xuanzong's obsession with women's color and the scourge of the country and the people. The death of Yang Guifei, in the whole story, is a key plot, after which their love became a tragedy, and then, from the "yellow Egypt scattered winds and sullenness" to "the soul has never come into the dream", the poet captures the character's spiritual world of heartbreaking "hate", "hate", "hate", "hate", "hate", "hate", "hate", "hate", "hate", "hate", "hate", "hate", "hate", "hate", "hate". "Hate", with a sour and moving tone, Wan turn to describe and describe the death of Yang Guifei Tang Xuanzong in Shu in the loneliness and sadness, but also on the way to recall the old, back to the palace after seeing things, touching the feelings of the people, all year round things are not the same as the rest of the things of all kinds of feelings. Lingering and sentimental feelings of lovesickness, so that people feel the intestines swinging. Because the poet rendered the feelings of the characters to such a degree, the arrival of the Taoist priests, the appearance of the fairyland, will give people a sense of reality, do not think that it is purely a kind of castle in the air.
From "Qiong Taoist Hongdu guest" to the end of the poem, the Taoist priest to help Tang Xuanzong looking for Yang Guifei. The poet used a romantic approach, suddenly up in the sky, suddenly into the ground, "on the poor Bishop fell into the Yellow Springs, the two places are not seen". Later, in the sea on the misty fairy mountain found Yang Guifei, let her to "jade lonely tears appendage, pear blossom a branch of the spring with rain" image in the fairyland reproduced, attentive to meet the Han's messenger, imploring affection, the object to send the word, reaffirming the former oath, echoing the Tang Xuanzong on her thoughts, further deepen, rendering The theme of "Long Hate" is further deepened and rendered. At the end of the poem, with the "open long time sometimes end, this hate endless" ending, pointing out the purpose of the title, respond to the beginning, and to do the "clear sound have more", to give the reader to associate, aftertaste of the room.
The Song of Eternal Hatred
first gives us the enjoyment of the artistic beauty of the poem is that the story is moving, is the exquisite and unique artistic conception of the poem. The center of the whole piece is the song "long hate", but the poet started from the "heavy color", and to be extremely paved and rendering. "The sun rises high", "not early morning", "night special night", "see not enough" and so on, seems to be the extreme joy! It is like a comedy, however, the extreme joy is contrasted with the endless hatred behind. Tang Xuanzong's lustful misrule led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The tragedy maker finally becomes the hero of the tragedy, which is the special and twisted part of the story and the reason why the hero and heroine of the poem have to "hate each other". In the past, many people said that "The Song of Long Hate" has an ironic meaning, and this is where the ironic meaning of this poem lies. How does the poet express the "long hatred"? Yang Guifei's death at Mawei slope, the poet's portrayal is extremely delicate, the Tang Xuanzong can not bear to cut off the love but also want to save the inner conflict and painful feelings, are specific and graphic performance. Because of this "blood and tears and flow" of the death of the goodbye, there will be that endless hate. Subsequently, the poet used a lot of ink to repeatedly render Tang Xuanzong's longing for Yang Guifei from various aspects, but the storyline of the poem did not stop at one emotional point, but with the layers of the character's inner world, sensing the constant change of his scenery, moving forward in time and the story, with the character's thoughts and feelings to open up and promote the development of the plot. Tang Xuanzong ran to Shu, is in the death after the parting, the heart is very sour and sad; return to the road, the old place re-experienced, and evoked sad memories; back to the palace, during the day to see things hurt, the night tossing and turning sleepless. Day and night thought but not, so hope in the dream, but again "long life and death after years, the soul has not come into the dream". Poetry up to this point, has been the "long hate" of the "hate" written very moving, the story ends here seems to be possible. However, the poet's pen, a twist, a different realm, with the colorful wings of the imagination, conceived a charming and attractive fairyland, the plot of the tragic story to the climax, so that the story more twists and turns, there are ups and downs, there are ripples. This twist is both unexpected and reasonable. Due to the subjective desire and objective reality constantly contradictory, collision, poetry to the character of the psychological expression of a thousand turns, the story also seems to be more moving.
The Song of Eternal Hatred is a narrative poem with a strong lyrical component. The poet, in narrating the story and shaping the characters, adopts the lyrical technique that traditional Chinese poetry specializes in, harmoniously combining narration, landscape writing, and lyricism, forming the characteristic of the lyrical repetition of the poem. The poet sometimes injects the thoughts and feelings of the characters into the scenery, and uses the refraction of the scenery to emphasize the state of mind of the characters; at other times, he seizes the characteristic scenery and things around the characters, and expresses his inner feelings through the feelings of the characters, rendering them layer by layer, and appropriately expresses the hard-to-reach feelings that the characters have hidden deep in their hearts. Tang Xuanzong fled to the southwest of the road, all around the yellow dust, stacks, mountains, the sun is dark, the flag is not light, the autumn scenery is bleak, this is a sad autumn scenery to set off the character's sadness. In Shu, the face of the green mountains and water, or night and day can not forget, Shu mountains and water is very beautiful, but in the eyes of lonely and sad Tang Xuanzong, the mountains of the "green", the water of the "turquoise", but also cause sadness, the beauty of nature should have a quiet state of mind The beauty of nature should be enjoyed in a tranquil state of mind, but he didn't have it, so it added to his inner pain. This is through the beautiful scenery to write sadness, so that the feelings of another layer of depth. The moonlight in the palace, the ringing in the rainy night, it was already very provocative, the poet seized these unusual but characteristic things, to bring people into the realm of sadness, broken heartedness, coupled with that a sight and a sound, a color and a sound, intertwined with each other, in the language, the tone of voice, but also show the character's inner sadness, this is another layer. Returning to the road, "the sky is spinning", would have been happy, but the old place again, the jade face is not seen, can not help but sad tears. The narrative adds another layer of painful memories. After returning to Chang'an, "I returned to the same pool and garden, and the hibiscus and willow were still there. The hibiscus is like a face and the willow is like an eyebrow, how can I not shed a tear at this? In the daytime, due to the environment and scenery triggers, from the scenery associated with people, the scenery is still the same, but people are not there, can not help but weep, from the hibiscus flowers of the Taiyiquan Pond and the willows of the Weiyanggong Palace as if to see the appearance of Yang Guifei, showing the character's extremely complex and subtle inner activities. "The fireflies in the evening hall are quiet, and the lonely lamps have not been picked out for sleep. Late bells and drums at the beginning of the long night, the starry river wants to dawn." Written from dusk to dawn, it centrally expresses the scene of being haunted by love at night and not being able to sleep for a long time. This kind of bitter longing, "spring wind peach and plum blossom day" is so, "autumn rain sycamore leaves fall" is also so. Until I saw that year's "pear orchard disciples", "Supervisor Qing'e" have been gray hair and face, more evoked thoughts of past pleasures, since it is sad. From the yellow mist to the green mountains of Shu, from the night rain in the palace to the triumphant return, from day to night, from spring to fall, everywhere touching things to be sad, and seeing things to think of people, from all aspects of the poem, repeatedly rendering the main character's painstaking pursuit and searching. If he can't find it in real life, he goes to find it in his dream, and if he can't find it in his dream, he goes to find it in the fairyland. Such ups and downs and layers of rendering make the character's feelings spiral back up and reach a climax. The poet is through such layers of rendering, repeated lyrics, back and forth, so that the character's thoughts and feelings embedded in a deeper and richer, so that the poem "fine texture", more rich in artistic infectivity.
As a narrative poem, The Song of Eternal Hatred is a great achievement in art. Throughout the ages, many people have affirmed the special artistic charm of this poem. What infects and seduces the readers in the art of The Song of Eternal Hatred? I am afraid that its moving and lingering sentimentality is its greatest artistic personality and its power to suck in readers over the centuries and make them infected and seduced. (Rao Pengzi)