The original singers of "Strolling in the New Town" are Zhang Xinmin and Bai Xingwu.
"Stroll in the New Town" is a famous duet classical music work, created in 1959, collective lyrics (Deng Xiankai pen), Li Caisheng music, by the Tibet Autonomous Region Song and Dance Troupe famous singers Zhang Xinmin, Bai Xingwu (now with the original name will be Xingwu). The song's Tibetan-language premieres are by Phuntsho Drolma and Tudeng.
Lyrics:
The red sun rises from the snowy mountains, and the city of Lhasa shines with golden light.
The serfs are dressed to the nines, the father and the daughter are strolling through the new city.
The daughter is busy walking ahead.
The old man was in a hurry, and his sweat was pouring.
It's a good idea to look at the new weather in Lhasa, and I'm sure I'll be able to keep up with it.
The building is really strange.
The chimney is high and a big wooden sign hangs in front of the door.
The new factories are busy, and Lhasa is changing every day.
The workers are determined to support the development of agriculture.
Abba, alas, alas, go quickly.
Oh, look at the new face of Lhasa.
Daughter, alas, alas, wait for me.
Oh, look at the new face of Lhasa.
Come on, come on, come on, come on, come on.
Oh, yeah, yeah, yeah, yeah.
The New China Bookstore is so beautiful, buy a colorful portrait of Chairman Mao.
He led us to become a family, he is the Red Sun of the East.
It warms our hearts and brightens our minds, and makes us happy for ten thousand years.
The ancient city of Lhasa has blossomed into a golden flower, thanks to the great **** production party.
Expanded information:
In 2019, the song was awarded the "Songs Singing China's" most beautiful cities. The song won the "Most Beautiful City Music Card Award" at the "Singing China" Music Card Release and Recognition Ceremony in 2019.
With a strong ethnic style, the song adopts the form of performance singing, portrays the image of the father and daughter of the turned-over serfs, reflects the new atmosphere of Lhasa, and expresses the immense excitement of the Tibetan people after gaining a new life. With a strong sense of the times and artistic charm, it soon became popular throughout the country and was welcomed by people of all ethnic groups, and played a good role in promoting the unity and mutual understanding of people of all ethnic groups, and was a record of the image of the Tibetan people entering the new era of socialism in music.