1. The stirring sound of the piper sounded softly, and the women danced with long sleeves, and countless delicate flower petals gently fluttered between heaven and earth, and the refreshing scent of the flowers mesmerized the heart and lungs. The hundred beautiful women as if blooming flower buds, to the surrounding dispersion, the sky in the rain of flowers, a beauty like heavenly fairies of the white girl, such as the orchid of the valley appeared, along with her light and graceful, fluttering like immortal dance, wide wide sleeves open and close to cover, but also set off her appearance of the beauty of the beautiful appearance of a thousand. The crowd was so mesmerized by her exquisite dance that they almost forgot to breathe.
2. The disk and drums of the festival have been set up, and the dancer dances calmly and comfortably. Her mind is traveling in the boundless space, free to think far and long. The beginning of the movement is like stooping down, but also like looking up; like coming, but also like going. It is so graceful, and so melancholy that it is hard to visualize it in words. Then the dance went on, like flying, like walking; like standing, like leaning. Inadvertent movements are never out of order, hands, eyes and body should respond to the sound of the drums. The slender robes fluttered from the wind, and the long, winding sleeves crossed from side to side. The endless gestures flutter and spread out, and the zigzagging body merges hands and feet.
3. The trees have fallen a few leaves, these dancing sprites, sometimes spinning a lithe body, sometimes singing a clattering song, their life, such as a flash in the pan, but then again behind the wonderful, hiding the call of death, but they are undaunted, and bravely threw themselves into the arms of Mother Earth, waiting to give birth to a new life!
2. Uyghur Dance Appreciation FragmentsUyghur Dance Uyghur folk dance has the following characteristics: tremulous rhythm, varied dance posture, and excellent skills.
Its slight trembling rhythm, regular and continuous trembling of the knees, reflecting the characteristics of walking on the desert; the changeable dance posture is that it has widely absorbed the strengths of the Western music and dance; and the use of skills, it is the inheritance and development of the "Huteng Dance", "Huxuan Dance", "Cudgel Dance", those jumping, rotating, and the waist of a variety of skills. They often held in the life of the "buy West Hotep" is the Western "banquet music and dance" of the legacy.
"Buy West hot Pu" word, Uygur language meaning "get together entertainment" is a festive holiday, people get together to improvise singing and dancing activities, activities hosted by the elderly, often poetry, riddles, jokes, etc., the sound of music, the beginning of the song, people invite each other or automatically on the field of dance, improvisation. The hosts also often prepare some fruit, food to entertain the musicians and guests.
The lively young people often make some funny faces to make fun, or perform some "goat dance", "goose dance" and other small programs to liven up the atmosphere. Goat dance", the performer with simple props dressed as a goat, quietly came to sit on the carpet behind the crowd, first "baa -, baa -" called two, and then and the music jumped into the field, performances, eating grass, drinking water, grinding horns, and go to the top of the horns of the people, etc., will always cause a small commotion and laughter.
"Goose Dance", the performer turned over in leather, the right hand back into the sleeve, with a red cloth tied up the cuffs of the cuffs for the goose beak pretending to be a goose, along with the music wagging head and tail slowly into the field performance, people often sing praises with the music or derogatory words, when the "goose" heard the praise, it dances happily; on the other hand, it will be pecking with the beak of the ugly him, the performance of the fun, lively. This kind of folk activity is the legacy of the ancient Western music and dance, and is an opportunity for young people to learn the customs and rituals of their own people, and learn folk dance and improvisation.
Other dances such as "Sainam", "Dolan Dance", "Nazir Kum" and other forms, also often performed in the "Buy Xi Zhe Pu". "Sainam is a form of Uyghur dance with performances, which is widely spread throughout Xinjiang.
The term "Sainam" is a common name for this kind of music and dance, and it is customary to put the name of the region in front of it, such as: "Kuche Sainam", "Kashi Sainam Kashgar Sainam", "Hotan Sainam" and so on. The form of performance is much the same everywhere, except that there are obvious differences in the music and dance styles.
Its form is also free to enter the field, invite each other, improvisation. In the performance, there are often "playing fingers" (two fingers playing loud), "move the neck" (move the neck), as well as "raise eyebrows", "move the eyes 'and other actions, let people see the It reminds us of the description of "Hu Dance" in Tang Du You's Tongdian, and of the famous line of the Tang poem Lifting the eyebrows and moving the eyes and stepping on the flower felt (Li Duan's Hu Teng'er).
This is the legacy of the ancient music and dance culture in the dance of these regions. The "Dolan Dance", which has been passed down in places such as Makgaiti and Bachu, on the edge of the Great Desert in the Tarim Basin.
The word "dorang" is the name of the Uyghur people in the region, as well as the name of the dance form. The dance is accompanied by the Dolan Mukam (a large suite of songs) and is sung by high-pitched male voices to the music; it is performed in pairs and has a limited number of participants.
The performance is divided into four groups of movements: the first group of 6/8 beat, the rhythm is gentle, but there is a sense of jumping, knee tremor is particularly obvious; the second and third groups, the rhythm gradually turned faster, the dance is bold, powerful, standardized, rigorous movement, which is similar to the "bending bow and riding" of the dance; the fourth group is a fast board, two people make competitive The fourth group was a quick dance, two people made a competitive spinning dance, which pushed the performance to the climax. At this time, everyone applauded, shouted for the cheer, until a spinning skills left the highest.
The whole dance through the faint tremor of the rhythm, high-pitched and almost shouting voice, people can not help but think of the Dolan people to overcome the drought, at the edge of the desert to open up an oasis in the hard work of the scene, but also for the oasis they created dance culture marveled at. The "Nazir Kum", which has been passed down in the ancient western region of Huozhou, i.e. the area around Turpan today, is a form of two-person dance accompanied by stringed music and singing, and is divided into two parts, namely, general performance and competition.
The former is a comical movement that mimics the forms of life, such as "pulling noodles", "sole shoes", "duck walking", and so on; it also simulates the other side in an exaggerated way. The latter two new moves to overwhelm each other, the crowd and the sound of the drums rhythmically shouting "strong will meet", "fast new moves" and other incentives to the language to cheer.
At this time, the performers show their skills, or "moving shoulders against each other", or "crouching and jumping and rotating on the knees", the dynamics of the "Black Bear Fighting Dance" is quite similar; and the rhythm of the drums is the same as the "end of the rice-planting song". This is related to the fact that Turpan has been a place of multi-ethnicity since the Tang and Song dynasties, with the legacy of ancient music and dance; it is the result of the mutual influence of various dance cultures and the absorption of various forms, and it is also a reflection of the harmony of various ethnic groups today.
The Uyghur people have been known as a singing and dancing nation. For many generations, the Uyghur people have sung and danced to express their feelings during joyous festivals and spare time for labor.
The common folk dances of the Uyghur people are as follows: Sainam, which is the most common form of folk song and dance among the Uyghur people. It is widely spread in the towns and villages in the north and south of Tianshan Mountain and is y loved by the masses.
During festivals, weddings and gatherings of friends and relatives, they all dance the Sainam. Dolan dance is a folk dance of Uyghur people with a long history, complete form and rugged movements, which keeps the traces of hunting and war life, and expresses the heroic character of Uyghur working people.
This dance is prevalent in Yarkant River in the Makgaiti, Bachu, Shache, Awati and other areas of the Dolan people. The Dolan dance is basically a form of pair dance in which two people dance together, and what has been preserved now consists of four sets of movements, ending in a competitive spin.
The Sama Dance is a folk dance performed by the Uyghur working people during the New Year's festivals, with simple and powerful movements, and it is mainly popular in the areas of Kashgar and Shache. Shadiyana Dance, Shadiyana, meaning "joyful" in Uyghur, is a Uyghur folk dance in festivals and grand gatherings, popular in the whole territory, more prevalent in the southern border.
Nazir Kum, a distinctive Uyghur folk dance, was produced in Turpan and popularized in Shanshan, Torkun, Hami and other areas. It is the most wonderful performance at weddings, festivals and other days or "Meshilev" parties.
Among the traditional Uyghur folk dances, there are also some folk dances with props.
3. Describe the Uyghur danceIn the dance, there are movements from the head, shoulders, waist, arms, elbows, knees, and feet, and the evocative eyes are more representative.
Also, a series of small decorations such as "moving neck", "snapping fingers", "flipping wrists", and so on, have formed the characteristics of the Uyghur dance. The basic features of the Uyghur dance posture: emphasize the head and chest, waist, back and produce a sense of standing, giving people a kind of proud, upright, outward-looking feeling.
The formation of this posture was standardized by Kangbal Khan, the first Uyghur dancer, an outstanding dancer and educator. The basic characteristics of Uyghur dance rhythm: Uyghur dance rhythm, more syncopation, attachment point rhythm and weak beat on the strong artistic treatment.
Such as dance movements around the wrist, head of the "pick", footsteps in the "three steps and a lift" in the back kick are done in the weak beat, so as to highlight the charm of the dance and national characteristics. The basic characteristics of Uyghur dance rhythm: the regular continuous trembling of the knee and the slight trembling of the moment when changing the action, which makes the action articulation natural and elegant, soft and graceful.
(Good use of the head, eyes and wrists) The basic features of the Uyghur dance technique are waist work and fast rotation. (Waist work includes board waist, side flash waist, fast soft waist and slow waist control, of which the side flash waist is more common and unique in the dance.
The rotation emphasizes the "first movement, first rest", both start to be fast and strong, stop to Ma Juran, steady, different from the rotation of other folk dances.)
4. 4. Describe the Uyghur danceIn the dance, from the head, shoulders, waist, arms, elbows, knees, feet have movement, the eyes of the spirit is more representative. Also add a series of small decorations such as "moving the neck", "snapping the fingers", "flipping the wrists", etc., more formed the characteristics of the Uyghur dance.
The basic features of the Uyghur dance posture: emphasize the standing feeling produced by holding the head high, standing up the chest, standing up the waist, and pulling out the back, which gives people a kind of proud and upright, outward-looking feeling. The formation of this posture was standardized by Kambar Khan, the first Uyghur dancer, an outstanding dancer and educator.
The basic characteristics of Uyghur dance rhythm: the rhythm of Uyghur dance, more syncopation, rhythm and weak beat on the strong artistic treatment. Such as the dance movement around the wrist, the head of the "pick", footsteps in the "three steps and a lift" in the back kick step are done in the weak beat, so as to highlight the charm of the dance and national characteristics.
The basic characteristics of the Uyghur dance rhythm: the regular continuous trembling of the knees and the slight trembling of a moment when changing the movement, which makes the articulation of the movement natural and elegant, soft and graceful. (Specializing in the use of the head, eyes and wrists)
The basic features of Uyghur dance technique are waist work and fast rotation. (Waist work includes the board waist, side flash waist, fast soft waist and slow waist control, of which the side flash waist is more common and unique in the dance. The rotation emphasizes the "first movement and first rest", which is different from the rotation of other folk dances in that the start should be fast and strong, and the stop should be steady and steady.)
5. Uyghur DanceUyghur (Northwest China) dance is characterized by a very close combination with folk music. During the dance, there are movements of the head, shoulders, waist, arms, elbows, knees and feet, as well as a series of small movements such as "moving the neck", "snapping the fingers", "turning the wrists", and so on, and the eyes are especially mesmerizing. All these form the distinctive features of Uyghur dance.
Uyghur dance can be broadly categorized into self-entertainment dance, ritual dance and performance dance.
"Sainam" is a kind of self-indulgent dance, which is performed during festivals, weddings and gatherings of friends and relatives. "Sai Naim" dance is free and lively, there is no fixed program, the dancers improvise, together with the rhythm of the music can be, can be a solo dance, two people dance or three or five people with the dance. The sound of people, drums and music, the sound of joy and noise, the hot atmosphere to the climax, so that all participants are incredibly excited, excited.
There is also a distinctive dance is "Dolan Dance", is the Uyghur people a long history, complete form, rugged and robust movements of a folk dance, y loved by the Uyghur people. "Dolan Dance comes from the Dolan area of the Tarim Basin (Northwest China), and has a well-structured dance form. The dance starts with two pairs, with no limit on the number of pairs, who cannot leave the stage in the middle of the dance, until the competitive spinning starts. As the drums speed up, the dance becomes more and more intense, from two pairs to scattered competitive spinning, finally leaving only one person in the center of the field. In the midst of the crowd's applause, the Dorang Dance reaches its climax and ends. From the beginning to the end, Dorang dance in the "Dorang Mukham" music accompaniment.