Back to Gangsi Festival, this Gangsi Festival has three characteristics, which the author also mentioned in the last article. One is that there are too few excellent cross talks, only a few paragraphs by Guo Qilin Yan Hexiang and others can make do. Others, including Lao Guo, have fallen to the level of crosstalk performance. The second is that the whole performance finally abandoned the three-pass bridge section, which at least made most of the audience sound less uncomfortable. The third is the popularity of cross talk among fans. The audience of Deyun Society ranges from middle-aged and old folk art lovers, to middle-aged crosstalk lovers, to urban white-collar elites, and now it has finally settled in young girls.
This time, the author is talking about the problems reflected by Gangsi Festival. In Degang Guo's words, Gangsi Festival is one of the two most important performances of Deyun Society in a year. It is not only rehearsed closely, but also the ticket price is quite high. Therefore, those who say that Gangsi Festival is only the interaction between crosstalk performers and fans, regardless of the performance level, are untenable.
In my opinion, Gangsi Festival reflects a weakness in the current operation and development of Deyun Society, that is, the green and yellow are not connected. The so-called "green and yellow" refers not only to the construction of talent echelon, but also to the level of cross talk works.
First, the construction of talent echelon is not connected.
It can be said that the performance team arrangement of Deyun Society is extremely reasonable. Degang Guo Yu Qian is the treasure of the town, while Gao Feng Lu 'an Yunping is the backbone. Yun-peng Yue Sun Yue was popular a few years ago, two years ago and the year before last. It has always been quite popular, and it is difficult to make a big hit with baked wheat cakes. At present, the main force is Zhang Helun, and this year it is Wang Jiulong of Zhang Jiuling. On the other hand, from Degang Guo, Gao Feng, Yunzike, Hezike and Jiuzike to Noisy (Qin Xiaoxian), the main force of each stage is there.
However, a performance that gathered the strongest team of Deyun Society lacked bright spots, and nine pairs of actors had many problems. Degang Guo Yu Qian's crosstalk is as sparse as ever. Strictly speaking, it can no longer be called cross talk. It feels like two evenly matched James Soong standing on the stage.
Compared with others, Yun-peng Yue Sun Yue's cross talk is OK, but it has also dropped a lot compared with their previous level. Not only the jokes are not fresh, but also the performance rhythm and language ability have obviously regressed. It seems that Yue really wants to transform.
How do you say Cao Heyang's cross talk? I feel that I haven't done anything about fitness in recent years and I haven't made any progress.
The level of Zhang Yunlei and Yang Jiulang has not dropped, because they have always been like this.
Meng and Zhou Jiuliang won the championship in Crosstalk with Newcomers. Although they were not worthy of the name, they did have some bright spots in their performances. Red for a year, the level of decline, even forgot the words.
The performances of Zhang Jiuling and Wang Jiulong were so embarrassing. A friend of the author gave an evaluation after listening to their cross talk. The two lost money in Deyun Society and starved to death in other places. A good joke is that they just say they don't understand.
The only two performing groups worthy of praise in Gangsi Festival are Yan Hexiang from Guo Qilin and Lang He Yan from Zhang Helun. As for Gao He, they need neither praise nor blame, which is the value of the backbone.
Zhang Helun Lang He Yan's performance is good in sincerity and level. Their problem is that the jokes are not solid enough and can be better.
It seems that Guo Qilin hasn't said cross talk for a long time, but this time he played a good joke with Yan Hexiang. When Guo Qilin was a father and a teacher, their cooperation was quite elegant. They are a promising couple, but it's a pity that Guo Qilin is not here.
It can be seen from the performance of Gangsi Festival that the current personnel combination of Deyun Society is suspected of being out of touch. Not counting Degang Guo, the older generation represented by Yun-peng Yue seems to have touched the ceiling, and the rising space has been sealed. The level of the new red generation represented by Menghetang in Zhang Yunlei is stagnant, sometimes fluctuating too much, which seems to lack the necessary promotion training and precipitation. The latest generation of Li Peng, represented by Wang Jiulong of Zhang Jiuling, is far from reaching the level of senior brothers and is almost in the stage of ignorance.
Although Deyun claims to have a team of hundreds of people, there are not many groups that can really win. The basic style of traditional artists represented by Liu Hechun in Gao Feng is solid, but the level of Excellence is not the main direction, and they can only continue to adhere to the small theater. Most other artists also want to be as popular as others, so all kinds of wonderful tricks continue, and performance arts Yao Zong and Liu will appear one after another.
Fortunately, Degang Guo has acted in advance, and Yang Jinming, Liu Chunshan, Wang Shanyong and Gao Yukai, including Zhang Fan and Liu Quanmiao, who can plug and play, have joined in one after another, further consolidating the talent base of Deyun Society. I believe that in the near future, Deyun Society will continue to vigorously recruit artists with real skills to join.
Second, the creation of Qing-Huang crosstalk is not connected.
The original signboard of Deyun Society was traditional cross talk, but what really made Degang Guo popular was the new jokes adapted from traditional cross talk. After that, Deyun's new cross talk creation also entered a prosperous period. In the end, Deyun Society formed a trinity combination of traditional crosstalk, adaptation of traditional crosstalk and new jokes.
However, judging from the performance of this grand ceremony, the traditional cross talk of Deyun Society still persists, but there are fewer and fewer highlights, and the peak is still excellent, but other fundamentals have a tendency to collapse. Adapted cross talk, including cross talk adapted from sketches, is obviously lacking in detail and the works are a bit rough. However, the newly edited cross talk jokes are not high-minded and lack of highlights.
In short, Deyun Society is in urgent need of a large number of novel and excellent cross talk jokes. The original joke is not only fresh, but also has no motivation to let the actors speak. Moreover, it can be seen from this performance that young crosstalk performers generally lack the artistic pursuit of the older generation of crosstalk artists, even if their own jokes are not brilliant, which is not necessarily just a matter of level.
It's even more annoying to be creative than to be talented, because talents can be introduced, but the creation of cross talk jokes needs a good atmosphere. Degang Guo's early works are deeply rooted in people's hearts because his cross talk is close to the masses and easily arouses the audience's * * *. But now he can't go deep into the masses. According to his own statement, he can only read it online every day. Relying on online jokes is not a long-term solution.
Most of the other crosstalk performers in Deyun Society are not good at creating. Even their own jokes are based on the internet rather than life. Coupled with the impetuous atmosphere of being eager to be popular, not to mention good works, even rehearsing with peace of mind is probably a matter of life.
Among the talents introduced from Degang Guo before, Liu Chunshan is a creative artist, which is also a signal. Lao Guo may have realized this, so he took precautions and introduced innovative talents.
To sum up, Deyun Society is prosperous enough, but it needs to be enriched on the basis of prosperity. Why Deyun Society and Degang Guo became popular rapidly in 2005 is the accumulation of works and talents precipitated in the previous decade. Since 20 10, Deyun Society has been popular for ten years, but there are not many works and talents accumulated in the same period. It is inevitable that there will be a feeling of suffering until now. This is a normal phenomenon that conforms to the laws of art, so it is unnecessary to belittle or whitewash it too much. That's the problem. Whether it is invisible or pretending to be invisible or facing up to the problem determines the future direction of Deyun Society.