"Magic Sound Combination" insisted on presenting a show of strength and beauty for the seriously injured audience, which was praised by many audiences, but I beg to differ. Cui Yongyuan's "a little cruel" comments made me feel a kind of human warmth from people's general indifference. Indeed, for me, the practice of "magic sound combination" is not so much a persistent pursuit of art as a disregard for life or even trampling on it.
According to the "magic sound group" admitted afterwards, the performance with injuries did great harm to their health. It's hard for me to understand. If you know that your actions will leave future troubles, why do you turn your back on them? Is this performance a masterpiece of their artistic dreams, like Ji Kang's "The Farewell of Guangling" before his execution? This is naturally absurd. People expect to see their more exquisite works instead of performing with pain. Not only do they suffer, but the audience must be heartbroken. Art needs the shock of beauty, not the pity of pain.
This reminds me of Liu Xiang who retired from the Bird's Nest four years ago due to injury. I sincerely admire and understand his retirement. If Liu Xiang insisted on taking part in the competition at that time, it would not only disappoint the Chinese people because of his poor performance, but also aggravate his foot injury. How can we start with today's "Flying Man Return"? One's life and health should not be squandered, because they are by no means stepping stones to dreams. We prefer to see a cheering and smiling Liu Xiang on the court, rather than a "trapeze artist" struggling on the court.
There are thousands of ways to realize your dreams, but never achieve success at the expense of your life. Wei Liu, a pianist with a broken arm and a contestant of China's Got Talent, is the villain of Magic Sound Group. While pursuing his dream, he made life bloom with the most splendid brilliance. In the golden hall of Vienna, he played the music of life with his feet. A string of notes is also the track of his pursuit of dreams, which is also the reason why he moved China in 20 1 1. He didn't use life as a stepping stone to his dream, but his life was also sublimated on the road of chasing dreams. He did it, and he lived better than anyone else.
Therefore, the "magic sound combination" is not worthy of recognition, at least from the perspective of respecting life. Just as Zhuge Liang died young because of "starting work", he gave us the same warning: even if we persist in pursuing our dreams, we can't ignore life.