Shaoxing's long history and splendid culture, especially many sages from Viet Nam and China, had a great influence on Lu Xun's thought. Lu Xun was enlightened at the age of 7, and 12 went to Santan to study in the moon. Instead of being confined to the Four Books and Five Classics, he sought extracurricular reading materials in many ways, absorbed nutrition from unofficial history, notes, novels and various folk literature and art, and tried to master the knowledge of literature and history. Lu Xun's contact with rural areas and farmers since childhood enabled him to understand the customs of Shaoxing and see the miserable life of working people. With the occurrence of grandfather's imperial examination case, Lu Xun's family fell from well-off to poverty, which made young Lu Xun suffer from the trauma of cold and warm human feelings, human world and mind. The architectural space was arranged as Lu Xun's living environment, which made the audience feel immersive.
The second floor of the South Exhibition Hall is an atrium-style cloister exhibition hall, which mainly displays Lu Xun's life stories in Nanjing, Japan, Shaoxing, Beijing, Xiamen, Guangzhou and Shanghai. In Nanjing, Japan, Shaoxing
Lu Xun studied in Nanjing (Ning), striving for new knowledge, and gradually formed a social development concept of "the future is better than the past, and the youth is better than the old". He went to Japan to study abroad. He made an oath of "I commend Xuanyuan with blood" and actively participated in anti-Qing revolutionary activities. In the face of the lessons of facts, he changed the original intention of saving the country by medicine, thinking that it was mainly to change the national spirit. So he resolutely gave up medicine and went to literature, picked up a pen as a weapon and threw himself into a new battle.
On the eve of the Revolution of 1911, he returned to China from Japan and taught in Zhejiang two-level normal school, Shaoxing Middle School and Hangzhou Shanhui Primary School. On the one hand, we trained young people, on the other hand, we actively participated in the Revolution of 1911. In Beijing, Xiamen and Guangzhou
In the May 4th New Culture Movement, Lu Xun stood in the forefront of the times, wrote many sports articles, lashed out at old ideas, old culture and old morality, and fought tit-for-tat with imperialism and old and new warlords, becoming the main commander-in-chief of the May 4th New Culture Movement. At the height of the Great Revolution, Lu Xun left Beijing, which was occupied by the Northern Warlords, and went to Xiamen and Guangzhou successively to engage in teaching and literary creation and engage in new battles. He stood the test of a bloody battle in Guangdong, analyzed his thoughts severely in the face of facts, and corrected the "prejudice" that he only believed in evolution in the past. in Shanghai
Lu Xun settled in Shanghai and began the most brilliant decade of his life. He used the theoretical weapon of Marxism-Leninism to unite the broad masses of progressive cultural figures, charged at the enemy, smashed the cultural "encirclement and suppression" of the Kuomintang, and became the leader of China's cultural revolution. He kept close contact with * * * producers and firmly supported the anti-Japanese national United front policy of * * * producers in China. He called himself a "fire thief", devoted himself to cultural exchanges between China and foreign countries and advocated the new woodcut movement. He cares about and cultivates young people and has devoted a lot of efforts to their growth. After the death of Lu Xun, the whole country mourned, and people called it "soul of china". People remember him and learn from him. After the founding of New China, Luxun Museums (memorial halls) were successively established in Beijing, Shanghai, Guangzhou and Shaoxing, and The Complete Works of Luxun was reprinted many times. Lu Xun's works have been translated into more than 50 languages, including English, French, German, Japanese and Russian, and have been widely circulated all over the world. The clear architectural environment and spacious architectural space on the second floor of the North Building reproduce the great spirit of Mr. Lu Xun and soul of china, giving visitors unlimited stimulation and meditation.
Through a large number of physical objects, manuscripts, photos, letters, charts, models and other exhibits, the exhibition vividly reproduces Lu Xun's brilliant achievements in his life by using modern display methods such as multimedia touch screen, three-dimensional imaging, wax figures of Lu Xun and Runtu, Lu Xun and Fujino. It not only has the local characteristics of Shaoxing in Lu Xun's youth, but also reflects the influence of Shaoxing local culture and early family changes on Lu Xun. At the same time, it has the focus and true image of Lu Xun's tenacious struggle in Shanghai for ten years.
The auxiliary exhibition hall is located on the west side of the main exhibition hall, facing the main exhibition hall across the water. It is organically combined with the main exhibition hall through a bright glass covered bridge. On the east side of the auxiliary exhibition hall, near the water, there are glass corridors and curved platforms. During the visit, you can not only have a panoramic view of the garden waterscape, but also form an active cultural landscape that permeates and contrasts with each other through the transparent glass wall between the main exhibition hall and the auxiliary exhibition hall.
Celebrity library is a form of library, located in the east, facing the closed green courtyard, with a quiet environment, which is a good place for scholars and the public to collect information and conduct academic research.
The ground floor of the North Exhibition Hall is a leisure area with a leisure teahouse, a three pools mirroring the moon and a rest and viewing platform. Visitors can shop here for leisure and enjoy the beautiful scenery.