The exact words are as follows:
How deep is the yard?
Clouds, windows and fog pavilions are always crowded.
The calyx of willow-tip plum gradually became distinct.
In spring, the Liling tree is old and healthy.
I feel how much the moon sings, but now I am old and have accomplished nothing.
Who is more pitiful and who is more haggard?
Trying the lights is boring, but I'm not in the mood to walk in the snow.
Moling tree refers to the tobacco tree in Nanjing in early spring.
This poem was written in the third year of Jianyan, that is, at the beginning of 1 129, and it is one of Li Qingzhao's late masterpieces. This word is not only her personal lament, but also expresses the feelings of thousands of people in Qian Qian who want to restore the Central Plains.
The first sentence directly adopts the rhyme "pavilion" in Ouyang Wenzhong's Dead Hua Lian.
How many "whole sentences" and "deep" words are stacked in the depths of the courtyard, which is a masterpiece of Bixing. Writing about the appearance of boudoir feelings actually implies national hatred. The second sentence: "Cloud Window Fog Pavilion" refers to the artistic conception of "Cloud Window Fog Pavilion in a trance, heavy green curtain and deep gold screen" in Han Wengong's poem "The Fairy Tale of Huashan", and then strengthens the artistic conception of "deep". Like Tao Jingjie's The Return of the Native, Sighing Constantly is lonely. Quiet between the lines, not sad, more sad. "The plum calyx on the willow tip gradually becomes clear." In a word, the scenery is picturesque, the color is not set, the lines are light ink, and the word "gradually" is used as the finishing touch. "Spring returns to Liling tree, people build Kangcheng" to tell stories, timely and close, and the realm is self-contained. "Spring Return, Time Concept: The spatial concept of Liling Tree means that it was spring again in the Southern Song Dynasty: the word" old ","old ",the concept of time and the spatial concept of" Jiankang City "hurt northerners to die of old age in the south, creating a sad and heartbroken realm. I feel how many things the moon sang, and now I am old and have nothing to do. " Comparing the past with the present, I am infinitely sorry. At the beginning of the proposal, Qing Zhao wrote a large number of political poems with sad words and clear meanings, hoping that the court would attach importance to the national economy and people's livelihood, but the great cause of restoring the Central Plains was in vain. Faced with the tragedy of Nandu, the poet has mixed feelings, not only hurting the death of the Northern Song Dynasty, but also hurting everything he has done in his life. "Whose pity and mourning are more unforgettable?" The mountains and rivers are broken and unfinished, and the poets are haggard and emaciated, living in the south of the Yangtze River. "It's boring to try the lights, but I'm not in the mood to walk in the snow", so I'll end with realism. The Lantern Festival in the Northern Song Dynasty is a Lantern Festival enjoyed by all. It is the custom of officials and people in the Northern Song Dynasty to enjoy the lanterns in advance, but now it is "boring to try the lanterns". In the early Qing dynasty, I went to Jiankang, climbed through the snow and climbed into Shicheng, looking north at the Central Plains. Today, the general trend has gone and there is no hope of recovery. However, where is the cruel reality, and where is the mood of enjoying the lights in advance and looking for poetry through the snow?
After Nandu, Zhao Qing's ci style changed from fresh and dry to desolate and gloomy. This poem "Linjiang Fairy" is the first poem that can accurately date the southern crossing years. The country is ruined, the traitors are in power, and they are in grief, so they can only use Qu Biwanda. The innocence of girlhood and the melancholy of middle age are transformed into the sadness of old age.