Why is Wushan Wuxing banned?

The reasons why Wushan Wuxing was banned are: insufficient funds, insufficient manpower and time, and content problems.

1, insufficient funds: animation is very expensive, and the production studio of Wushan Wuxing may be short of funds, resulting in a shortage of funds in the production process.

2. Shortage of manpower and time: The production studio of Wushan Wuxing may face the shortage of manpower and time, which may lead to the delay of production progress or the decline of production quality.

3. Content issues: There may be some content issues, such as sensitive topics or too violent content, which may lead to being banned.

Wushan Five Stars is an original online cartoon produced by Liudao Fish-Free Animation Studio. The first chapter was broadcast in Bali on July 26, 2020, with three episodes.

1October, 202 1,1,Chapter 2: Xichuan Fantasy Zilin released the ink painting concept poster at the "2021-2022 bilibilibili National Animation Conference" and announced the production news. At 8: 00 pm on July 26th, 2023, the second chapter of "Give Up Fantasy Purple Forest" was broadcast in Maitreya.

Evaluation of works

The plot of Wushan Wuxing is based on the fantasy legend of Shan Hai Jing. From the beginning of the film, the rich connotation of Chinese painting rushed out of the screen and touched countless audiences. In the inking room, Zhang Daqian's "splash-ink map" is slowly unfolded as the background, and the animated characters are transformed. The freehand brushwork and meticulous brushwork of Chinese painting are integrated in Wushan Five Elements. Most movies use meticulous brushwork to depict people and scenes in detail.

But what impressed the audience most was the application of freehand brushwork in martial arts plots. When the protagonist confronted the enemy on the wooden bridge, the picture suddenly changed from color to contrasting black and white, with a pure white background. The characters and movements were completely omitted, replaced by rough black lines, mixed with a few bright yellow lines, sharp strokes and rapid changes, which made the audience intuitively feel the speed of the movements of both sides, and fully moved China's freehand brushwork from painting to animation.