What is the difference between Director's Concept and Director's Exposition?

Director's conception is more about the preparatory work that the director has to do before rehearsal, while director's elaboration is more about how to let the personnel of various departments (choreography, composition, costume, make-up, actors, etc.) understand what kind of presentation the director ultimately wants to achieve the purpose of working towards the same goal **** the same goal.

Generally, the director's exposition includes the following basic contents: understanding of the literary script and the ideology of the film and its significance in reality; the requirements and conception of the film's tone, structure, style, and artistic treatment; the analysis of the main characters and the requirements of the image shaping; the design of the film's main contradictions and the treatment of the major scenes; the basic concepts and ideas of the film's various creative departments, including the photography, sound recording, art, music, editing, etc., and the basic concepts and ideas of the film's creative departments. The basic and special requirements for each creative department of the movie, including photography, sound recording, art, music, editing and so on. Writing the director's exposition is not an essential part of the director's work program.

The director's concept is a "battle plan, construction blueprint". The director's idea is to turn the screenwriter's literary text into a stage text for the director's second creation. It is the director's interpretation of the play's ideas, the overall conception of the stage form that embodies this "interpretation". It includes the director's ideological intention for the future performance and the overall image that reflects this intention, as well as the basic principles for handling the performance.

The director's conception includes:

①Determining the ideological intention of the performance and its significance;

②Determining the image seed of the performance (or "the overall image of the performance");

③Determining the general principles of the play;

④On the image of the main characters and the relationship between the main characters. The interpretation and treatment of the main characters and their relationships, as well as the selection of actors for the main roles;

5) Determine the principles for the treatment of the stage set and other stage art elements (lighting, costumes, make-up, props), and the selection of designers;

6) Determine the principles for the treatment of the whole play's language of the lines, music, singing, and sound effects;

7) Determine the physical movements, stage scheduling, and dances in the play.

7 Determine the principles of physical movement, stage scheduling and dance in the play;

8 The overall rhythm and atmosphere of the play;

9 Clarify the principles of deleting and revising the script;

10 Focus on the anticipation of the scene.