Profile of Ke Ling

Ke Ling (1909.2.15-), formerly known as Gao Jilin, originally from Shaoxing, Zhejiang Province, was born in Guangzhou, China. 1926 in Shanghai Women's Magazine published a narrative poem, "Weaving Woman", and entered the literary world. 1941, in cooperation with Shiduo, based on Gorky's play, "The Underbelly," adapted into a play script, "Nightclub," which was later adapted into a film and had a wide range of influences. 1948, went to Hong Kong to work for "Wen Wei Po." 1949, returned to Shanghai, and the following year joined the Chinese ****anist Party. He returned to Shanghai in 1949 and joined the Chinese ****anization party in the following year. He served as vice president and deputy editor-in-chief of Wen Wei Po, director of the Shanghai Film Script Writing Institute, director of the Shanghai Film Art Research Institute, editor-in-chief of Popular Cinema, secretary of the Shanghai Writers' Association, and executive vice chairman of the Shanghai Film Association.

Bibliography:

Moon Girl (Children's Poems) 1932, Shanghai Children's Bookstore

The Story of the Butterfly (Fairy Tales) 1933, New China

Kids' Speeches (A Collection of Essays) 1933, New China

Photo Skimming Collection (A Collection of Short Stories) 1939, The World

Watching the Spring Grass (Essays) 1939, The World

Watching the Spring Grass (A Collection of Essays) 1939, The World

Watch Spring Grass (collection of essays) 1939, Shanghai Zhulin Bookstore

Solo Singing in the City Building (collection of miscellaneous essays) 1940, Shanghai Bei She

Hi Ming (collection of essays) 1941, Wen Sheng

Gone with the Wind (screenplay) based on the American novel of the same name by Mischief, 1946, Chongqing Aesthetic Publishing House

Night Club (screenplay) based on the Soviet Union Gorky's Adapted from the Soviet Gorky's play The Bottom, co-authored with Shiduo, 1946, Shanghai Publishing Company

The Sea of Hate (screenplay) based on the novel of the same name by Wu Guanren (Qing Dynasty), 1947, Kaiming

Corrosive (collection of movie literary screenplays) based on the novel of the same name by Mao Dun, 1950, Shanghai Publishing Company

The Collection of Remote Nights (collection of prose and miscellaneous essays) 1956, writers

For Peace (Movie Literary Scripts) 1956, China Youth

Companion (Collection of Short Stories) 1957, New Literature and Art

Nocturnal City (Movie Literary Scripts) 1957, Movie

Warmth (Collection of Miscellaneous Writings) 1959, Shanghai Literature and Art

Spring is Full of People (Movie Literary Scripts) 1959, Shanghai Literary Arts

The Legend of Qiu Jin (Film Literature Script), based on Xia Yan's play of the same name, 1979, Shanghai Literary Arts

Film Literature Series Talks (Theory Collection), 1979, Movie

Ke Ling Film Scripts Anthology, 1980, Movie

Ke Ling Selected Writings 1980, Hong Kong Illuminating Publishing House

Shang Xue Hai (Sea of Heung Yuk) (Miscellaneous Writings), 1959, Shanghai Literary Arts

Shang Xue Hai (The Spring is Full of Human Beings) >Xiangxuehai (Collected Prose) 1980, Shanghai Literature and Art

Changxiangsi (Collected Prose) 1981, Sanlian, Hong Kong

Theater Puppetry (Collected Criticism) 1983, Hundred Flowers

Selected Prose of Ke Ling 1983, Humanities

Collected Miscellaneous Writings of Ke Ling 1985, Sanlian