In that case, Dr. China's film is a bit like winning the box office and losing the user evaluation. Today, let's take a look at why this Chinese Doctors box office doesn't correspond to the user's evaluation.
Liu Weiqiang, as the outstanding achievement of the new generation directors in Chinese mainland and Hong Kong, is also a pioneer in promoting the new wave of French films in Hong Kong and Taiwan. There is no doubt that the professional skills and technical strength of film directors who have worked step by step from photographers are here.
Diversified film types have broadened his horizons, and he can be regarded as a very typical film director while ensuring his unique narrative design style.
From the development trend of Hong Kong and Taiwan films to Beijing, he keenly captured the new trend of domestic future films and gradually focused on shooting "military films". The captain mentioned by everyone before is his initial exploration and success. Now everyone is talking about Dr. China, which can be called director Liu Weiqiang's re-exploration.
In a word, Chinese Doctors has achieved the visual impact of the audience, and the voice of the situation leads the audience to enter the anti-epidemic event in 2020 again.
One of the reasons for this blockbuster movie is that the luxury main lineup of the All-Star Game must be the first. In this movie, everyone who only needs facial camera lens is a good artist with a name. From the powerful actors Zhang Hanyu, Yolanda, Mei Ting, Zhu and Wang to the new generation of actors Yi, Sister Zifeng, Oho Ou and Zhou Ye, the overall strength and total flow are * * *, which not only ensures the performance line of movie characters, but also ensures the built-in total flow and movie audience.
Dr. Wen Ting, played by Yolanda, even though she wears a protective mask most of the time in the feature film, can accurately convey her mentality with her eyes, which makes people feel the same, whether it is the persistence and responsibility in her eyes when she shouts to patients to queue up, the helplessness when the doctor-patient relationship is misunderstood, and the inevitable obligation as a doctor.
Unforgettable, when I got off work, I sat at the table in the hotel restaurant, 1 o, while opening the packaged dinner. After receiving the news that Lao Wu had COVID-19 and died at home, I turned on my long-useless mobile phone, turned it page by page, and turned to the information sent to her by Lao Wu, listening to it one by one, holding a wooden chopstick in my hand.
At the same time, there is also a principal who speaks a strong Hubei accent as soon as he takes office. Although he is stubborn and inflexible, he deeply holds the mission and belief of saving the doctor-patient relationship. There are iron men who are angry at the seminar to show their confidence in saving lives, and there are also tender feelings of being miserable and afraid of losing when his wife suffers from a serious epidemic. It is said that Zhang Hanyu fell more than a dozen times to better show the reality that he fell downstairs because of "motor neuron disease".
On the other hand, there are some bugs that can't be ignored in characterization and background music.
For example, Wen Ting's excessive rationality is close to the "deified" brand image. In view of the over-emphasis on the "administrative management" of the principal, it seems that there is a lack of a brand image of the principal that carries the banner and stabilizes people's hearts. More like an old man with trivial management methods.
Dr. Xiaoyang, played by Yixiang Qianxi, was too heavy in the early stage and had too high expectations. He suddenly fell ill in the middle and late stage, and his role changed greatly, making him look pale and powerless. There are not be ignored bugs in its pathogenic factors and future diagnosis and treatment.
Oho Ou's role as a takeaway waiter is as imaginative as the last time he was treated, and the grief of his pregnant mother and his sad music background make people think that this role is dead when watching movies.
Naturally, this film was shot in a semi-documentary narrative way, which is really commendable in terms of the reproducibility of the scene and the professionalism assisted by doctors. From endotracheal intubation, extra-cardiac gentle pressure, pericardiocentesis to taking off protective clothing, even the equipment used in hospital scenes is real, including building shelter hospitals, which are all 1: 1 restored, giving people a strong sense of reality.
It is precisely because of its semi-documentary shooting skills that the mortality rate of patients decreases in the middle and late stages of the film, and the scene scheduling without any explanation seems a bit weird.
The only treatment mentioned in the feature film is extracorporeal membrane oxygenation, which is promoted by many authoritative experts in the play, but it can be the ultimate way to extend life. However, the "Chinese herbal acupuncture and physiotherapy" closely related to the reality at that time in China was only taken away in a hurry by the nursing staff's "eat Chinese medicine". It also pays attention to the sense of record, but it runs counter to the real social development, so the viewer's disapproval is the reason.
Generally speaking, despite its shortcomings, the film, as a theme of "China's fight against the epidemic" that will go down in history forever, is also worth remembering and thinking by the moviegoers. What film and television people have to do is to combine the effect, expressiveness, drama and ideology of the documentary and try their best to make better works.