1. Rigorous structure: Shuangxi traditional brush is dignified and compact, giving people a sense of stability as a whole. Each word has its own unique form and charm, which requires rigorous conception and layout.
2. Complex strokes: The strokes of Shuangxi traditional brush calligraphy are complex and changeable, with smooth and natural lines, dynamic and rhythmic. The strokes of each character have their own unique forms and changes, which require high calligraphy attainments to master.
3, pay attention to the use of pens: Double Happiness traditional brush calligraphy pays attention to the use of pens, and needs to use the characteristics and skills of brush, such as lifting, turning and weighing. In order to write beautiful strokes. At the same time, we should master the application and adjustment of ink color in order to achieve better results.
4. Unique style: The calligraphy style of Shuangxi traditional brush is unique, with strong artistry and appreciation. Its stroke lines are smooth and natural, and the shape is beautiful, giving people an elegant and solemn feeling.
Historical overview of brush calligraphy;
Brush calligraphy originated in China and became popular as early as the Qin and Han Dynasties. At that time, people recorded characters and paintings on bamboo slips, wooden slips, bamboo slips and other writing carriers with a brush dipped in ink, and gradually formed a unique calligraphy art.
The development of brush calligraphy is closely related to the history and culture of China. During the Wei, Jin, Southern and Northern Dynasties, brush calligraphy developed greatly, and many calligraphers and schools appeared. Among them, Wang Xizhi, Wang Xianzhi and others were representatives at that time, and their calligraphy works were praised as "the verve of Wei and Jin Dynasties" and became classics in the history of China calligraphy.
In the Tang Dynasty, brush calligraphy reached its peak. Li Shimin loved calligraphy, especially Wang Xizhi's, which made Wang Xizhi's calligraphy orthodox at that time. At the same time, calligraphers in the Tang Dynasty also created many new calligraphy styles and techniques, such as regular script and running script of Yan Zhenqing and Liu Gongquan, and cursive script of Zhang Xu and Huai Su.
During the Ming and Qing Dynasties, brush calligraphy gradually became diversified and personalized. Wen Zhiming and Zhu Yunming in Ming Dynasty, Zheng Xie and Liu Yong in Qing Dynasty all innovated on the basis of tradition and formed their own unique calligraphy style. At the same time, with the popularization of printing, brush calligraphy has gradually changed from practicality to artistry.
In modern times, brush calligraphy is still an important part of China culture. Many people like brush calligraphy as a way to cultivate their self-cultivation. At the same time, brush calligraphy spread and influenced all over the world, and became one of the important representatives of China culture.