Appreciation of the Artistic Style of Homesickness

Appreciation: Poetically, the four paragraphs are basically the same in words and sentence patterns: "... (adverbial of time), homesickness is ... (as the carrier of visual homesickness), I am here, and ... (the specific object of homesickness) is there". In one go, back and forth, as if it were a feeling, lingering sound, lasting forever. Poetry is pure and light in language, simple, frank and meaningful. Use adjectives such as "small", "narrow", "short" and "shallow" to decorate the central image and enhance the vividness of the language.

2. In terms of artistic style, this poem goes against the poet's early "modern period" characteristics of deliberately hammering words and refining sentences, painstakingly managing images and contradictory grammar, pursuing bizarre effects and creating strange words, and seeking abstinence from obscurity, and instead pursues a quiet and harmonious aesthetic style. Replacing complexity with simplicity and winning with lightness are also extremely gorgeous and belong to blandness.

Homesickness is a modern poem written by modern poet Yu Guangzhong in 1972. Through the time series of "when I was a child", "when I grew up", "later" and "now", the poem concretizes the abstract homesickness with stamps, boat tickets, graves and straits, summarizes the poet's long life course and endless homesickness for the motherland, and reveals the poet's profound sense of history. The whole poem has simple language and deep feelings.

4. Nostalgia: When I was a child/Nostalgia was a small stamp/I was here/My mother was there/When I grew up, Nostalgia was a narrow ticket/I was here/My bride was there/Later/Nostalgia was a short grave/I was outside/My mother was inside/Now/Nostalgia is a shallow strait/I am here/The mainland is there/