Zhao Zong talks about health.

Nowadays, whenever China's comedies are mentioned, many people will think of Zhao Benshan for the first time. Because Uncle Benshan brought laughter to thousands of people in China with his superb performances, his comedy influence in the hearts of China people has never been surpassed.

Unfortunately, Uncle Benshan has left the performance stage for many years because of his health and other reasons.

In fact, Uncle Benshan has been a group of disciples who are interested in supporting themselves on spring nights for so many years. For example, Song Xiaobao, Wang Xiaoli and yang shen are well known. He is also very much looking forward to his comedy in the Northeast.

But unfortunately, since Uncle Benshan withdrew from the CCTV Spring Festival Evening stage, the Northeast comedy has no place. On the other hand, today's Spring Festival Evening comedy is gradually showing a situation of "three heroes fighting for hegemony".

Take the Spring Festival Evening comedy of 202 1 as an example. The three forces are Deyun Society represented by Yun-peng Yue, Dawan Entertainment represented by Jia Ling and Mahua Entertainment represented by Shen Teng.

However, the once-popular Northeast Sky Group disappeared on the stage of the Spring Festival Evening. Now they can only perform some programs on the Spring Festival Evening of some local TV stations, and all kinds of responses are very general.

On February 15, many people saw the updated video of Benshan Media from the official media account of Benshan Media, only Wang Xiaohu, Yang Shulin, Tian Wa and Xiao Dongbei (Pill) shaved their heads collectively in the video. They also collectively shouted the New Year slogan of "Starting from scratch", which was very eye-catching.

In fact, this is a behind-the-scenes video of four people attending Zhejiang Satellite TV 202 1 Spring Festival Evening. At that time, they performed a sketch called "Save Uncle". The work itself satirizes the old custom: you can't shave your head in the first month, and the overall effect of the program is very general.

In this regard, some netizens commented that they are all a bunch of online paragraphs, which are not interesting at all!

Some netizens also said: This afterlife is completely over, and Master did not win popularity, so she became popular. This is obviously exhausted, and so is Jiang Lang!

Some people even compare them with today's Deyun Society. They said: Now the actors of Deyun Society have become male gods. Look at them, they are really exhausted! Will there be a market for these clowns in a few years?

Objectively speaking, through the development of comedy market in recent years, Zhao Jiaban's comedies have indeed been kicked out of the first echelon. Of course, there are many reasons for this situation, including subjective factors and objective environment.

First of all, with the higher educational level of the audience, the appreciation level and taste of the program are getting higher and higher. However, the comedy in Northeast China has always been a comedy of duet, and a lot of burdens also come from riffraff. Although these burdens are grounded, they are difficult to enter the elegant hall, and some are even vulgar. But these things are absolutely not allowed, especially on the stage of the Spring Festival Evening.

Yun-peng Yue once said: Without the help of my partner Sun Yue, I couldn't be where I am today.

Because in the early stage of my acting career, I always like to talk about shit and pee, because the audience likes to listen, and I think this is success. But Sun Yue warned me many times: If you say that again, I won't give it to you. You're not that advanced. You can't go too far. It is so boring.

Therefore, for a comedian, vulgar things can be there, but they must not be too much.

Secondly, as Degang Guo said, comedians must fight for culture in the end. Comedians need to force themselves to keep learning, not to improve their self-cultivation.

Now Shen Teng's success in Jia Ling is enough to prove the importance of culture to a comedian. They are well trained and their works are really tasteful. They can not only make people laugh, but also make people think, and they are suitable for all ages.

Having said that, many people will also say that the actors of Deyun Society are not trained. What is their success? In fact, they still rely on continuous learning and constantly charging themselves.

Take Degang Guo as an example. Although he only has a primary school diploma, I'm afraid few comedians dare to say that he is more educated now. But his cultural accumulation depends on continuous learning.

He has said many times that he doesn't like socializing, and he reads books or listens to Beijing opera in his study when he has nothing to do. This is what he did and what he asked of his disciples.

On the other hand, today's Zhao Jiaban does not seem to attach importance to the study and improvement of cultural literacy. On the contrary, everyone is obsessed with live webcasting with goods and likes to make quick money.

As a result, their comedies, both in quality and taste, have not improved at all, and they seem very boring in the eyes of many people.

No industry in today's society will be once and for all. Only by conforming to the trend of the times and constantly learning and making progress will we be in an invincible position. On the contrary, short-sighted, only concerned about immediate interests, will eventually be eliminated by the audience!