Who are the characters in Hulan River Biography?

1, "I"

When I was born, my grandfather was over 60 years old. When I was 4 or 5 years old, my grandfather was almost 70. I am an innocent, lively, lovely and naughty child.

My family lives in five houses. "I" stood in the street, not watching anything lively, but wondering if "I" could go far alone in the future. I wonder if I can go to that deserted place in the future.

2. Have two uncles

Two uncles are long-term workers. They have worked in my house for 30 years without pay. My family only provides accommodation for two uncles. So after working for 30 years, my second uncle still has nothing. There is a second uncle who is a very strange person. He doesn't get along with the people around him. He likes talking to birds in the sky, and he likes talking to rhubarb dog.

3. Feng crooked his mouth

He is a slave who dares to break the feudal traditional rules. He bravely pursues love and happiness, strives for the right to be a man, tries to change his own destiny, and shows the strength and courage of birth.

4. Grandpa

My grandfather is a kind, amiable and good-natured person. He often laughs like a child. He is tall and healthy, and likes to have a cane in his hand. He is also a kind and kind person. He always likes joking when he meets children. At home, I have the best relationship with my grandfather and often play with him in the back garden.

5. little reunion's daughter-in-law

A little girl who is only 12 years old and is called 14 years old; I used to "have long black hair and wear big braid" and "laugh at me". Said the food was delicious and I wanted to sit up and play with glass balls. Not shy at all, sitting up straight, walking fast, eating three bowls and so on. She is a healthy, naive, lively and simple child.

Extended data:

The Biography of Hulan River has three perspectives: one is the childlike perspective of children-"I", and children can't see the connotation of the event clearly, so there is a "defamiliarization effect"; One is the perspective of an adult narrator, who is detached from the characters in the novel;

The third is Xiao Hong's perspective. Xiao Hong's perspective is condescending. Readers may not see her, but she will come out to discuss at any time, sometimes even not, but readers can feel Xiao Hong's mood swings.

The "defamiliarization effect" of children's perspective: Xiao Hong uses children's perspective from an artistic point of view, because children's perspective can achieve the "defamiliarization effect". Children feel that the chaos and simplicity of the world are often closer to the truth of things, and they can see the hidden world that adults can't see or don't want to see, and they can also see the details of life that adults ignore or cover up.

In Biography of Hulan River, everyone said that little reunion's daughter-in-law was ill, so she caught a rooster to boil water and wanted to give little reunion's daughter-in-law a bath in a vat. Only "I" said, "She's not sick, she's fine." Playing with little reunion's daughter-in-law, "I gave her a glass ball and a plate. She said the food was delicious and took a photo in front of her eyes.

She said that glass balls are also very interesting. She plays with it with her nails. Little reunion's daughter-in-law "snickered when she saw me" and said to me childishly, "Wait a minute, you take a shower." Where did the two children know that "bathing" would wash away their lives?

Also, little reunion's daughter-in-law's braid was obviously cut by her mother-in-law, but "her mother-in-law said that this reunion daughter-in-law must be a demon. Just say, I fell down after sleeping all night. " Everyone believed what her mother-in-law said, but "I" said, "No, I cut it with scissors."

"I" and little reunion's daughter-in-law are children's communication, thus revealing the truth that little reunion's daughter-in-law is "not sick" and her mother-in-law's hair is "cut off". Children can't see and expect the cruel and horrible ending of things, which has covered the inner world of adults and achieved the "defamiliarization effect".

Readers have room to think at this distance, which makes the terrorist incident even more shocking. The use of children's perspective in Xiao Hong's novels creates a sense of surprise and freshness, so as to see the real face of the world. Children's perspective can also make extremely heavy tragedies easier and achieve a kind of strangeness.

For example, I saw two uncles knocked down by his father. "There are two uncles lying on themselves many times, and only two ducks come to peck the blood scattered around. Those two ducks, one with a flower neck and one with a green head. " The two uncles were angry and had no place to vent, so they were called "rabbit lambs".

I had a dream about the white rabbit in the curse of "rabbit lamb, rabbit lamb …". When I heard a second uncle say "rabbit mutton", I thought of a white rabbit. I like the white rabbit more and more. I woke up laughing. "From the children's relaxed and happy narrative, I feel that Bo Er's fate is even more tragic.