His works were selected in the Collection of Calligraphy Works in Shaanxi in the 20th Century.
"China Youth Daily" published a commentary "It's spirit that Dan Qing is difficult to write".
The paper "Freedom of Mind" was published in the first issue of Calligraphy Research and won the third prize of the Fifth National Calligraphy Symposium.
Comments on Dream of Reading Plums and Youth Calligraphy Newspaper
March 2000
Participated in the calligraphy exhibition for teachers and students held by South Korea in Zhou Junjie.
His works were collected and published by Beidahuang Calligraphy Gallery.
The review of "Yellow Land Produces Calligraphers" was published in the No.1 10 issue of Calligraphy Guide.
April 2000
Talking about Zen with Gaofeng was published in the first issue of Calligraphy Newsletter published in the same period.
May 2000
2 1 Century Calligraphy Outlook (8 persons) was published in "Friends of Calligraphy", issue 1.
In 2000, the second issue of Calligraphy Newsletter contained "Facing the future, how will Shaanxi book circles move towards 2 1 century".
Selected as "Invited Exhibition of Famous Calligraphers at Home and Abroad in 2000"
Selected for the 8th National Exhibition of Young and Middle-aged Calligraphy and Seal Cutting Works.
200 1 February
Culture and Art Newspaper and Metropolitan Economic Herald introduce the achievements of calligraphy.
200 1 may
The first Shaanxi Intellectual Writing Biennale was held in Shaanxi Provincial Art Museum from 0 to 5, with *** 15 participants.
"Calligraphy Research" 200 1 No.4 published "Who is Advancing Doctrine? Articles ".
June 2006 5438+0
The Expression of Existence —— The Modernism of Jia Pingwa's Calligraphy was published in the book Jia Pingwa's Calligraphy and Painting Art published by Shaanxi Tourism Publishing House.
200 1 September
Selected for China Modern Painting and Calligraphy Exhibition.
Selected for the third China-Japan-Korea Workers' Art Exhibition. The exhibition is sponsored by the All-China Federation of Trade Unions, Japan Education and Culture Association and Korea Labor and Culture Association.
200 1 10 month
Preface to Mr. Ding Wende's calligraphy collection.
200 1 65438+ February
Spring in Winter is published in Calligraphy Guide.
June 5438, 2002+10 month
Xiao Ma Hang Ma in Mo Quan was published in Calligraphy Guide, Calligraphy Appreciation and Art Newspaper.
February 2002
In 2002, the second issue of Calligraphy Research published Expectation of Calligraphy Culture Construction in the New Period.
March 2002
The "Three Gifts" includes the column "Collection of Calligraphy Works" in the No.1 17 issue of Calligraphy Newspaper, and also publishes a photo of life and a photo of works.
May 2002
Exploring the life implication of Shilu's flower-and-bird paintings 1700 words. Published in Sanqin Literature and History,No. 1 2002.
Preface to He Boqun's Calligraphy Art was published by Shaanxi People's Fine Arts Publishing House in April.
On the 23rd, his works won the special prize for the 60th anniversary of the publication of "Commemorating Mao Zedong's Speech at Yan 'an Forum on Literature and Art".
July 2002
In June, 5438+03, he participated in the 100-person exhibition of the China-Japan Painting and Calligraphy Exhibition.
On June 5438+05, he gave a lecture to Korean friends at Xi Jiaotong University. The topic is: writing, calligraphy, calligraphy art and the poetic nature of calligraphy art ..
September 2002
Won the highest calligraphy award in the first China-Lanting Theory Award. The winners are Wang Yuchi, Huang Yun, Cong Wenjun, Xiao Gaohong, Hua Rende, Sun Xun, Huang Jun, Shui friends swim, Wu Zhenfeng, Zhang Tiangong, Jin Xuezhi and Chen * * * 650. Qi Gong won the Lifetime Achievement Award, Ouyang Zhongshi won the Special Contribution Award for Education, 4 Education Awards and 6 Editing and Publishing Awards.
On the 6th, Hu Baoqi's article "Reproducing the Truth of the Mind with Art-A Record of Calligrapher Wu Zhenfeng" was published in Culture and Art Newspaper, and two works, 1 photo and art introduction were also published.
June 5438, 2002+10 month
2 1 27, Sanqin Metropolis Daily and Shaanxi Daily published exclusive interviews respectively. Du Xiaoying, a reporter from Sanqin County, interviewed Shaanxi calligraphy out of the trough, and Yang Xiaoling, a reporter from Shaanxi Daily, interviewed Wu Zhenfeng, winner of the first China Lanting Calligraphy Award.
June 5438, 2002+February
On the 24th, the Party Group of China Book Association decided to be a member of the Academic Committee of China Book Association.
February 2003
On the 28th, Shaanxi Daily published an article "Opportunities and Challenges-Written on the occasion of Shaanxi's successful bid to host the 8th National Book Expo".
Tao Laiwan, Ma Jingyun, Yi Long-Notes on Zhou Junjie's Recent Calligraphy Works was published in the second issue of Aesthetic Studies in 2003.
April 2003
1 1 "Exhibition Hall Cultural Identity and Shaanxi Calligraphy Development Opportunities" was published in the 8th issue of Shaanxi Daily.
June 2003
On 20th, Monologues of the Mind was published in calligraphy, No.6, 2003.
July 2003
On June 4th, 65438, The Eighth National Calligraphy Exhibition and the Present Situation of Calligraphy in Shaanxi Province was published in the 28th issue of Calligraphy Newspaper.
September 2003
On the 29th, "I like the state of Shi Xingwen" was published in the 39th issue of Calligraphy Newspaper.
June 5, 2003 to1October 38, 2003
15 The reasons for calligraphy criticism were published in the 42nd issue of Calligraphy Guide.
165438+20031October
16 The cultural orientation of Shaanxi calligraphy was published in the third edition of Shaanxi Daily.
June 5438, 2003+February
From 8th to12nd, he participated in the paper selection activity of the 6th National Calligraphy Symposium in Huanghe Guest House, Zhengzhou. This year * * * received more than 1 100 papers. Five first prizes, two prizes 10. 15 third prize. 20 nominations. 100 articles were selected. Jury directors Zhang Hai and Zhang Chuankai. Members: Zhou Junjie, Zhou Yongjian, Yu Shuguang, Liu Heng, Wang Shizhi, Yin Xu, Xu Liming, Zhang Tiangong, Huang Jun, Li Shumin, Xu Chao, Wu Zhenfeng, Western Chinese.
June 5, 2004 to1October 38, 2004
Li Shulian won the nomination award of the 8th National Calligraphy and Seal Carving Exhibition, and was exempted from on-site awards at the awards meeting on February 18, and won the "National Award". 59 people won this grand prize this time. The seven people in Shaanxi are: Wu Zhenfeng, Liang, Dong Changxu, Li Dejun, Zhang Zhi and He. Ma Guangzhou and Hotan were nominated.
March 2004
The 8th National Exhibition opened on 26th. In the afternoon, he spoke on behalf of the winners at the 8th National Exhibition Calligraphy Forum. On that day, the article Hope Shaanxi Calligraphy: Walking on the Earth was published in China Calligraphy (newsletter) and reprinted in the fifth issue of China Calligraphy.
The charm and ideological weight of calligraphy were published in Calligraphy GuidanceNo. 12. ..
April 2004
From February/KLOC-0 to 24th, I attended the 6th National Calligraphy Seminar in Huanghe Hotel, Zhengzhou. The paper "Inheritance and Growth of Calligraphy" was published as a special invitation in the collection of papers.
Treat art sincerely, and the official script works were published in the second issue of Shaanxi Pictorial.
June 2004
The production of "Calligrapher Wu Zhenfeng" in the TV series "Shi Sheng, Shaanxi" filmed and produced by Warwick Culture Advertising Company was completed.
July 2004
1 1- 15 went to Zhengzhou as a member of the academic observation group of China Calligraphers Association to participate in the appraisal of the first national youth calligraphy exhibition. Members: Zhou Junjie, Xihua, Xu Liming, Wu Zhenfeng and Wang Rongsheng.
On the 24th, Eight Diagrams Runbi was published in Art Newspaper.
August 2004
"Looking at Contemporary Calligraphy Creation from the Eyes of China People" was published in the eighth series. ..
September 2004
He was hired as a painting and calligraphy researcher by Shaanxi Literature and History Research Institute.
June 5, 2004 to1October 38, 2004
Edited the first volume of the art museum. It contains some thoughts on the sustainable development of calligraphy and so on.
The cultural responsibility of contemporary young calligraphers was published in China Calligraphy (the first issue of Youth Edition).
5 June 2004 to 5 February 2004
From 2nd to 6th, "Huashan Three Friends Calligraphy Exhibition" was held in Shaanxi Provincial Art Museum.
On the 6th, the front page of Shaanxi Daily reported the "Huashan Three Friends Calligraphy Exhibition". The third edition contains the clumsy article "Three Friends in the City".
In the preface of 65438+February, Li Tiemin wrote Old Tie Mo Yun, which was published by China Federation of Literary and Art Circles Press in February 2004.
June 5438, 2005+10 month
The first issue of China Calligraphy included 2004: the feast and myth of calligraphy. Sanqin calligraphy and painting was reprinted in the third issue of March, 2005 10.
On June 27th, 2005, Calligraphy Newspaper published a column of cutting-edge famous artists, and Xinya Review Bar published a collection of comments by experts such as Zhang Yu, Pan Liangzhen, Tang Yinfang, Zhang Aiguo and Tamia Liu.
China Painting and Calligraphy, a large-scale painting and calligraphy magazine, published the column of China Painting and Calligraphy Nomination Exhibition in the third issue in 2005. The representative painters in Shaanxi Province are Zhong Mingshan, Zhao Xiong (seal cutting), Liao, Wu Zhenfeng, Shi Xingwen, Xue Yangxian, Wei Jie (seal cutting), Gao Gaoliang, Zhang Hongchun, Tong Hui and Cai Bohu.
In the first issue of Central Plains Literature and History in 2005, there was an article "Zhou Junjie: the present perfect continuous tense" in the column of "One writer per issue".
April 2005
The second edition of the eighth issue introduces the calligraphy works of Huashan Sanyou in full, and briefly introduces Sanyou, containing 4 of my works.
Li Shu's works were selected in the 14th International Calligraphy Exhibition sponsored by Hong Kong International Calligraphy Federation, and his works were selected in the exhibition collection.
June 2005
On the 8th, edition 15 of Calligraphy Guide published "Jia Pingwa to Wu Zhenfeng on" Three Friends of Huashan Mountain ",published" Three Friends Entering the City "(Volume I), and published his work" Yue ".
On 22nd, edition 15 of Calligraphy Guide published the article "Three Friends Entering the City" (Part II) and the work "Wu Zhenfeng in Mi Fei".
The Inheritance and Growth of Calligraphy was published in the first edition of 2004 Contemporary Literature and Art Forum compiled by the Theoretical Research Office of China Federation of Literary and Art Circles in July 2005, and published by China Federation of Literary and Art Circles Press.
July 2005
Random thoughts on culture was published in the 22nd issue of Western Development Forum.
September 2005
Two official scripts participated in the Invitational Exhibition of Contemporary Calligraphy in China, which was compiled by China Calligraphers Association and published by Shanghai Calligraphy and Painting Publishing House.
6543813 participated in the "Invitational Exhibition of China Contemporary Calligraphy Masters" held in Wenling, Zhejiang.
June 5438, 2005+10 month
Calligraphy in the Name of Art Museum and the Inheritance and Development of Calligraphy were both published in the 8th issue of China Art Museum in June, 2005.
China Calligraphy Newsletter 10 10 No.2 10, published "Observing Calligraphy in the Name of Art Gallery".
Calligraphy works official script couplets were selected for the invitation exhibition of contemporary calligraphy masters in the Palace Museum. 7 1 people from all over the country and two works by Zhong Mingshan and Wu Zhenfeng from Shaanxi participated in this exhibition.
165438+20051October
1October 165438+ 1, and Xue Yangxian went to Beijing to attend the opening ceremony of "Invitation Exhibition of Contemporary Masters' Calligraphy in China Art Museum" and "First Nomination Exhibition of Contemporary Masters' Calligraphy", and participated in the "Academic Seminar on Contemporary China's Calligraphy Creation and Cultural Construction", where they made a key speech. Attending the seminar were: Ouyang, Feng Yuan,,,, Spanish, Yin Ruins, Liu Heng, Mei Mosheng, Zhang Tiangong, Chen Zhenlian and Ye Peigui.
165438+1participated in the "China (Taizhou) Gao Ershi Calligraphy Art Forum" from October 27th to 29th, and published the paper "Gao Ershi: A Case of Cultural Personality Witness". Taizhou Daily and Taizhou Evening News all have special reports. Interview with Taizhou TV Station.
June 5438, 2005+February
On February 2nd, 65438, Zhang Hongchun Calligraphy Exhibition "Attic of Language" was held in Shaanxi Provincial Art Museum, and made a keynote speech at the seminar. The article "Spring in Winter" was included in Zhang Hongchun's calligraphy collection.
Yu Shuguang's artistic life was published in China Calligraphy,No. 12, 2005.
On February 23rd, 65438, he participated in the academic seminar "A Series of Observation Activities of Famous Chinese Paintings in the 20th Century" sponsored by the Chinese Painting Research Institute, and "Two Stars Reflect-Qi Baishi, Yellow Album and Letter Exhibition".
Observing Calligraphy in the Name of Art Museum was published in February 2005 in China Contemporary Calligraphy Creation and Cultural Construction —— Proceedings of calligraphy theory Research Forum of China Art Museum.
Observing Calligraphy in the Name of Art Museum was published in the Proceedings of the 2005 Contemporary Literature and Art Forum edited by the Theoretical Research Office of the China Federation of Literary and Art Circles and published by the China Federation of Literary and Art Circles Press, and Wu Yi's Liang Sicheng and Architectural Spirit was also selected.
June 5438, 2006+10 month
On October 25th, 65438/kloc-0, the sixth edition of Calligraphy Guide published the article "Gao Ershi: A Case of Cultural Personality Witness".
February 2006
Li Shu's works were published in the third issue of China Calligraphy Newsletter in 2006 with personal introduction.
Watching in Hope-On Liu Jianshe's Calligraphy Art Published in China Pictorial.
April 2006
Talking about Lao Tie, which is contained in the second volume of Calligraphy and Painting Collection published by Central University for Nationalities Press.
The West Chamber, a famous historical site in Han Dynasty, was published in the second issue of Master Audi's House in 2006.
June 2006
Seven works were selected into the collection of "Invitational Exhibition of Calligraphy in Six Cities of Haitian Rhyme" published by Lanzhou University Press.
July 2006
He was nominated as the calligrapher with the most appreciation potential in China in China Calligraphy and Painting Investment (2005-2006).
August 2006
Wei Jie's Intellectual Capital was published in No.249, No.8, 2006, edited by Shaanxi Daily.
Literati's Writing in the Cultural Fracture was published in the 8th issue of Calligraphy in 2006.
September 2006
"It's all the fault of calligraphy" —— Reading Art Newspaper (17) on September 9, 2006.
Wei Jie's City of Wisdom, Mo Quan's Pony and Others, and Han Jun's Brothers were published in the 9th issue of China Art Museum in 2006.
The fan works are included in the "Collection of National Fan Invitational Exhibition of Taihu Book Style Masters" published by Shanghai Calligraphy and Painting Publishing House.
June 5438, 2006+10 month
65438129 October went to Beijing to attend the working meeting of the research group "Research on the National Collection of China Fine Arts in the 20th Century".
165438+20061October
Huang Tingjian's Random Thoughts on Shang Yun-One of Reading Ancient Notes was published in the third issue of China Book City in 2006.
65438+February 2006
Literary Writing in Cultural Fracture was published in the fourth issue of Art magazine in 2006.
2007 1 month
1 24, Sanqin Metropolis Daily introduced its artistic achievements and works with the theme of Being Determined by Theory and Creating Freely, and published two articles and three calligraphy works, namely Kuaigaoliang's Wu Zhenfeng's Intellectuality and Wisdom and Shi Xingwen's Wu Zhenfeng's Walking.
Sorrow, desolation, desolation, desolation and Apollo —— Reading painter Zhang Yangyu was published in the magazine Mingjing published in June 5438+ 10, 2007.
As the editorial board of Contemporary Chinese Painting magazine. I said Wei Jie was published in the first issue of the magazine.
Pursuing Poetry —— Feeling the Artistic World of Wang Jiaxin 1 2007 Fashion Travel Magazine.
April 2007
Wu Zhenfeng's Comments on Gao Ershi's Calligraphy was published in the April 2007 issue of Calligraphy magazine, with the total number of 2 1 1.
The Contemporary Significance of Jia Pingwa's Calligraphy "Jia Pingwa's Calligraphy and Painting" 1 edition published by Huacheng Publishing House in April 2007.
May 2007
On May 20th, an academic lecture on "Revival of China Traditional Culture and Development of Contemporary Calligraphy" was held in Sanyuan.
In 2005-2006, he was nominated as 100 calligrapher with the greatest potential for China calligraphy and painting investment in China art market.
The official script couplets were selected for the 3rd National Award-winning Writers Nomination Exhibition "Collection of Classic and Contemporary Calligraphy Works", which was published by China Calligraphy and Painting Publishing House.
His works were lucky enough to be exhibited in "Yu Youren Fine Calligraphy Exhibition and Cross-Strait Contemporary Calligraphy Masters Joint Exhibition" and included in the commemorative book.
Li Shu's works were selected in Runhua International Taihu Lake Style Contemporary 100 Essays Calligraphy Invitational Exhibition, which was published by Shanghai Calligraphy and Painting Publishing House.
The official script of Joy and Sincerity was published in the 43rd edition of the 702nd issue of Art Newspaper.
June 2007
As a member of the jury of the first temporary exhibition of Shaanxi Calligraphers Association.
As a judge of the academic seminar "Commemorating the 400th anniversary of Fu Shan's birth" sponsored by China Book Association. Attending the judging are: Liu Heng, Secretary-General of Academic Committee of China Calligraphy Association; Jiaren Zhang, China calligraphy correspondent; Zhang Jinliang, doctoral supervisor of Jilin University; Li Yi and Wu Zhenfeng, deputy editors of Art Watch.
Li Shu's works and personal profiles are included in the Collection of National Calligraphy Masters published by Lingnan Fine Arts Publishing House.
July 2007
On July 6th, 2007, 5438+05, the third edition of Shaanxi Daily published Li Shu's work Happiness and Goodness.
Excerpts from Cao Zhang's eight-foot book "Mao Zedong Sports Research" were exhibited in the "Han Mo Song China Art Museum Calligraphy Invitational Exhibition for Olympic Games" held by China Art Museum. Li Shu's Friendship of Talents and Cao Zhang's Mao Zedong Sports Research were published in the July 2007 edition of Ode to Momo at the calligraphy invitation exhibition of China Art Museum.
August 2007
On the Inheritance and Growth of Calligraphy, published by Shanghai Calligraphy and Painting Publishing House, was published in August 2007.
Dark Horse Zheng Moquan was published in the fourth issue of Contemporary Chinese Painting.
Contemporary Chinese Painting (No.8, 2007) included the seal cutting of Han Li Gas Bureau of the Korean Army, and another one had a seal cutting column.
September 2007
Memories of Three Old People (Fu, Yang Yunchang, Mr. Chen Shaomo) was published in the ninth issue of American Literature edited by Jia Pingwa in 2007, with a total of 26 1 issue.
On September 27th, he participated in the activity of "Red Dates Are Red-Hundreds of Famous Calligraphers in China Walk into Qikou" organized by China Calligraphy Association, and wrote "Tao Laiwan, Ma Jingyun and Yi Long" for hundreds of calligraphers in China.
On September 30th, he participated in the evaluation activities of the 2nd National Famous Calligraphy Nomination Exhibition of China Art Museum. Participants: Yang,,,, Wu Zhenfeng, who was absent for some reason.
The work "Buddhist Temple" was published in Vision magazine sponsored by Lanzhou University, with total number 148.
In the introduction, official script works and academic chronology, there is a column of "China's investment in calligraphy and painting" and an editor's note written by Qiao Dezhong, deputy editor. He said: "Wu Zhenfeng really has a different head from others. There are countless calligraphy papers published and awarded in major professional paper media and exhibitions in China, which confirms Wu Zhenfeng's wisdom and efforts, and records Wu Zhenfeng's profound knowledge and insights. Like a bunch of lights, it has led the healthy development of contemporary calligraphy in China to a certain extent. "
Wang Song: Unintentional Cloud was published in the 9th issue of Contemporary Chinese Painting.
June 5438, 2007+10 month
65438+1October 12- 17, participated in the paper evaluation of "National Exhibition Forum" held by China Calligraphy Association in Zhongshan, Guangdong. The judges are Zhu Guantian,,, Yao,,, Wu Zhenfeng.
Simplicity and Spiritual Extension —— Han Zong Complex in Zhang Yonghong's seal script memory was published in the fifth issue of Contemporary Chinese Painting.
As the editor-in-chief of everyone's ink painting. The first volume of this book was officially published by Huaxia Hanmo Publishing House. He also published the topic "The Love of Calligraphy by Three Friends in Huashan", two calligraphy works and the article "The West Narrow Monument of Han Fu".
Master of Mohism in Chinese Studies,No. 10, 2007, included the book Shadow by Books and the preface and postscript of Li's How Heavy Should Thought Be.
165438+20071October
He went to Beijing to attend the opening ceremony of the second National Famous Calligraphy Nomination Exhibition held by China Art Museum, and Cao Zhang's work Xin Qiji's Ci was exhibited in China Art Museum. And speak at the press conference. Members of the Art Committee: Directors: Ouyang Zhongshi, Shen Peng and Zhang Hai; Deputy Director: Fan Dian; Members: Yang,,,,, Wu Zhenfeng.
The Museum of Shaanxi Normal University held the Nomination Exhibition of Young and Middle-aged Calligraphy Masters in Shaanxi Province, in which eight authors, including Wang Meng, Liang, Wu Zhenfeng, Tang Zeping, Shi Xingwen, Liu Xing and Li Xiaoming, participated. The official script "Friendship of Literati" is permanently collected by Shaanxi Normal University Museum.
June165438+1October1September Langfang Daily China Painter's column included five pieces of Wu Zhenfeng's calligraphy and his resume.
In June165438+1October 19, Wu Zhenfeng's remarks were published in the fourth edition of China Education News.
5 June 2007 to 5 February 2007
Two works and resumes were published in the sixth issue of Contemporary Chinese Painting.
"Look on coldly and stick to the edge-Chen Yunlong's seal cutting" was published in the sixth issue of Contemporary Chinese Painting.
The fourth issue of Journal of Shaanxi Provincial Art Museum was published, with two articles: Re-discussion on the Inheritance and Growth of Calligraphy and Morning Reading-Notes on Art Philosophy.
Published the Collection of Calligraphy Works of Three Friends of Huashan Teachers and Students.
On February 30th, 65438, the Calligraphy Exhibition of Huashan Sanyou Teachers and Students opened in Shaanxi Provincial Art Museum.
The official script Cuibi Begonia Poems includes the 20th Anniversary of Tanghu Park —— A Hundred Years' Calligraphy Collection of China Calligraphers Chanting Begonia, which is collected by Chengdu Tanghu Art Museum.
The article "How Heavy Should Thought Be" was published in Sea Breeze and Overseas Magazine, February 2007, No.65438+No.65438 (65438 +096).
1 Li Shu works were selected as the first volume of the 9th National Calligraphy and Seal Cutting Exhibition, edited by China Calligraphers Association and published by Lingnan Fine Arts Publishing House.
June 5438, 2008+10 month
In the first issue of China Calligraphy in 2008, a volume of Mr. Wu, a famous contemporary calligrapher, included his comments on Wu's poetic wisdom.
February 2008
On February 6th, the calligraphy guide "Classic and Contemporary Calligraphy Style-Selected Works of National Contemporary Young and Middle-aged Calligraphers Exhibition" published an article entitled "Wen Neng Carries Tao as a Chapter", written by nave, an official scribe.
March 2008
From March 17 to March 26, Shaanxi delegation visited Japan, accompanied by Zhang Yangyu, Miao Zhongan, Xing, et al. 18, and visited Osaka, Kyoto, Kobe, Yokohama and Tokyo. Visit Hakone-CHO Art Museum, Tokyo Western Art Museum, Tokyo Museum and National New Art Museum.
Zhao Xiong's Cultural Appeal —— Taking seal cutting as an example, Zhang Zhe's cold lyric and flowery smile were published in Contemporary Chinese Painting magazine,No. 10.
On wei's calligraphy by people's fine arts publishing house.
On March 10, the article How Heavy Should Thought Be and a calligraphy work were published in B4 edition of China Calligraphy Newsletter.
May 2008
The official script "Hail to China" participated in the "Calligraphy Exhibition for 1000 People in Love Olympics and Harmony China" and was included in the exhibition collection.
June 2008
The way to restore the value recognition of traditional art "standing" —— My opinion on contemporary calligraphy standards was published in Art ObservationNo. 154.
Mr. Qi Gong's calligraphy works, such as calligraphy posts, poems and so on, recorded in the book were selected into the Qigong Statue Garden of the Northern Manchu Folk Garden and won honorary certificates.
Li Shu's works participated in the 8th International Calligraphy Exchange Exhibition and were collected by Jilin Provincial Art Museum. The collection certificate number is 0000 159.
August 2008
The mental journey of "Everyone" —— Reflections on the growth of calligraphy "Everyone" was published in the calligraphy edition of China Calligraphy and Painting Newspaper on August 14.
Two couplets are permanently collected by the Yutang Site Museum of Tang Huaqing Palace in Huaqingchi, Shaanxi Province.
The True Buddha is a Home-made Buddha-Mr. Zhang Rongqing I Know was published in No.39, No.3, 2008, China Art Museum.
The article "The Growth of Great Calligraphers and the Possibility of Classics —— Interpretation of Mr. Zhang Hai's Related Arguments" was published in the 9th issue of China Calligraphy Magazine in 2008.
The article "How to Identify the Value of Restoring Traditional Art" —— My Opinion on Contemporary Calligraphy Standards "was published in the 0808 issue of Art and Wealth magazine.
How to Identify the Value of Restoring the "Standing Product" of Traditional Art —— My Opinion on Contemporary Calligraphy Standards was selected in China Calligraphy,No. 10, 2008.
165438+20081October
Participated in "Invitational Exhibition of Contemporary China Famous Calligraphy" and "Chen Chao Calligraphy Seminar" held in Taixing, Jiangsu. Present at the meeting were Ye Pengfei, Xu, Wu Zhenfeng, Gao.
Shanghai Calligraphy and Painting Publishing House published "Calligraphy Library: Treasure Journey"; Pucheng Confucian Temple and General Yunhui Monument; The first temple of Wangyue-Xiyue Temple and its monument; And cliff carvings in Huashan and Xiyue.
Understanding Gao's Understanding was published in the issue 1 1 of Calligraphy magazine in 2008.
165438+1October 6th, Zhang Caoshu Xin Qiji's "Forever Imperial Le Jing Kou Gu Bei Ting Nostalgia" was collected by China Art Museum, with collection number SS08 1399.
65438+February 2008
The Relationship between Calligraphy and Body-On the 9th National Exhibition of Paintings and Contemporary Calligraphy Creation was published in the No.1 12 issue of Calligraphy magazine.
Nave, the official, published the 30th Anniversary of the Restoration and Reconstruction of the Party's Discipline Inspection Organs and the Collection of Shaanxi Anti-corruption Painting and Calligraphy Exhibition, which was published by China Painting and Calligraphy Publishing House.
Lishu Zhongti was selected into the Exhibition of Paintings and Calligraphy in Commemoration of the 50th Anniversary of the Establishment of Jinan Museum and Cai Hua Duquan, and was permanently collected by Jinan Museum.
June 5438, 2009+10 month
No.45, No.9, 2008, China Art Museum has "Mozi language" in official script.
Main Hall, Lishu, edited by Li Shumin, Selected Works of Contemporary China Famous Calligraphy, Henan Fine Arts Publishing House, 2009, 1 edition.
March 2009
On March 3rd, 2009, he joined the Prose Society of China with the membership card number of 200905 1.
Li Shu Fan contains Winter in Xingkai Lake, a collection of works of national famous calligraphy sketch exhibition, Heilongjiang Fine Arts Publishing House.
On March 28th, the official script work "New Year's Shengdelian" was permanently collected by Guangdong Bookstore. He was hired as a visiting researcher by Guangdong Bookstore.
April 2009
The collection of the second national official script exhibition forum "Three Meanings Superposition: A Contemporary Perspective of Interpreting Inscription Official Script" is a specially invited paper. The official script couplet Collection of the Second National Official Script Exhibition was specially invited by the judges. China Federation of Literary and Art Circles Press, April 2009.
May 2009
The article "Zhou Jiali in Zhou Junjie" was published in the 6th edition of Calligraphy Newspaper in May, 2009 13 18.
June 2009
The article "Mr. Zhang Hai's Simplicity and Freedom" was published in China Calligraphy No.6 in 2009, with a total of 194.
On June/0/2, Kloc went to Hanzhong to give an academic report entitled "Contemporary Perspectives of Calligraphy" at the invitation of Shaanxi University of Technology. Be employed as an adjunct professor. He and Shi Xingwen had a discussion with the teachers and students of the college and answered their concerns.
2/kloc-0 From June 20th to June 20th, 2000, I went to Beijing to attend the academic seminar of Zhang Hai Calligraphy Exhibition and made a speech at the meeting.
On June 14, Shaanxi Daily published the article "Calligraphy Write Me" in Qinling.
How to Identify the Value of Restoring the "Standing" of Traditional Art —— My Opinion on Contemporary Calligraphy Standards is included in Contemporary Calligraphy Standards of China Contemporary Art Strategy Seminar Series published by Jiangxi Fine Arts Publishing House.
July 2009
On July 1 day, Culture and Art Newspaper published Zhang Xinlong's article A Glance at Wu Zhenfeng, and published five works.
In July 1, Calligraphy Guide published Chen Huachun's "Carry Calligraphy to the End-An Interview with Wu Zhenfeng".
From July 24th to 28th, I participated in the paper selection of the 8th National Calligraphy Symposium in Zhengzhou, Henan Province.
The judges of this year are: Zhu Guantian,,,,, Ye Pengfei, Yao, Lai Fei, Cong Wenjun, Li Yi, Jiang Shoutian and Wu Zhenfeng.
August 2009
A calligraphy work was collected in the centennial Daqing of Shanxi Library, and the collection certificate number was 09244.
At the invitation of Yuyao City, Zhejiang Province, Li Shu's works were included in the collection of works of national famous calligraphers.
September 2009
From September 4th to 7th, invited by the official script committee of China Book Association, I attended the "National Official Script Seminar" in Wutai Mountain.
The Calligraphy Guide and the People's Government of Xinzhou City, Shanxi Province hosted "Celebrating Wutai Mountain's Successful Application for World Heritage —— Calligraphy Exhibition of Thousands of Calligraphers in China and China Calligraphy Culture Forum", and invited the paper "Thoughts on Being an Official: the Significance of Calligraphy in Writing Classics", with works 1 piece. I can't keep the appointment for some reason.
June 5438, 2009+10 month
65438+ 10 65438+June, went to Zhengzhou to attend Zhou Junjie "Dafeng Pavilion-Zhou Junjie Calligraphy Exhibition" and Zhou Junjie Calligraphy Academic Seminar, and gave a keynote speech. On June 5438+07, he attended the 8th National Calligraphy Seminar with Shaanxi delegates Liu, Yang Suoqiang, Liu Tianqi, Wang Yabing and Feng Suiping.
65438+1From October 20th to 23rd, he participated in the 7th International Symposium on the History of China Calligraphy organized by Cultural Relics Publishing House and Xi 'an Beilin Museum in Xi 'an Oriental Hotel, and read the paper "Three Meanings Overlay —— Contemporary Perspectives on Cognition of Inscriptions and Official Letters" at the conference, which was recognized by experts.
The Archives of Contemporary Young and Middle-aged Calligrapher Wu Zhenfeng, edited by China Calligraphers Association and published by Rong Baozhai Publishing House, was officially published recently. The series Archives of Contemporary Young and Middle-aged Calligraphers consists of 46 cases of young and middle-aged calligraphers under 60 carefully selected by China Calligraphers Association, aiming at recording the creative trajectory of contemporary young and middle-aged calligraphers, showing their creative strength and level, and then summarizing and exchanging creative experience. Most of the selected books are young and middle-aged calligraphers who are active in the field of calligraphy creation in recent years, with profound creative strength and wide influence, which can basically reflect the creative strength and level of young and middle-aged calligraphers in contemporary calligraphy circles. Three calligraphers were selected for this series of books in Shaanxi. The publication of Archives of Contemporary Young and Middle-aged Calligrapher Wu Zhenfeng not only reflects the strength and level of young and middle-aged calligraphy in Shaanxi in recent years, but also is a national academic achievement obtained by Shaanxi Provincial Art Museum.