(now Suzhou, Jiangsu) people. Born into a vendor family, his father Tang Guangde and his mother Qiu were grumpy when they were young. They should spare no effort when they are young, and then go to Beijing.
Liu Ru layman
After he was released from prison, he went to Zhu, the king of Ning, only to find that Zhu had the intention of rebellion, that is, he fled back to Suzhou. Since then, I have never given up my career, concentrating on painting and calligraphy, indulging in appearance and unrestrained temperament. He is good at landscapes, figures, flowers and birds. His landscape paintings were studied by Chen Zhou in his early years, and then by Li Tang and Liu Songnian. He painted mountains and painted mountains with an axe, which was majestic and steep, but his pen was fine, his layout was sparse and his style was elegant. Figure paintings are mostly ladies and historical stories, inheriting the tradition of the Tang Dynasty, with clear lines, gorgeous and elegant colors, beautiful posture and accurate modeling; He is also a freehand brushwork figure, and his pen is concise and interesting. His flower-and-bird paintings are freehand and elegant. In addition to painting, Tang Yin also engaged in calligraphy, learning from Zhao Mengfu, and his calligraphy style was fantastic and handsome. There are some paintings that have been handed down from generation to generation, such as Riding a Donkey to Home, Singing in the Mountain Road, Mingming, Uncle Wang's Palace Prostitute, Li Duanduanju, Autumn Wind and Fan, and Qiuci Cuan.
Tang Yin is also very accomplished in literature. Palace poetry is full of travel, painting and sentimental works, which can not only express the wild and detached state of mind, but also express the indifference to the world. Slang and slang are used in poetry, which is easy to understand and simple in meaning. He wrote the Collection of Six Confucian Laymen, and the Qing Dynasty compiled the Complete Works of Six Confucian Laymen.
Mountaineering poems
Up, up, up,
Liu Ru layman
Up the hill.
Looking up, the sun is red and the clouds are low.
All the oceans and lakes are looking at each other.
Bi ti Zao Xuan
The basic structure of the painting gallery is painting boats.
Blue waves are rippling and blue algae are growing.
Bonon climbed up the building during the day.
There was smoke outside the window, and the scene drifted straight.
Curtains hang down and flowers bloom.
The fish frolicked in the reflection of the railing.
On the poets who moved from time to time.
Call it the Crystal Palace.
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all one's life
Tang Yin's ancestral home is Jinchang, which is now Jincheng, Shanxi, so in his calligraphy and painting, he often writes the word "Jinchang Tang Yin". Shanxi people are good at doing business. In the Northern Song Dynasty, the Tang family moved south and began to do business in Nanjing and Suzhou. Tang Yin was born in a businessman's family in Wuchili, Wuxian County, Suzhou. Tang Bohu was gifted at an early age. He is familiar with the Four Books and Five Classics and has read a lot of history books. At the age of 65, 438+06, the champion, caused a sensation in Suzhou City. At the age of 29, he went to Nanjing to take the provincial examination and won the first place in Xieyuan. Just when he was full of ambition, he went to Beijing for the exam the next year, but he was unlucky because he was involved in the fraud case in the examination room.
Liu Ru layman
It is generally said that Xu Jing, the son of Jiangyin's richest man, secretly bribed the examiner's furniture and got the test questions in advance. After the revelations, Tang Yin was also implicated in prison. Cheng and Li Dongyang were the examiners of the Beijing College Entrance Examination in 1998. Both of them are well-read, and the questions are so obscure that many candidates can't answer them. There are only two papers, which are not only properly answered, but also elegantly worded, which makes Cheng blurt out with joy: "These two papers belong to Tang Yin." This sentence was heard by the people present and dispersed. Tang Yin visited him many times after he went to Beijing, especially after Cheng was appointed as the main examiner. Tang Yin also asked him to preface one of his poems. This aroused the suspicion of others. This time, when I heard Cheng say this in the examination room, I was caught by people who usually hate him. A group of people began to talk about the emperor, saying that Cheng had taken bribes and let the cat out of the bag. If it is not strictly investigated, it will lose the hearts of scholars all over the world. Emperor Xiaozong believed it and was very angry. He immediately decided not to allow Cheng to read newspapers. All the papers read by Cheng were re-read by Li Dongyang, and Cheng, Tang Yin, were put into Dali Temple prison and tried by special personnel. After Xu Jing went to prison, he couldn't stand the torture. He admitted that he bribed Cheng's relatives with a piece of gold, stole the examination questions and leaked them to Tang Yin. After a joint examination by the Ministry of Punishment and the government, Xu Jing overturned his confession, saying it was a confession. Emperor Wu of the Han Dynasty ordered "rehabilitation", and Cheng died of dissatisfaction after he was released from prison. After Tang Yin was released from prison, he was banished to Zhejiang as a petty official. Tang Yin was ashamed not to take office.
There are many records and different accounts about this case. In fact, this is the result of the internal struggle of the ruling class. "Biography of Emperor Chengzu of Ming Dynasty" said: "Or the prison of sensitive politics, Fu Han wants to seize its position, so that it can be played and the secret can't be clear." But there is no doubt that this matter is extremely serious for Tang Yin. From then on, Tang Yin decided to pursue a career. After returning home, he was addicted to wine, traveled to famous mountains and rivers, and determined to be a companion of poetry, painting and calligraphy all his life.
In the 13th year of Hongzhi in Ming Dynasty (1500), Tang Yin left Suzhou and arrived in Zhenjiang by boat. From Zhenjiang to Yangzhou, he visited places of interest such as Slender West Lake and Pingshan Hall. Then take a boat along the river and cross Wuhu and Jiujiang to Lushan Mountain. The magnificent scenery of Lushan Mountain left a deep impression on Tang Yin. This was fully reflected in his later paintings. He returned to Huangzhou by boat and saw the remains of Battle of Red Cliffs. Tang Yin's Red Cliff Map was drawn on this basis. Later, he went south to Hunan, boarded Yueyang Tower and visited Dongting Lake. And climb Mount Hengshan in Nanyue south. Re-entering Fujian, roaming the famous mountains of Wuyi and Jiulihu in Xianyou County. Tang Yin transferred from Fujian to Zhejiang, visited Yandang Mountain and Tiantai Mountain, crossed the sea to Putuo, and then returned to Anhui, Huangshan and Jiuhua Mountain along Fuchun River and Xin 'anjiang River. At this point, Tang Yin had spent all his money and had to return to Suzhou. Tang Yin's trip to Wan Li Road lasted more than nine months, and he traveled all over the famous mountains and rivers, adding a lot of materials for his later paintings.
Back in Suzhou, my family was poor, and my wife made a scene and finally left him. He lives in a small building facing the street at the corner of Qufang Wu. He entertains with painters and sells paintings for a living. He wrote in a poem: "No alchemy, no meditation, no ploughing for merchants." If you have time, write a picture of Danqing and sell it. There is no money on the earth. "In order to show my ambition of fame and fortune, I specialize in reading and selling paintings for free.
Six is like a layman asking for a picture.
When Tang Yin was thirty-six, he chose Taohuawu in the north of the city, built an elegant and leisurely home, and lived a crazy life. Taohuawu was originally a bamboo slip villa in Zhangzhuang, Song Dynasty, which has gone through many vicissitudes and is now in ruins. But the scenery here is pleasant and the environment is quiet. A clear stream flows, and several wild peach willows die by the stream, which is quite interesting in Shan Ye. The following year, Tang Yin built the Taohuawu Villa with the money from selling paintings. Although there are only a few huts, elegant plaques are hung under the eaves, such as Xuepu Hall, Mengmo Pavilion and Butterfly Zhai. Tang Yin loved peach blossoms all his life. The villa was named "Peach Blossom Temple", and he named himself "Lord of Peach Blossom Temple", and wrote "Song of Peach Blossom Temple": "Peach Blossom Fairy nurtures peach trees and breaks branches for drinking. When you wake up, you just sit in front of the flowers, and when you are drunk, you will sleep. Flowers bloom day after day, and people wake up drunk year after year ... "In the spring, the garden is full of flowers, and he invited Shen Zhou, Zhu Yunming, Wen Zhiming and others to drink and compose poems, paint with a brush, and break up happily. . "Drink like day, drink when you come, don't ask, sleep when you are drunk." (Zhu Yunming's Epitaph of Tang Ziwei) At this time, Tang Yin was at leisure and detached.
In the ninth year of Ming Dynasty (15 14), he was recruited to Nanchang by Wang Ning, the imperial clan of Ming Dynasty. Later, he found himself caught in a political conspiracy in Wang Ning, so he pretended to be crazy, escaped and returned to his hometown. Later, Wang Ning rebelled against the imperial court and was pacified. Fortunately, Tang Yin escaped death, but he also caused a lot of trouble. Since then, my thoughts have gradually become depressed and I have turned to Buddhism. Since then, he has been named "Liu Rusi", and the seal of the autonomous party is "Escape from Zen Immortal".
After returning from Nanchang, I was sick all the year round and couldn't paint often. Besides, I can't keep a house, so my life is very difficult. I even often borrow money from my friends Zhu Zhishan and Wen Zhiming. In the meantime, the famous calligrapher Wang Chong often came to help and married Tang Yin's only daughter as his wife, which became the happiest thing for Tang Yin in his later years.
Liu Ruju's Yin Mingtang Episode 6
In the second year of Jiajing in the Ming Dynasty (1523), at the age of 54, his health was even worse. This autumn, at the invitation of his friends, he went to the Wangs' home in Dongshan. However, there are two sentences in Su Dongpo's original work: "A hundred years is strong and a half, and there will be no more pain in the future", which just touched Tang Yin's mood. He was sad for a while, and fell ill after leaving home, and soon ended his miserable life. After his death, he was buried in Taohuawu North. Jiajing moved to Hengtang Town, Wang Jiacun in 26 years. After his death, his relatives and friends Wang Chong, Zhu Yunming, Wen Zhiming and others raised funds for the funeral. Zhu Yunming wrote an epitaph of more than a thousand words, which was written by Wang Chong and engraved on a stone tablet. Most of Tang Yin's life stories in later generations were obtained from this epitaph.
Tang Yin's political career was bumpy and his old age was bleak, so that his poems were almost scattered behind him. During the Wanli period of the Ming Dynasty, the poems and people admired by Changshu booksellers spared no expense to collect and sort out poems and songs for him. Fu Zi read nearly 100 poems lost by Tang Yin before his death, which made Tang Yin have the first complete collection of poems handed down from generation to generation, and Luoyang paper was expensive for a while. Later, a famous publishing bibliophile in Jiangnan. Jin Mao, a bookseller in Changshu, also appreciates Tang Yin's talent. When cataloging Chronicle of Poetry in Ming Dynasty and Wen Yuan in Ancient and Modern Times, he collected Tang Yin's poems and anecdotes in particular, enriching and perfecting Tang Bohu's poems and accumulating vivid cultural materials for future generations.
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Rebuild Liu Ruju's tomb.
Jin Mao later independently undertook the task of rebuilding Tang Yin's tomb. According to the Records of Suzhou Prefecture, in Shen Jia on March 16, Chongzhen, Jinmao and Jinshi from the same county went to Hengtang, Gusu, Wang Jiacun. Because of the barren thorns in the tomb of the Tang Dynasty, a generation of talented cattle and sheep were exiled to the cemetery, and they suddenly felt a pity. He inquired in nearby Fu Tian, only to know that after Tang Yin's death, there was only one grandniece and widow among the heirs, who was trapped in the city because of financial difficulties, so that Tang Yin lacked four-time sacrifices. Jin Mao lamented sadly: "This is the sin of being a friend. People who have read Bo Hu's articles for thousands of years are all his friends. Why bother? " Therefore, Jin Mao generously donated money, rebuilt the tomb seal, set up a stone tablet, and built three ancestral temples next to the tomb. Lei Qijian, a local official in Suzhou, wrote an inscription "Rebuilding the Tomb of Xie Yuan in Tang Dynasty", saying "Those who prefer to leave the stone behind forever."
At present, only ruins are left in Tang Yin's former residence, but Tang Yin's tomb in Hengtang, a western suburb, is still well preserved and was renovated at 1955. During the unrest, the cemetery was destroyed and later restored. Tang Yin's tomb includes leisure thatched cottage, Liurutang, Mengmo Hall, tomb area, Shinto and memorial archway. The whole cemetery is strewn at random, revealing some elegance in silence. The tombstone is engraved with "Tomb of Tang Jieyuan". After coming to the thatched cottage, it was changed into a teahouse. Tang Yin loved tea all his life and had an indissoluble bond with it. He wrote many tea poems and left some excellent tea paintings, such as The Picture of Qin Dynasty, Tea Tasting Picture and Shi Ming Picture. Mengmo Hall displays Tang Yin's life story. Liurutang is taken from Tang Yin's Buddhist name Liu Ru in his later years.
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Talent and learning
Tang Yin's early paintings include "Attacking Li Tang Far" and "Making Friends in China". In his early years, he worshipped Shen Zhou, the founder of Wu School. Shen Zhou and Zhou Chen were both famous painters in Suzhou at that time. Shen took Yuan painting as his ancestor, and Zhou took the Southern Song Dynasty college painting as his teacher. These are two schools in Paintings of Ming Dynasty. Although Tang Yin learns from Zhou Chen, he has the reputation of winning the blue. Tang Yin, who is also his strong point, has made great progress at one time, even surpassing his teacher Zhou Chen, and gained great fame by combining the brushwork of Yuan people with the style of Southern Song Dynasty. Tang Yin painted the most landscape paintings and achieved the greatest success. Tang Yin's footprints are all over the mountains in Sichuan, and his chest is full of Qian Shan's mountains and valleys, which makes his poems and paintings have the vigor and vitality that Wu Shi people don't have, and turn them into chic. His landscape paintings mostly show majestic and steep mountains and rivers, pavilions and small bridges, beautiful mountains and rivers all the time, and also describe pavilions, gardens and literati's leisurely life. Landscape figure painting is magnificent, slightly beautiful and unique, with rich and diverse themes. Because Tang Yin seldom marks the year on his paintings and his painting style changes irregularly, it is difficult to infer the time when he painted, and it is also difficult to divide the changing process of his painting style by time. After Zhou Chen, Tang Yinshi lived mainly in the Southern Song Dynasty, but sometimes his paintings were similar to those of Shen and Wen, such as the Southern Tour. This was given to Tang Yin by pianist Yang when he left Suzhou at the age of 36. Tang Yin is good at freehand brushwork of flowers and birds. He is lively and free-spirited, full of interest and full of realism. Legend has it that the Raven Array written by Tang Yin hangs at home. One day, thousands of crows circled on the roof as if they were fighting fiercely, which was amazing. The representative work of Tang Yin's flower-and-bird painting is a picture of withered chaff. Its composition adopts the method of folding branches, and the branches of dead trees bend from the lower right and extend upward, with bright colors, painted with dry pen and thick ink, old and straight. Draw a myna perched on a branch singing loudly by ink accumulation method, and the branch seems to move with the festival, thus showing the harmonious beauty of life rhythm in nature. Bare pen leaves, one or two thin vines, several wild bamboos, and the old leaves on the dead trees are drawn together, which adds a sense of tranquility and freshness after the rain. In the upper right corner, the poem reads: "The mountains are boundless and the birds are singing in the spring rain." Poetry and painting set each other off, combining the expression of the object with the artist's interest, which embodies extraordinary thoughts. This painting is a small freehand brushwork and handy all the way. It uses calligraphy instead of writing, with strong brushwork, beautiful shape, concise brushwork, elegant brushwork and graceful image. This shows Tang Yin's outstanding achievements in exploring freehand brushwork techniques and opening up a new realm of flower-and-bird painting. Tang Yin's ink-and-wash flower-and-bird paintings are mostly ink-and-wash, and Mo Yun is bright and interesting. Its famous "Rain Bamboo Map" takes two groups of thick leaves as the main branches, then light leaves, and then echoes with a few strokes of the first leaves. All the leaves rush down and the rain hits the bamboo leaves. Tang Yin's calligraphy originated from the fusion of Zhao Mengfu, and its style is rich, smart and elegant, which is covered by the name of the painting. His masterpiece "Poems of Falling Flowers". Tang Yin loved peach blossoms all his life, and named himself "Master of Peach Blossom Temple", and wrote many peach blossom poems. For example, the poem "Taohuawu" says: "Flowers bloom all over the village dock, and the wind and smoke are like the ancient Taoyuan; Thousands of trees reflect the sun, warblers sing wildly, and thousands of trees dance in pairs in spring ... "But when he saw that the ground was full of fallen Englishmen, he was disappointed when he related his rough experience. Bend down to pick up the red falling from the ground, put it into the medicine box and bury it on the east side of the grain. For this reason, he wrote more than 100 poems, expressing his indignation at the feudal rulers' destruction of talents. It has been verified that the plot of Daiyu's flower burial in A Dream of Red Mansions is based on this.
Tang Yin's poems are true and simple, informal, widely spoken and fresh in artistic conception, often full of pride and injustice to life and society. For example, in the song of wine to the moon: although I am ashamed that I don't have Li Bai, I expect myself not to be ugly in the middle of the month; I don't go on the emperor's boat or sleep; There is a hut outside Gusu City, with ten thousand peach blossoms all over the sky. Another example is the poem: everything is providence, so why use a series of tricks; You are always satisfied with three meals a day and get a sail. When everything is born, when will it hurt everyone? The enemy should reconcile, not reconcile, and turn around.
Besides poetry, you can also compose music, mostly in the form of folk songs. Because Tang Yin has profound literary and artistic accomplishment in many aspects, he has experienced rough experiences, extensive knowledge and profound understanding of life and society, so his works appeal to both refined and popular tastes, and his reputation is far spread.
[Ming] Tang Yin's Song of the Peach Blossom Temple
Taohuawu Taohua Temple, Taohuaguan Taohuaxian.
Peach Fairy cultivates peach trees, picks them and drinks them.
When you wake up, you just sit in front of the flowers, and when you are drunk, you come to sleep under the flowers.
Half drunk and half awake day after day, flowers bloom year after year.
I hope I die of old age. I don't want to bow my head in front of horses and chariots.
Car dust and clues show things, and wine is hidden in snuff.
If the revealer is compared to a hermit, one is underground and the other is in heaven.
If we compare Hua San to horses and chariots, I will have no leisure.
Others laugh at me for being crazy, and I laugh at others for not being able to see through it.
There are no graves of Hao Jie in Wuling, no flowers, no wine, and no hoes to plow the fields.
Explanation:
Wuling and Wuling were originally named after five tombs built here in the Western Han Dynasty. In the ninth year of Emperor Gaozu (BC 198), Liu Bang accepted the advice of Liu Jing, a doctor, and moved 2,000 stone officials, rich people and heroes from kanto region into Guanzhong to serve Changling, and built Changling County near the cemetery for immigrants to live in. Later, Emperor Gaozu Liu Ying was in Jian 'an Mausoleum, Emperor Jing of Han Dynasty was building Yangling Mausoleum, Emperor Wu of Han Dynasty was building Maoling Mausoleum, and Emperor Zhao of Han Dynasty was in Jianping Mausoleum, all of which followed suit and successively built Jian 'an Mausoleum, Yangling Mausoleum, Maoling Mausoleum and Heping Mausoleum near the Mausoleum.
"I didn't see the tomb of Hao Jie in Wuling. There were no flowers, no wine and no hoes." It means: although heroes in history were once brilliant, there are no graves now, and they can only be used as farmland. How can I be as free and easy as Tang Yin, drinking by flowers?
Heroes in the Five Tombs refer to.
Tang Yin is good at painting landscapes, figures, ladies, flowers and birds, especially famous for landscapes and ladies. Tang Yin's landscape paintings were imitated by Shen Zhou in his early years, but rarely handed down from generation to generation. Existing works include Yellow Bamboo Map in Dongting, Zhenshoutang and Bamboo Map on Bamboo by Tang Yin at the age of 2/kloc-0. Middle-aged landscape painting is dominated by patriarchal clan system, while Zhou Chen's landscape painting was taught by Liu Songnian in the Southern Song Dynasty, so Tang Yin's painting can be traced back to the institutional painting school represented by Liu Songnian in the Southern Song Dynasty. Under the influence of his teacher Chen Zhou, he learned the rigorous and vigorous style of Song people. At the same time, he also participated in Xia Gui's composition and pen and ink techniques, extensively dabbled in the strengths of Li Cheng, Fan Kuan, Guo He and Huang Meng in the Northern Song Dynasty, and gradually formed his own style. The layout of the picture is rigorous and orderly, the shape is real and vivid, the mountains are majestic, the rocks are steep, the axe is chopped, the brushwork is vigorous, and the pen and ink are dripping. Representative works include Wang Chong's Out of the Mountain, Pei Tai Real Scene, Walking Spring Bridge, and Travel Map of Guanshan, etc. By the end of his life, his painting style had broken away from Zhou Chen's style and became independent. At this time, there are many meticulous landscapes, and his works include Wind of Mountain Road, Companion of Spring Mountain, Lonely Man in Sunset, Story of Xizhou, Lonely Man at the Seats, etc. Judging from the style of these paintings, the composition of the painting style is concise and clear, and the pen is more careful, just like you Simiao, slim but not weak, powerful and rhythmic, with the beauty of combining rigidity with softness. There are many ways to cut rocks, such as short cutting, long cutting, straight cutting, reverse cutting, square folding, round turning and so on. Trees, houses, streams and other scenery, interspersed with orderly, dense but not smothering, miscellaneous but not chaotic, full of rhythm and aesthetic ethereal beauty of literati painting. The ink is dripping and rich in shades. Tang Yin's landscape painting has made such great artistic achievements. On the one hand, it is because he can break the stereotype. No matter the northern painting school, the Jiangnan painting school, the courtyard landscape painting in the Southern Song Dynasty and the Yuan Dynasty, and famous painters such as Shen Zhou and Zhou Chen, he studied hard, learned from others' strengths, innovated and created, and finally formed his own painting style. On the other hand, the most important thing is that he has personal observation and real feelings about natural landscapes, and draws nutrition from inexhaustible real landscapes, thus playing an important nourishing role in his landscape painting creation. His works are magnificent, precise, delicate and profound, surpassing some contemporary painters.
Tang Yin's paintings of ladies and figures, in general, have not crossed the fence of figure paintings in the Southern Song Dynasty, especially his meticulous figure paintings, which are heavy in color, bright in eyes and white in teeth, red in face and pink in cheeks ... are still the legacy of Nanzhu Painting Academy. His figure paintings can be roughly divided into two types. One is fine lines, beautiful colors and high weather, which originated from institutional paintings in the Southern Song Dynasty. For example, in the picture of prostitutes in Wang Shu Palace, the painter dyed the face of a maid-in-waiting with traditional meticulous techniques and the "three white methods", which highlighted the strong application of maid-in-waiting. The lines of clothes are drawn with fine and smooth iron lines, and the clothes are painted with rich colors, which makes the front edge gorgeous. Vividly depicts the famous prostitutes scrambling to dress up, competing for beauty and coquettish incomparable, worthy of being a masterpiece in the picture of Tang Yin ladies. The other one was born out of the courtyard of the Southern Song Dynasty, with smooth pen and ink and undulating lines. Representative works include ⅸ autumn fan map and Li Duanduan map, and the painting style has changed from beautiful to simple and elegant. The painter combined the description of Li Xing's flowing water with the description of Yan Hui's overlapping reeds in the Song Dynasty, which made the picture full of rhythm. Tang Yin's figure painting has profound realistic skill, accurate image and unique charm, so Ming Shi commented on his figure painting "Qian Shunju is below, (Du Jin) is above the laity".
There are not many flower-and-bird paintings handed down from ancient times in Tang Yin, and the existing works include Meme Map, Zhu Feng Map, Spring Scenery of Famous Prostitutes, Lotus in Water and Apricot Flowers. The painting style is far from the ink painting in Song and Yuan Dynasties, and it has been refined with Shen Zhou's innovation. For example, in "Mo Mei Tu", Tang Yin painted a plum blossom with ink, and the plum blossom dried with strokes is boneless, with elegant and free brushwork, which is quite textured. And "Partridge in Spring" is a casual ink painting, which is more lively and free than Shen Zhou, and it is not as rough and bold as Lin Liang and Lv Ji, and it has its own fresh and lively interest.
Tang Yin is not only a famous painter, but also a poet. According to incomplete statistics, he wrote about 600 poems. His poetic style is gorgeous, popular and fluent, lyrical and impromptu, and he wins with talent. The content of poetry and prose mostly exposes social contradictions, expresses injustice and has strong ideological content.
Tang Yin's contribution to traditional painting can be roughly summarized as three points: First, he integrated the North-South School and carried forward the tradition of painting with words. In the early Northern Song Dynasty, due to the different geographical conditions and styles, Chinese painting was divided into two factions: North and South. The northern painting school represented by Li Cheng, Guan Tong and Fan Kuan has profound painting style, solid stone body, fantastic painting style and magnificent momentum; The Southern School of Painting, with Dong Yuan and Ju Ran as its masters, has a soft and gentle style, elegant and smart pen and ink, moist ink and a strong sense of distance. However, they all have their own weaknesses, such as the exposure of the northern painting school, the lack of meaning, the lack of charm and a sense of distance. Southern painting school lacks strength, solemnity and charm. Tang Yin's achievement is to break the stereotype. From the aspects of brushwork, momentum, brushwork and color setting, he integrated the different origins of the North and South schools and absorbed the advantages of Yuan painting. Finally, it formed a unique style with rigorous structure, peculiar style, elegant brushwork, dripping ink and ethereal artistic conception. His paintings not only have the profound skill of Song painting, but also have the bookish spirit of literati painting, which has made great contributions to the rise of Wu Pai and the promotion of literati painting tradition. Second, the organic combination of poetry and calligraphy. Tang Yin is not only a famous painter, but also has profound attainments in poetry and calligraphy, making new contributions to the organic combination of poetry and calligraphy. The combination methods are as follows: First, the style of calligraphy and painting is consistent and harmonious, and the interest of calligraphy is very similar to that of painting, because both emphasize the reproduction of individuality and true feelings. Tang Yin's calligraphy originated from Zhao Mengfu and Li Beihai. His brushwork is elegant and meticulous, and his style is dignified and natural, similar to the "courtyard-style" landscape painting style, but he is also clean and elegant in composition. The second is to apply calligraphy to painting, which is more obvious in Tang Yin's handed down paintings. In addition, the harmony between poetry and four is another feature of Tang Yin's painting. For example, Tang Yin's poems are bold and unconstrained, and there are worries in the play; His paintings are the same as poems, such as seeing profundity in portraits and thinking in plays. Third, the close combination of poetry and painting. Poetry and emotion in Tang Yin's paintings are closely related to the theme and artistic conception of the paintings, thus clarifying or enriching the connotation of the pictures. The blue ink on the back of the work vividly expresses poetry through the creation of symbol, implication, personification and artistic conception. This combination of poetic and uneven beauty is also a major feature of Tang Yin's paintings.
Tang Yin's contribution to painting and calligraphy is also manifested in other aspects, such as deepening the theme of literati painting, promoting the all-round development of landscapes, figures, ladies and flowers and birds, and strengthening the self-expression consciousness of literati painting, which has a far-reaching impact on later generations.
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Liu Ruju visited the imperial harem.
More than 400 years ago, Tang Bohu quietly came to the Congress Temple in Tiantai Mountain, Zhejiang Province. He came all the way from Yandang Mountain and other places, travel-stained. After sitting in the guest room for a while, the two sides visited the temple, the smiling Maitreya Buddha, the mighty and brave King Kong, the devout Lohan, and the towering Buddha tent ... When they moved into the Guanyin Hall, the hall was full of Guanyin and the golden light was dazzling, which attracted the Tang Priest to stop and look closely.
Buddhist nun asked, "Sir, the Sanskrit translation of Guanyin Bodhisattva is abbreviated as Guanyin, because the Tang Dynasty avoided' the world'. During the Tang and Song Dynasties, it was all men. In the Yuan Dynasty, in order to promote Buddhism and help women believe in Buddhism, she was changed into a kind and compassionate female Guanyin and became a famous female bodhisattva in Buddhism. What should the many bodhisattvas here be called? "
The confidant said, "Because Guanyin can enlighten all sentient beings, Beijing Pumenping said that he has 32 metempsychosis, so what we see here is all the metempsychosis of Guanyin, including Guanyin with thousands of hands and thousands of eyes, Guanyin with fish baskets, Guanyin in white, Guanyin with willow branches, Guanyin with fragrant flowers, Buddha's body, Brahman's body, emperor's body, vulgar body and official body. ...
Tang Bohu nodded and looked at Guanyin one by one. Sniffing Guanyin caught his attention, and he saw Sniffing Guanyin holding a flower with a kind and solemn face. Tang Bohu's respect arises spontaneously, can't help but reverently worship, praise words blurted out:
Laugh at the flowers and break the sandalwood lips,
Realize the dust and color.
Take, for example, the phoenix-crowned imperial concubine,
The moon on the rooftop worships Buddha.
Tang Bohu later painted many Guanyin statues. As soon as he put pen to paper, the solemn and elegant statue of Keizo Obuchi appeared, which shows that Keizo Obuchi's superb plastic arts left a deep impression on Tang Bohu.
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Six monks selling fans.
Tang Yin, the word Bohu, was the first of the four gifted scholars in the south of the Yangtze River in Ming Dynasty. Known as "Tang Jieyuan", he made his own seal and wrote: the first romantic talent in Jiangnan. Bohemian, romantic and elegant, open-minded. Fine poetry, calligraphy and painting, knowing rhythm and good travel.
One midsummer, one day I wanted to go to Xizi Lake alone, and I was walking in the middle of the road. Seeing a restaurant, I got drunk and went in. After drinking the wine, I wanted to check out and looked for money in my bag, but it was empty. But looking around, I don't know him very well. I said to the bartender, "I left in a hurry and didn't bring any money." Can I take credit for the time being? " Yes: "No!" Yin was at a loss and looked embarrassed. He was flustered and sweaty. Throw away the fan and shake it. Suddenly you think, "Why not use a fan to hold the wine?" Talking to the bartender, but not agreeing, Yin lowered his brow for a long time, and he had a plan. He let out a cry and sold the fan in his hand.
At that time, an elder in middle school, Eguan, was a rich man in Hangzhou. Q: "You fan, can you fold geometry?" Yin said, "That's enough." When handing it to him, the rich man took a look and said, "The painting on the fan is obviously graffiti, and it is the hand of an unknown homo erectus! Nothing is worth it. " Say that finish and throw it on the ground, staring very unhappy.
Russian leaning, a cloth like a scholar, looking forward to it. Picking up the fan, he even said, "Wonderful! Wonderful! Wonderful! Wonderful! It is simply a famous master! " After watching Yin for a long time, I saw that Yin was very imposing, charming and handsome. He said, "Are you Tang Bohu, the' first gifted scholar in the south of the Yangtze River'? ! "Silver has no words, quiet and carefree. The drinkers were all surprised, arguing and watching. Everyone wants to buy Bohu fans at a high price. Yin is not rich, just with that scholar. The scholar took out two taels of silver, only twelve taels, and said, "I have little money, so I'm afraid it's hard to buy it." Yin said: "I admire your first step, so this step belongs to you." If you are short of money, you can only collect five taels, which is enough to pay for drinks. " The scholar accepted it and thanked him.
When the rich man saw this scene, he woke up from a big dream. He said with a smile, "Tang Jieyuan is brilliant, knowledgeable and well-known. Some people don't know anything about Mount Tai, the first step of painting, a Chinese odyssey to the West, and the miracle on earth, and many old people are offended. Mr. Qi Han Hai. " So he took Yin's clothes and sat down together, ordered dining tables, and asked the scholar to sit down together. Drunk, head down, trying to get out of the restaurant. The rich man said, "Sir, stay!" Yin asked, "What is it?" I said, "Sir, can you sell that to the old lady?" Yin Dao: "No!" The rich man was a little sad and said, "What if I have a thousand dollars left?" Yin only cares about walking. The rich man was furious: "What are you doing? ! "Yin burped, ha ha laugh, was about to step. The rich man was furious and said, "give me back my wine and food!" " Yin said, "You asked me to have a drink, not what I meant. "。 How can I not eat stuffing cakes when they fall from the sky? ! "The drinkers burst into laughter.
At this time, another guest came in the crowd, wearing soap and trousers, and was quickly caught. "Tang Jieyuan is a famous person in Jiangnan. I heard about him a long time ago. How much do you know about this old man? " Yin said, "I have never heard of it. I have never seen it. " "This is one of the four giants in Hangzhou, and so is Master Hu Tianfu," said the arresting officer. Yin said, "What does it have to do with people?" Whisper before catching up. Yin said, "Oh! It turns out that this man has a friendship with your master. I really didn't know that. Stop. Stop. Stop. Pen and ink are waiting for someone to draw a picture for Hu Jia. "
In an instant, Four Treasures of the Study was ready. Yin said, "Hu Jia turned around." Hu Jia didn't know what was going on, so she had to do it. Tang Bohu made three strokes and two strokes, and immediately drew it, only to see everyone laughing. Hu Jia didn't know what the so-called thing was, so she took off her coat and looked at it. He became ashamed of being angry, opened his mouth with anger and was crowned with indignation. Aauto Quicker pointed to Tang Yin and said, "How dare you!" Tang Yin smiled and said, "Forget it!" With these words, he left the pub by the hand of a scholar in cloth and disappeared in a hurry.
If you know what Tang Bohu painted on the back of the coat of Hu Man Tianfu, a rich man, you might as well tell him: tortoise.
Penglai Confucius said: Ho ho! People respect me one foot, I respect people ten feet, and those who respect people respect people; If you don't respect others, deal with them as they deal with you.
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Six such as laity "burning incense and sitting still"
Burn incense, sit silently, wake yourself up,
Whispering in my mouth.
What's the harm in your heart?
What lies are there in your mouth?
People can talk to their hearts,
Filial piety and faithfulness will start from now on.
Others either come in or go out,
How can we not grind our brains?
Put your head in the flower branch, hold the cup,
Listen to singers sing and watch dancers dance.
The ancients also said that eating color,
People today are ashamed of this.
Speaking of heart and mouth,
It's somewhat deceptive and unreasonable.
Yin is not good at shading,
Then it's no use doing it for me.
Please sit down and listen to me.
Everyone will be born and die.
Seeing Yan Jun die is shameless,
He's a good man.
Note: Nirvana means "grinding without phosphorus, nirvana without nirvana". Mórblín and niéríz explained: "It will not become thinner after grinding and will not become black after dyeing." Metaphor means that a determined person will not be affected by the environment. The Analects of Confucius Yang Huo: "Didn't you say it was firm? Phosphorus-free grinding. Isn't it white? Nirvana is not nirvana. "